Tag Archives: Strathmore 184lb

What’s A Pencil?

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When I came to sketching I’d been using fountain pens for all of my writing for decades.  It never occurred to me to use anything different to draw stuff.  So I’ve spent years using fountain pens for sketching and rarely have I tried anything else, though I’ve spent a bunch of time with watercolor pencils in museums when watercolors weren’t allowed.  But with the COVID scurge going on I’m doing more experiments.  I’m not sure why, but I think it has to do with me doing more art in isolation rather than going out with friends to sketch some location.

I was at an Artistes dans les parcs event last week.  Even here I’m mostly by myself because the language barrier prevents a lot of interaction between myself and the rest of the participants.  Anyways, I was out on the shore of the St. Lawrence River sizing up some rocks to draw.  For whatever reason I got the idea to draw them with a pencil.  I dug around in my bag and came up with a short hunk of Blackwing 602.  Here’s the result.  Another result of this experiment is the realization that I’ve never learned how to draw with a simple, graphite pencil.

Strathmore 184lb Toned Tan paper, pencil

Sitting In The Morning Sun… I’ll Be Cooked Before The Sketch Is Done

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Apologies to Otis Redding for the title of this post.  But it describes pretty well a morning I had at the latest Artistes dans les parcs event.  It was all my fault.  Sometimes I forsake rational thinking while choosing a sketching subject.

This event took place at a spiritual retreat site that looks like it has its roots as a home for the upper crust.  The grounds are huge and high on a hill that overlooks the St. Lawrence River.  Almost all of the participants set up easels in a shady area so they could paint the coastline.  Those were the smart ones because we were in the middle of a heat wave with pressing heat and humidity.

Me, I took a different approach.  I decided to sketch a bunch of stairs.  My thinking was simply that I needed practice sketching stairs.  I didn’t think about the fact that to do so required that I sit out in the open, in bright sun, and that I would sweat myself to become ill from the process.  I cooked, and cooked, and cooked, more concerned about lilies and concrete than how I was feeling.

When I came out of my sketching fog I realized I wasn’t feeling that great.  Only then did I realize that I was light-headed and dripping with sweat.  I headed for some shade.  Then I realized that I had forgotten to bring a waterbottle.  All I had to drink was my back up water for painting, all 30ml of the stuff.  I drank that and then waited for the little bit of breeze to cool me down.  In the end I was fine, with only a hint of stupid to chew on.  I did go home early, however.  It was just too hot to be out without water.

Life In The COVID Lane

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I’ve got to say that COVID isolation is both positive and negative for me.  It’s great that both my wife and daughter are home all the time, a real bonus for a retired old guy like myself.  It also gives me some time to get a bunch of house repairs done, a long list of which has accumulated during my two years of bad health.  And COVID isolation my wife time to rebuild and work in her garden which was neglected as she ferried me to doctors for those two years.

In spite of my telling her that it’s “not my hobby,” I’ve been spending more time with garden tools than with my fountain pens.  So I apologize for the lack of blog posts, but all this stuff is just how we’re coping with the stress of life in 2020.  COVID isolation has disrupted my “daily sketch” regime in a major way.  Oops.

Here’s a sketch of our garden staging area.  By that I mean that we went to a garden center, filled our vehicle with a jungle of plants and many of them are shoved into this area as they wait for garden beds to be created for them.  I drew this the day we finished a couple raised bed vegetable gardens and moved a whole bunch of plants from this area to their new home.  Hope you like it.

Refining My Scribbles

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The COVID stuff has caused me to be somewhat apprehensive about spending a long time in one place while sketching and I’ve got to walk a lot each day as I build strength in my bad leg.  These two things combine to have me doing very quickly, fairly sloppy scribbles where I capture something in a couple minutes.

As time has gone by, however, I’ve gotten a bit more comfortable being out and about and so the other day I slowed down a bit.  I’m still capturing subjects quickly but I’m choosing smaller subjects so I can be a bit more careful with my lines.  On this day I drew a couple tree bases.  I think I’m going to draw a bunch of tree bases as these were fun.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

While I’m posting, here’s another one I did in my backyard.  Chantal tells me they are snowballs… in summer (grin).

Do Sketchbooks Organize Your Art?

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I’ve spent two years being “isolated” by an inability to run around because of a bad knee and rheumatoid arthritis.  You’d think I’d be used to it by now.  But the truth is, this new form of “isolation” is getting to me, probably because I can’t make pilgrimages to the local art and book stores (they’ve all been closed since Mid-March here in Quebec.

On the one hand, this isolation is nice as I have my family home so we’ve been baking/cooking more.  I made scones last night.  On the other hand, we’re watching and fretting over too much news, watching too many Harry Potter, Lord of the Rings, etc. movies and generally all discipline in out lives has gone to pot.  I hope you’re doing better on that score.

I may be learning something about my art production, or lack thereof.  On and off I’ve tossed around the idea of giving up sketchbooks in favor of working on single sheets of paper.  The later has always made more sense to me and for sure more convenient if you like to use different papers, different sizes of paper, and maybe different surfaces.  Sketchbooks have always remained big a part of my sketching, though, because I do (did) most of it on location.

With the isolation, however, I’ve been doing almost all my drawing on hunks of 6×9 paper, whether that be sketching paper, toned paper, or watercolor paper.  The darn things are everywhere and most of them end up in the trash.

I’m beginning to think that much of the reason for this is that I don’t value a single piece of paper like I do a sketchbook.  A sketchbook is a collection of sorts, a compendium of what I did over a time period.  These single sheets don’t do that.  Heck, I’m not even dating them.  I just draw something, set aside that piece of paper, and grab another sheet.

Another thing spins off of that for me.  If I’m not filling sketchbooks I don’t feel as much need to sketch and maybe more to the point, I have no direction.  Some of this may simply be the stressful situation these days.  I don’t know.  Anyways, I’m curious, do sketchbooks organize and/or provide discipline for your art?

I’ve been sketching a bunch of Schleich animal figures I have collected.  These are beautiful models.  While small, they don’t move.  Some of the sketches were done in pencil, some in pen.  Some have been done quickly, while others were done more carefully.  It’s been fun but more a matter of doodling than sketching.  Here’s a pig that I did with pen and gouache.  This one was done in a sketchbook I made from Strathmore Toned Tan (184lb) paper.

I wanted to post some of the others but realized that the garbage got taken out, along with all the rest of them.  Maybe I need to go back to using sketchbooks (grin).