Sketching A Classic Yacht

There are signs of autumn in the air, though most of our trees have yet to change color.  I suppose that disappoints those arriving daily on fancy cruise ships so they can see the fall colors, but I’m grateful.  Our summer started so slowly that we need an equally slow entry into winter for sanity’s sake.

I made another trip to Bassin Louise, the harbor for personal craft in Quebec City.  I confess that I’m not impressed by the modern plastic boats that people are so proud of but give me a classic wooden ship and I feel the need to sketch it.  This sketch didn’t do the old yacht justice but here it is, warts and all.

Stillman & Birn Beta (8×10), DeAtramentis Document black, Wing Sung 8009

Sketching At Vinoble De Bacchus

The Artistes dans les parcs went to Iles d’Orleans to visit Vinoble de Bacchus for a day of painting en plein air.  Bacchus is the god of wine so it was only fitting that his vineyard was beautiful.  All of the buildings are painted white with blue roofs and the vineyards overlook the St. Lawrence River.  We had a great time.

I wandered around a while, just enjoying the place.  There was a lot to see and I took it all in.  The last time we came I couldn’t walk up/down the hills to the vineyards and so I was enjoying the freedom my rheumatologist has given me.

Eventually, though, I sat down to sketch this building.  I just liked the door.  Do we need more reason than that?  I don’t think so.

Stillman & BIrn Beta (8×10), DeAtramentis black, Daniel Smith watercolors

Then it was time for lunch, a very long lunch.  A big part of the raison d’etre of the Artistes dans les parcs are its social aspects and the vineyard’s ambience and services emphasized this on this day.  They sell yummy cheese plates, serve wine and we could sit outside on a perfect day and talk, and talk, and talk.

While that was happening I did this small sketch of a planter that sat nearby.  Not much of a sketch but I thought I’d throw it in as a remembrance of that fine afternoon.  Thanks Bacchus, for letting us visit your vineyard.

Stillman & Birn Alpha (4×6), DeAtramentis Document Black

Where Have The Alligators Gone?

The Artistes dans les parcs went back to what is now called Parc des Moulins, but the area used to be the Quebec zoo.  Oh how I wish we still had animals to draw but politics brought the zoo to an end, a needless end.

Anyway, it was a hot day but I set up in the sun at one end of a large impound that used to house the alligators. It’s a pond with small islands for alligator basking and a building at one end so people could look down on the critters.  The islands are now overgrown so while this sketch doesn’t have any alligators, it does have lots of plants.  The mandatory alligator-proof wall is still in place around it and it seemed only fitting that it be included in the scene.

Stillman & Birn Beta (8×10), DeAtramentis Document brn/blk, Wing Sung 8009, Daniel Smith watercolors

The Urban Sketcher View

I’ve only been an urban sketcher.  Yes, I’ve drawn stuffed animals and a few flowers but mostly I go out somewhere, sit down and draw what’s in front of me, on location.  I like this because I don’t have to make stuff up.  I can see the objects ‘in the flesh’ and from all angles.  Drawing from photos is boring and, somehow incomplete.

But there’s a downside to urban sketching.  You’re always faced with cluttered, complex landscapes.  Drawn verbatim, you end up with confused, messy sketches.  Everyone says “simplify,” but in my opinion, this is the hardest thing to do in art.  What to leave out, what to leave in.  Where should the border of the sketch be>  How do you treat those edges?  Do you zoom in or out to capture a subject?  Too many decisions… too many choices.

I went with Yvan to draw boats.  Specifically we wanted to draw some of the tugboats that are moored in the Quebec City harbor.  I found a place out of the wind and set up to draw a tugboat on the other side of the harbor.  I had this view.

I’m not a master of composition but even I know this is a cluttered view and that having a big rope cutting across a drawing with no reason isn’t a good idea.  So, “simplify” is what I’m told so that’s what I do.

Even so, it was going to be hard to make that tugboat the star of my sketch if I drew it from that far away.  So, the solution was to zoom in, forcing the tugboat onto center stage.  I also decided to greatly simplify the background.  And I started to draw my tugboat.

I was happy with this result but zooming in did present a new problem.  If the boat is drawn that large, don’tcha want to see a lot of detail?  Of course, but because the boat is actually so far away, you can’t see the details.  Some details are faked as a set of textural marks.  Others are left out completely.  It’s a balance I guess.  A balance that makes me realize just how much I still need to learn about sketching.

Cap Rouge Marina Sketching

We were at the Cap Rouge Marina last Sunday and it was a wonderful day, though a bit on the warm side.  I relish the heat, partly because I’m from Arizona and partly because I know that all too soon we’ll be back in heavy coats and complaining about winter.

I was in the mood to draw rocks and found a bunch of them on the other side of the mouth of the river that flows into the marina and out into the St. Lawrence.

When I finished I walked down to where some other people were sketching and I started sketching a sailboat that was moored on the ‘flats’, which turns into a giant grassland at low tide.  I’d just gotten started when it was announced that it was time to gather for lunch.  I share it in its unfinished state as I never got back to it.  By the time lunch was over the boat was laying on its side in a sea of grass, waiting for the tide to come back in.

After lunch I walked to the other side of the marina and drew this scene, that is looking across the marina.  By then it was blisteringly hot and I cooked on my tripod stool for the duration of the drawing.  It was an end of a great day and, once again, I owe Denise a big thank you for organizing the event.

Stillman & Birn Beta (8×10), DeAtramentis Document brn/blk, Daniel Smith watercolors