Capturing The Motion Of A City

Posted on August 25, 2013 by Larry Marshall

I’m primarily a building sketcher. I don’t have to worry much about my subject walking or driving away. But I’m also an urban sketcher and things do move in cities. Trains, planes, and automobiles are constantly on the move, as are buses, construction equipment, and parade floats.

How do you capture complex objects that won’t sit still? You can use photos but I’m not that fond of sitting in my office drawing pictures. To be honest, I have difficulty drawing from photos. I’ve spent enough time field-sketching that I just ‘see’ so much more in real life than I can see in a photo.

I did a spur of the moment experiment and I thought I’d share it with you. I was walking along ‘my’ river and at one point there’s a train bridge that crosses the river and heads into the downtown train station.

As luck would have it the train from Montreal pulled across the bridge and stopped. It does this because it has to wait while they throw a bunch of switches so it can back through a wye (trackage to turn a train) so that, ultimately, it can back into the station. In less than a minute the train backs out of the scene.

I decided to sketch it so I got out my Stillman and Birn Zeta (5×8) and a pencil. That’s right, a pencil. I quickly drew a long box to represent the train, the slope of the nose of the train, and several lines indicating where the major parts of the bridge intersected with the train. Then, the train was gone.

I got out my pen and started drawing the bridge. I thought my brain was going to melt at times while trying to figure out all the angles of the steel-truss bridge but it was also fun. I left the site with a bridge with a big, long empty box inside it.

When I got home I sifted through my photos, surfed the internet, and ultimately found a picture of the ViaRail train engine, taken from its left side. This gave me all the detail information I needed to complete my sketch. I did have a bit of difficulty envisioning the proper perspective but most of what I needed to add were squarish panels, so it wasn’t too bad. I liked the result. I have captured a train.

I suppose an urban sketcher purist would take issue with my use of a photo this way but, to me, the hard part of this sketch was done on site and I am now looking for other ways to capture moving objects. Next stop…to sit across from a metrobus stop, drawing a bus; the buses arrive/depart every 10 minutes. Only a few seconds per bus but there are lots of buses. Wish me luck (grin).

Taxi Guys Need A Place Too!

Posted on August 19, 2013 by Larry Marshall

Firemen have their firehouse. Policemen have donut shops. Sketchers have libraries, coffee shops, and street corners. And taxi cab drivers need a place too. In Quebec it looks like this:

At least the one not far from my house looks like this. I’m not exactly sure what they do in there but they have a washing machine outside. I suspect it’s something of an oasis that lets the drivers get out of the car once in a while. The bright yellow building and the orange background wall conspired to insist that I draw them, and so I did. Stillman & Birn Zeta (5×8) using a Uniball Signo UM151 pen. It’s hard for a fountain pen guy to admit it, but I love these pens and their waterproof ink.

New Restaurant In Quebec

Posted on August 9, 2013 by Larry Marshall

I don’t have an official count but I think Quebec City has more restaurants per capita than most cities on the planet. I pass no less than 9 of them on my way to a new one that has just opened and I don’t live in what one might call a dining hotspot.

But open it has, a new Vietnamese restaurant named Ubong. If the outside is any reflection of the inside, though, I’m sure it will be successful as they’ve completely remodeled the building and painted it with this stunning yellow and green paint and trim.

It’s on a well-traveled street and every once in a while I’d have to stop as a truck or bus blocked my view and there was a steady stream of pedestrians, some of whom stopped to say hello. I really enjoy this part of street sketching. It was sketched in my Stillman & Birn Zeta (5×8) and I used a Uniball Signo UM-151 (.38) in black, followed by drawing the window and door frames using a brown-black version of the same pen. W&N artist watercolors added a bit of shadow and color.

More Small Sketches… More Fun

Posted on July 29, 2013 by Larry Marshall

I’m continuing to have fun with small 3×5 (or smaller) sketches. Thought I’d share a few more with you.

This is a small, adorable building that is the home to a dress designer. It looks like something from a fairy tale and seemed like a great small sketch subject. As with my previous small sketches, this one (and the others here) were done in a Moleskine watercolor sketchbook. This particular one was done with a Pilot Prera and Platinum Carbon Black ink.

We took a day trip down (up?) the southern coast of the St. Lawrence River to Kamouraska. I’d hoped to sketch some of the great buildings there but instead I did this sketch of my daughter looking out at the ocean (the Atlantic is out there somewhere if you look far enough). I like this one a lot, probably because of the subject matter.

I was walking across the bridges that crosses the St. Charles River just as it flows into the St. Lawrence and decided, without much thought, to sketch this scene. I think the scene would have been better served by a larger format but the little sketchbook came out and the pen started jittering around the paper. I’m not a fan of sketching while standing and this is further evidence that I’m not very good at it. But they can’t all be great. It was still fun, which is why I do this.

Lastly, and certainly least, I was taking a break on Terrace Dufferin, a large boardwalk associated with the Chateau Frontenac. Across from me was this guy, looking out at the St. Lawrence. I took out my cheap sketchbook thinking I’d just do a one-minute sketch of him and, big mistake, I started the sketch in portrait format, thinking I was only going to draw him and couple boards to represent the bench. Then I sort of got carried away making squiggles to represent the railing and before I knew it I was having to draw him smaller than I planned, the bench became more integral to the sketch, and in the end I had a tiny, 2×2 vignette of a guy on a bench. It’s sort of scratch and way too small but again, quite fun and I thought I would share it as an example of improper planning… or maybe just the right amount 🙂 This one was done with a Uniball Signo UM151 (brown-black) pen. I really like these pens and I’m now armed with several of them.

Do You Sketch Small?

Posted on July 23, 2013 by Larry Marshall

I’ve always carried a small sketchbook with me for doing quick-sketches of things. But more and more I’ve been sketching in 5×8 or 10×7 sketchbooks. Working larger is fun and lets me ‘stretch’ my gaze a bit more. The result is that my small sketchbook became a cheap dollar store sketchbook that wouldn’t tolerate watercolors while my larger sketchbooks are all Stillman & Birn, first-class sketchbooks. The ‘gap’ between small and large had become greater in my sketching.

So I tried one of Stillman & Birn’s 4×6 sketchbooks. In fact, I’ve nearly filled two of them. The paper is fantastic, as always, but a 4×6, thick sketchbook is too ‘big’ to be called a ‘small’ sketchbook, at least for this street sketcher. I need something I can stuff in a pocket.

And so I bought a Moleskine watercolor book. I don’t much like its landscape layout but it’s tolerable in this small size. The larger one is almost painful to manage if you try to balance it on your knee while sitting on a stool, which is my typical approach. I do wish they’d produce a portrait format sketchbook with their watercolor paper. Heck, what I really wish is that Stillman & Birn would produce a thin (30pages?) 3×5 sketchbook with their Epsilon paper. Then I’d be a very happy sketcher.

This is a Celtic Cross in Artillery Park. 3x5 and done with a Pilot Prera.

This is a Celtic Cross in Artillery Park. Done with a Pilot Prera.

Anyways, I’ve started doing small pen & ink watercolors again and I’m really enjoying it. I thought I’d share some with you. All of these were done in the tiny Moleskine. I’ll mention the pen used in captions.