Adventures Of An Urban Sketcher

Thursday morning I decided to walk south and visit an industrial area near a railroad yard in Quebec City.  I’m something of a train nut and I thought maybe I could sketch some trains.

I was walking to the freight yard when I happened upon this scene.  I liked the yellow wall, juxtapositioned next to the brown train car and the harsh shadow between them, so I decided to sketch it.

I set up to the left of where this photo was taken, on a sidewalk, with the street behind me.  My WalkStool was actually straddling the railroad track.  Those railroad tracks crossed the street and went somewhere.  I didn’t pay much attention.   I remember chuckling to myself that at least this subject wouldn’t drive away like a car I was sketching earlier in the week.

I was having a really nice time as the sun felt good, it was quiet, and the sketching was going well.  I’m a really slow sketcher so I’d been there more than an hour and I was intently adding color to my ink sketch.

I was so concentrated on the work that I didn’t even hear it… until a guy walked up to me and his shadow crossed my paper.  “Qu’est-ce que tu fait, Monsieur?” (What are you doing, Mister?)   I looked up to see a guy in overalls and a baseball cap staring down at me.  And then I saw IT.  It was an EMD SW-1500 switch engine, idling no more than ten feet from where I was sitting – on the railroad tracks.

I told him I was sketching and showed him my sketch.  I stood up as I did and he told I’d have to move.  As I was packing up he walked over to the derail (that yellow thing clamped to the track), disengaged it, and motioned to the engineer to move forward.

By then I was taking photos of the engine.  I did mention that I’m a railroad geek didn’t I?  Once they’d engaged the boxcar, the guy dropped off the engine, walked back to me, and asked if I could show the engineer my sketch.  I was both amazed, excited, and nervous all at once.  The sketch you see below bought me access to the cab of that engine, which for a railroad geek is a really big deal.  And then they hauled my boxcar away.  And that, my friends is what I call a great day of sketching.

Here’s the sketch.  I still have to add the white letters on the boxcar and I’ll probably do that with a colored pencil.  This sketch was done in my Stillman & Birn Alpha sketchbook (10×7), using a Lamy Safari XF and Platinum Carbon Black ink.  Color is W&N artist watercolors.  Has anything like this happened to you while you were sketching?

 

Sketching Quebec City, One Building At A Time

A couple things have happened recently that are causing me to rethink what I post on this blog.  The first was an email I got asking me why I wasn’t posting more of my sketches here.  The other thing is that Facebook is continuing to march out its horrible Timeline format, which makes posting sketches on Facebook very difficult unless you’re happy with postage-stamp size postings.

I started this blog to promote my mystery novels and I’ll continue to use it for that.  But, because I love fountain pens and because I’m learning to sketch, I’ve started doing posts about those topics as well.  As the email suggested, though, I have not posted most of my sketches here.  That’s going to change and while I’m not a prolific as a lot of sketchers, I hope I’ll be posting sketches regularly.  I’d like to hear any comments regarding my art, or what you’d like me to talk about as we head through spring and into summer sketching season.

To start that off, here are a couple of my latest building sketches.   Both were done in a Stillman & Birn Alpha series sketchbook.  I’ve been using these sketchbooks for a while and I love them.  These sketches were done in my new 10×7 (landscape format) spiral-bound sketchbook, though I generally prefer hardbound journals and S&B make some of the best.  But for outdoor sketching I really like the spiral-bound approach as I can fold it back, plunk it on my lap and draw.

Chez Madame Charlotte’s Restaurant

This has got to be one of the cutest restaurants in Quebec City.  Everytime I walk by it I think of Gary Larson cartoons.  The stairway of this sketch was the real challenge and having done one, if I’m made king I will ban them from my kingdom.

Stillman & Birn 10×7 Alpha; Lamy Safari w/Platinum Carbon Black; W&N watercolors

Les Colocs Restaurant

This is another restaurant in Limoilu, one of the older parts of Quebec City.  You can’t help but notice its colorful facade and this is the second time I’ve sketched it.  I was trying out a new pen, a Hero Calligraphy pen.  Works great but I used Noodler’s Black ink which, in spite of its ‘bulletproof’ label, is not waterproof enough to apply watercolor washes on top of it.

Stillman & Birn 10×7 Alpha; Hero Calligraphy pen w/Noodler’s Black; W&N watercolors

I hope you enjoy these and those I’ll be posting in the future.  Are you as excited as I am that the snow is gone and we can get out sketching again?

 

See The World One Sketch At A Time: The Art of Urban Sketching

Once upon a time there was a boy who live in Spain.  His name was Gabi.   One day, while walking home from a bullfight, he noticed a newspaper headline that read, “The Greatest Coffee in the World” and being a curious lad he wondered what could make coffee the ‘greatest.’

It’s unclear to this day what caused it to happen but Gabi became obsessed with understanding who created the greatest coffee and how they did it.  He soon discovered the answer to the who question.  It was a company called Starbucks, a name that reminded him of Moby Dick, not great coffee.  He found that Starbuck’s headquarters were in Seattle, Washington and, determined to follow this quest, he boarded a plane for Washington.

Upon arrival, and ever hopeful, Gabi went immediately to the nearest Starbucks to taste some of that ‘greatest coffee.’  And there he learned the secret.  You take plain old coffee,  let the consumer make many choices so they feel good about themselves, and you charge them four bucks for the ‘greatest coffee in the world.’

***************


If I’m completely honest I don’t have a clue how Gabriel Campanario came to reside in Seattle, Washington but I’m a writer; I make stuff up.  What I do know is that Seattle is the better for it as Gabi writes a sketching column for the Seattle Times.

He’s touched the rest of us by creating urbansketchers.org around the concept of urban sketching – drawing on location in an urban setting.   The organization has chapters all around the world and explains itself by “See the world one sketch at a time.”

And Campanario’s new book,  The Art of Urban Sketching, brings this idea to print in an exciting and educational fashion.   You can find many of the sketches between its covers on the Internet if you surf around long enough.   The book, however, brings context to those sketches.  It does so in a variety of ways but principle among them are thoughts of the artists themselves.   Also, each of the sketches comes with a statement of what materials were used in their creation – vital statistics for those of us trying to achieve the high quality of the included sketches in our own.  It’s 320 pages are a bargain at its $17 street price.  Anyone who has even the slightest interest in sketching needs a copy of this book.

The book itself is divided into three sections.  The first section is an introduction to urban sketching, with discussions of what it is, what its challenges and rewards are, and what materials are most often used.  Some examples are provided but the points are not belabored.

The second section of the book is the majority content.  It takes you on vacation, or rather on lots of vacations.  Over 50 world cities are represented, each with artists and their sketches representing their special nature.

The eye-candy is amazing, of course, but much can be learned about art, artists, and cities from these chapters.  Best of all, you can curl up and let Gabi and his fellow artists take you places you’ve never been – maybe never heard of before.

The third and final section of the book talks about the various types of sketches done by urban sketchers.  We’re a strange lot as while we will sketch broad vistas and large spectacular buildings many of us are drawn to the more mundane.  We find it fun to turn lamp posts, streetlights, fire hydrants, or even a mailbox into art.

This is one book I can recommend unequivocally.  And it’s not that much more expensive than going to Starbucks (grin).