A Great Day At Miriam’s Cottage

What’s your ideal sketching day?  I think mine is spending the day at Miriam’s cottage.  Miriam’s cottage is an idyllic place on a large island in the St. Lawrence River, near Quebec City.  She’s got a wonderful artist’s cottage, a huge barn full of sketchable stuff, and a chunk of land you could get lost in as long as you didn’t run out of paper.  All of that would be great enough but there’s also Miriam, who is an inspiration.

She approaches art the way we all did as kids.  She’s very much a “let’s try this” and “just have fun” kind of gal.  Her house has one wall with animal heads looking down on the proceedings.  These are not just any old animals either.  There’s a unicorn among them and all are made from paper mache.  In her loft there’s an full size man done using similar materials.  She draws with abandon and with considerable skill, choosing her tools on a whim.  It’s hard not to be humbled and harder still not to be thrilled just to be there.  Her dog Nikki is a joy and he loves to sit at a sketcher’s feet, apparently enjoying our silence, or maybe the scratching of a pen on paper.

Yvan and I went out to visit her a few days ago.  It was a rainy day but we were able to find cover and did some drawing.  The first drawing I did was this one.

Stillman & Birn Alpha (8.5×5.5), Pilot 78G, diluted DeAtramentis Document Black

Yvan was drawing next to me and I grumbled about how hard it was to draw this simple scene because nothing on this old barn was in alignment as it should be.  He took that as an opportunity to give me an art lesson and we had a great conversation about lines, squinting, and my problems with both things.  It was perfect.

I got out my little S&B Epsilon (3.5×5.5) book and drew this small sketch of the pool shed, trying to keep what Yvan had talked about in mind.  Then it was time for lunch so we headed to the deck, put up an umbrella over a table and ourselves and then spent an hour or so eating and enjoying each other’s company.  Miriam’s sister, Sarah, joined us.

The rain stopped and we decided that we should walk a bit so we headed down the hill, down the road and ended up at low tide next to the St. Lawrence.  In this location, huge rocks are exposed at low tide and we got the bright idea to try to do a drawing, in spite of the fact that it was threatening more rain.

I only had my little sketchbook with me and a Pilot 78G but that was enough.  I sat down behind where Miriam was sketching and drew her and the surrounding rocks.  I had no color with me but it didn’t much matter because I had to rush the last few lines because the rain had started to fall again.  I added the color when I got home.

We climbed the hill back to Miriam’s place and all agreed that we were going to have to do this again…and maybe again.  It was, indeed, an ideal sketching day.

Quick-Sketching A Larger Scene

It’s well-known that I’m a slower than molasses sketcher, but I am making a concerted effort t speed things up.  The big problem is that when I do everything else goes downhill and I get frustrated.  Such is my life but I keep trying.

A few posts ago I talked about some sketching I’d done one morning, including a quick sketch from a photo of a scene not far from my house.  I decided to go to that location and do it again.  Here it is, this one done in a Stillman & Birn Alpha (8.5×5.5) and with a dab of color added.

Sketching In The Flowerless Flower Garden

It seems as though we won’t be having a summer this year.  Lots of rain and temps cool enough that we’re back to wearing jackets to go sketching.  Pretty odd for July, even in Quebec City.

We headed to a large garden in Ste-Foy last week for a sketching session.  Reports said the rain wouldn’t start until late afternoon, though it looked as though it could rain at any minute.  We’re getting used to the dull days, though, so we didn’t think much of it.  The garden brought reality home to roost.  There were so few flowers, so little growth.  The trees and grass were all very green, probably because of the rain, but the garden plants looked like it was April.

Everyone cast around for something to draw and I started by drawing on of my fellow sketchers.  I admit my heart wasn’t into it but a quick sketch was done quickly.  After this I got up and started wandering the grounds, around and around I went.  Nothing inspired.

There were some people weeding some large beds and they had a small garden vehicle in support.  I decided “why not” and sat down to draw it.  A woman came over and asked if I wanted her to move the vehicle, thinking I wanted to draw the garden, but I explained that I was going to draw the vehicle.  She laughed, probably thought I was nuts, and I set to work.  Here’s what I came up with.  Not a Rembrandt but it sure was fun to draw.

Stillman & Birn Alpha (5×8), Platinum 3776, Platinum Carbon Black

Looking Up To Draw

I do almost all of my sketching on location so I’m very comfortable doing so.  There is one circumstance, however, that I find challenging.  Looking up at the subject to be sketched always seems harder than it should be.  I don’t know if there’s something about the upward-looking angle or the fact that I have to bob my head through a much larger angle between subject and paper.  In any case, getting the proportions and perspective correct is always harder.

We were sketching at the train station, though, and I drew this portion of one of the buildings.  Quebec is blessed with these sorts of rooftops and so looking up is is worth the effort.

A Weekend In Ottawa – Part 2

The day of my daughter’s graduation we did some more shopping and returned to Andrew Haydon Park.  It was still windy and still stormy but we like this park because there are a lots of geese and you can see the St. Lawrence River from there.

As a chipmunk foraged around us, I drew this sketch of a spit of land that sticks out on the other side of the marina associated with the park.  I forgot to include it in yesterday’s post.

Stillman & Birn Alpha (8×5), Platinum 3776, Platinum Carbon Black

A Weekend In Ottawa

For the last few years I’ve gotten to draw in the museums of Ottawa because my daughter was going to school there.  This past weekend was the end point of that part of her life as she graduated Magna Cum Laude from the University of Ottawa.  We went there to spend some time with her and to attend her graduation.

I didn’t make it to any of the museums because we spent the weekend doing more exciting things, like laundry, shopping and grocery shopping (grin).

It was a hectic weekend, made a bit more unsettled by the fact that high humidity and high temps combined to provide a near constant threat of thunderstorms.  There was even a tornado warning at one point.

As it turned out, we didn’t see a lot of rain but there was a lot of wind.  We did sit in Andrew Haydon Park, though, and I did some quick sketches.  It’s hard for me to spend much time on sketches when I am with other people who are not sketching.

Stillman & Birn Epsilon (3×5), Platinum 3776, Platinum Carbon Black

Stillman & Birn Alpha (8×5)

 

 

Giving A Lamy Another Try

Long ago I decided that the popular Lamy Safari was not the pen for me.  There are two reasons for this.  The first is that European XF nibs aren’t XF and to get a truly fine fountain pen nib requires purchase of an Asian pen.  The other reason, however, is my real problem with the Safari.  Its triangular grip may be fine for people writing with a fountain pen but I find it a real problem when I try to draw with it, mostly because I regularly move my hold point up and down the pen barrel and the triangular grip produces a lot of uncomfortable hold locations.

For some strange reason, though, I decided to try it again so I filled one with Platinum Carbon Black and went out walking.  We’re finally getting decent weather and I so thrilled with being out walking that sketching is taking a back seat.  The fact that my arthritis is causing my drawing hand to hurt may also have something to do with my reluctance to stop and sketch.

So when I was out I did a couple small sketches with the Lamy and my reassessment hasn’t changed my mind about it.  It’s not for me.  Here are the two small sketches I did.  The thick line and my clumsiness combined to create, at best, “ok” results.  It is nice to be able to be outdoors, though.

 

An Interesting View While Out Of The Wind

It got pretty windy when during our sketching session and because our temperatures are still cooler than normal, it got uncomfortable.  We all started looking for a place to draw while out of the wind and I chose the leeward end of Maison Dorion, a large house that is the headquarters for the St. Charles River Society.  I drew this scene.

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinum Carbon Black

A Downtown Coffee Break

A few of us ended up at Paillard’s, a nice coffee shop in downtown Quebec.  I got a large café au lait in a bowl and settled into a seat with everyone.  Of course we all had sketchbooks and everyone started quick sketching everything and anything.

These sessions don’t yield great art.  That’s not the goal.  But it’s great practice for capturing things on paper, getting the old visual cortex thinking the way we need it to think.

I was working in a Stillman & Birn Alpha (8×5 landscape) and I started drawing the counter and the machines who live there.  No goal in mind other than to draw those machines.  When I finished with that I drank some coffee, talked too much, and started randomly drawing stuff, just filling a page.  I ended up with a chef’s head floating in my in my coffee.  It was fun.  Sometimes I want to do more careful drawing, sometimes not.  This was a not day.

Our Tuesday Group Hosted By Hubert Langevin

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinum Carbon Black

I’m really behind in my posting but this event is so old that it’s starting to show up in the history books.  Way back when, about a week and a half ago, Hubert Langevin invited us to sketch at his house.  As a  big storm was predicted and we got to watch the snow going sideways through the large windows of his house as we drew objects Hubert had placed around for that purpose.  There were seven of us and we spent the day sketching, laughing and eating marvelous vegetable soup and fresh bread.  Lisette brought date bars for dessert.

I started sketching this smallish (15-20cm) clay woman.  She was so cute, even though she lacked a face.   Then I watched the snow fall, talked with everyone too much (I must drive them crazy) and thoroughly enjoyed myself.

Then I sat down to draw a set of teacups set out as a still life.  We broke for lunch and then, with belly full, I returned to sketching tea cups, spoons and napkins.  My intent was to simply do a shaded contour drawing but somehow I got dragged down the rabbit hole of drawing all the decorations on the cups.  This was a lot of fun and not nearly as hard as one would suppose.  I hope you like it.  Thanks to Hubert for hosting us.

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinun Carbon Black