First Outdoor Sketch Of 2018

While many are counting spring flowers, Quebec City lags behind planet Earth as we still have lots of snow.  I’m hopeful it will melt away ‘real soon’ and it was with that optimistic view that I decided to go outside and draw.

It was still too cold.  It was windy and  I had to stand up while drawing, something I’m not good at, but by standing against a wall, out of the wind, it wasn’t too bad.  Here’s my first outdoor sketch of 2018.

Baseball Is Back – A Sketcher’s View

I am Canadian, but unlike every other person living in the frozen north, I don’t like hockey.  I suppose that reveals my American roots but the bottom line is that the only sport I watch is baseball and since coming to Canada, I’ve been a Toronto Blue Jays fan.

It’s that time of the year when spring training starts and a few spring training games (in Dunedin, FL) are broadcast for those of us willing to watch, for the most part, Blue Jays wanna-bes play the game.

The first one was last Friday and I decided to celebrate the event by sketching some baseball faces.  Baseball is a slow sport; how hard could it be?  I learned that a sketcher’s view of baseball is different from a fan’s view.  Indeed, for a fan, the game is slow with lots of time spent watching seven guys stand on a field while two other guys play catch and a tenth guy, from the other team, tries to spoil their fun.  From the view of a sketcher however, this same scene is a frustrating series of camera switches between players, between views, and there’s rarely more than a few seconds on any one player.

I suppose it wouldn’t have been so bad if I’d wanted to draw full-body players.  The pitcher stands in one place and is on camera more than anyone else.  The catcher is equally stationary, at least in the sense of returning to the same position regularly.  But I was interested in drawing faces shaded by ball caps and 1) they are rarely shown and 2) they are rarely in repeatable positions.

Sketchers are tough, however, and I managed to get a few, stitching together brief looks at the player and faking it when necessary.  Here’s my meager tribute to Blue Jays spring training opener.

Stillman & Birn Alpha (8.5×5.5) hardcover, Platinum 3776

My New Toy: The Pilot Cavalier

First it was arthritis.  Then it was atrial fibrillation.  Then my leg blew up to the size of a telephone pole (slight exaggeration for effect).  That turned out to be osteoarthritis in my knee and a long set of physio treatments.  Then it became a steady stream of doctor’s appointments.  This torture just would not end, but it has, sort of.

As long as I fill my gut with pills twice a day, my heart is under control, my arthritis is only problem on really “bad” days, and I’m getting used to not walking as far as I’d like and doing so with a limp.  Things are looking up.

It got better when my doctor informed me that I have type 2 diabetes.  I guess that was the dessert after my months of dining on medical treatments.  But you know what?  That’s good news.  For the past half a year I’ve been very fatigued, having less and less energy.  Initially I attributed it to all those doctor visits but eventually concluded that it was just cuz this was what “old” felt like.  It wasn’t an encouraging prognosis.  But, eliminating the cookies (my favorite thing) and adding a couple more pills to my diet and I’ve gotten my energy back.  I call that a win.

So enough about health, let’s talk about my new toy, the Pilot Cavalier fountain pen.  When I got mine I couldn’t find one in North America so I bought through a third-party vendor via Amazon.  But Jet Pens now stocks them in several colours.

I bought this pen because I enjoy quick-sketching with my Kaweco Lilliput but find the screwing and unscrewing its cap to be sort of annoying when I’m wanting to quickly sketch someone in the food court.  One thing I like a lot about the Lilliput, however, is that it’s got a pencil-size diameter and it’s very light.

The Cavalier has both of those attributes associated with a standard length pen.  The cap snaps in place nicely and seals well.  It also posts well, something I have to have in a sketching pen or I’d lose the cap.  Because it’s a Pilot pen, the steel nib provides a smooth feel.

This pen accepts Pilot cartridges but one problem is that the barrel of the pen is just narrow enough that you can’t use Pilot’s CON-50 converter so I have use a syringe to get waterproof ink into empty Pilot cartridges.  It’s said that you can use the CON-20 converter (the rubber bulb-style converter in it but I like syringe filling so I haven’t tried that.  This pen has found a place in my pen quiver, mostly for quick-sketching food court people.  Here’s a sketch I did while test-driving it.  This was also the beginning of a new Stillman & Birn Alpha softcover (5.5×8.5).  I haven’t used this format in quite some time and thought it might be a good idea.

Weathervane Sketching Is Fun

I should be writing blog posts about how life would be for a snail trying to do location sketching.  Movement from point A to point B is so slow and energy-draining for me these days that I have to make decisions based on how long it will take me to get there.  I suppose that’s true for everyone but I’m talking about how far I have to walk in a museum.  Distances measured in feet have become important (grin).  Weird that.

But I am starting to get out and about and it feels really good.  I went to the museum on Tuesday.  I used to walk there (about 45min).  Now I take two buses and when I get there I’m exhausted.  Once I’ve hobbled up a couple flights of stairs I have to sit down and rest before I try to sketch.

The significant thing about all this is that the majority of my sketching time isn’t spent sketching so I have to keep the subjects simple and just try to get as much enjoyment from the short sketching fix as possible.  There’s a row of weathervanes on display right now and they fit a snail-sketcher’s approach really well.  Hope you like this one.  The original is made of sheet metal.

Stillman & Birn Alpha (9×6), Pilot/Namiki Falcon

Life Of A Sketchless Sketcher

I made another trip to our museum.  I’m still amazed at how tired I can become just getting there, but got there I did.  It’s the last week of the Hergé exhibition and I hadn’t actually viewed it seriously.  The exhibit emphasizes the process of creating Tin Tin, Herge’s famous comic series and so there’s lots to read and look at.  Not much to draw.

I hobbled around the exhibit, reading everything and studying the artwork.  It’s a really good exhibit in my opinion.  But finally I had to sit down, completely exhausted.  It must be the weight of the cane that’s wearing me out (grin).

After a while I decided that I needed to draw something, so I combined getting a cup of coffee with drawing one of the weather vanes on display in the cafeteria.  It’s not much and like eating a single Gummi bear, not quite enough, but it formed a satisfying end to yet another sketchless sketcher day.

Good Advice: Do Something Different

You hear it all the time.  Try a new medium.  Draw something different.  Use a different approach.  Sometimes this advice is given to help kick start an artist who is struggling to find motivation.  Sometimes it’s give in the name of developing new abilities.

For me, at this time, it’s good advice on both counts.  I’m starting to get back on my feet, though some days are better than others.  Drawing at home is a possibility but I’ve talked about how hard it is for me to be motivated to do that as I’ve spent five years doing most of my drawing on location.  But I have other struggles, one of which is that I tend to use watercolors as crayons and my color applications flatten, rather than enhance the 3D nature of my sketches.

I started with this light pen drawing, done with a Kaweco Lilliput and Kaweco Stormy Grey ink.

So…I give you something different…really different.  There are no such worms in Quebec City, though worms in my head is believable.  This one was inspired by Dungeons and Dragons and a steady stream of fantasy characters that emerge from the brain of Daniel Potvin when he picks up a brush.  My goal was to try to use watercolors to generate 3D surfaces and while far from perfect, I was pleased with the result.  While it’s not urban sketching, it is certainly a new kind of fun and I’ll do more of it in my attempt to figure out watercolors.

Stillman & Birn Alpha (9×6), Daniel Smith watercolors

The Return: Baby Steps With A Limp

I’m embarrassed that I’ve gone so long without a blog post, not much sketching, not much of anything.  I’m beginning to see the proverbial light at the end of the tunnel, though.  My leg is no longer the size of a telephone pole and my knee bends again.  More important, while I’m not completely pain free, the pain is not constant so I can begin to think about other things.

I’m still lacking in energy but I went sketching for the first time last week.  It wasn’t a successful trip by most measures but it was nice to see the gang and the trip made me feel as though I was on the mend.  We went to the civilisation museum where their main exhibition right now is from France and presents the works of cartoonist, Herge, a Belge cartoonist best known for his Tin Tin character.

I got on the bus and headed to the museum. The trip, one I used to walk in 40 minutes, seemed more like a crossing the Alps adventure than a simple trip across town.  By the time I got there I was exhausted but also excited to see everyone.

Some wanted to draw character images glued to the side of the building.  We could see some of them from a large window and people set up to draw.  Honestly, it seemed sort of silly to draw these simple characters but the truth was, they fit my energy level and ability to engage with a subject very well.  I spent about 15 minutes drawing these.

Stillman & Birn Alpha (9×6), Namiki Falcon

This quite literally wore me out and I spent the rest of the session sitting around, talking and looking at a bit of the Herge exhibition.

This week I found myself better able to walk and with even less pain.  I’ve started doing some doodling at home and even managed to get some winterizing stuff done on the weekend.  Still lacking energy but even that had improved.  On Wednesday I hopped a bus to the library where we were going to draw from comics.  Seems there’s a theme developing here.

Stillman & Birn Alpha (9×6), Namiki Falcon

It was a wonderful session, though my lack of energy, and probably my hiatus from drawing, showed when I tried to draw some of my favorite cartoon characters.  I began drawing Corto, a very famous Hugo Pratt character.  Pratt is an Italian cartoonist and one of my favorites.

As I look at this small sketch I can’t help but reflect on how tired I was when I finished it.  I spent the next half hour just flipping through comics, mindlessly looking at the graphics.

Ultimately, though, I decided to draw Obelix, one of the main characters in the Asterix series of comics that taught most French kids early European history.  Asterix and his buddies are Gauls and the bad guys are Romans.  Obelix was Asterix’s super-strong friend, his loyal sidekick.

Stillman & Birn Alpha (9×6), Namiki Falcon

We ended that day with a cup of coffee and the sketching banter I have so missed over the past six weeks.  When I got home I took a nap, but I’m getting there…taking baby steps with a limp.

An Update From The Walking Dead

Hi guys, I thought I should keep the blog rolling with a brief update on my do-nothing life.  I’ve mentioned my leg problem and associated fatigue and my fight against indifference towards doing much of anything.

I’d linked these two things together in my mind, but I’m beginning to wonder.  My leg is no longer the diameter of a telephone pole and my knee is now improving, thanks to physio treatments and time.  But my constant feelings of fatigue, sour stomach and a desire to sleep all the time remain and I don’t think it is related to the sorry state of daytime TV.

The fact that I can walk around the house without pain is good but it’s this other problem that is the most sinister.  Now that I’m convinced that these problems aren’t because of my leg, maybe the health care system can help me figure out what’s really going on.

Anyways, I haven’t been doing much sketching.  I try, I really do.  It’s just that my attention span between naps is short.  Here’s a typical page from a Stillman & Birn Alpha 9×6 that I’ve been working in though.  I chose this one because it represents the sorts of things I’ve been doing.

Not your typical urban sketches, for sure.  I don’t think I’ve done a sketch in the last few weeks that has taken more than a few minutes.  The one on the right represents a series of experiments I’ve been doing with gouache.  Specifically, I’ve been drawing heads and people directly with gouache (from internet photos) and then adding some ink on top.  I find this a fun way to draw people but I have no idea how I could operationalize it on the street.  The gouache dries quickly but people move too much to allow even gouache to dry before I add the ink.

The cow is, well, just a cow.  I saw a picture of a hyper-realistic painting of this cow and I was struck by the asymmetry of its ears.  I assume it reflects how the cow had its ears rotated when its image was captured but to me it was humorous so I quickly drew it.

Hopefully I can bounce back from whatever ails me and that it happens soon.  I hope all of you are enjoying Inktober.  I’m enjoying all the sketches being posted.

Trying To Get Out With My Friends

Several weeks ago I got to meet a new sketcher.  She and her husband had moved to Quebec City and she wanted to hook up with local sketchers.  We met for a sketching session and had a great time.

Then I started having mobility problems and time after time, we couldn’t manage to get together for another session.  I was both frustrated and embarrassed by this and so when she asked if we could go sketching last week I said yes and we agreed to meet near the large fountain in front of the Quebec Parliament.  Yvan came along as well.

I limped my way to the site and sat on a bench.  It was really great to be out in the fresh air and to get to talk with friends but I was hurting so much that sketching didn’t seem important.  Still, there I was and so I started by drawing three young children who are part of the fountain.

I spent more time just sitting than I did drawing but I just kept adding small sketches of things I could see from my position.  No rhyme or reason to it; I was just sketching, or trying.  It wasn’t urban sketching at its best but it was urban sketching I suppose (grin).  For what it’s worth, the guy in front of the lamp post wasn’t actually leaning against it; he was part of the fountain too.  The lamp post was actually across the street from the fountain.  While he is shirtless, we were wearing jackets.

Temporary Loss Of An Urban Sketching Tool

Have you ever lost pens, paints, brushes, etc. while out urban sketching.  I have.  Several years ago I lost my entire paint kit somewhere between sketching site and home and that loss was traumatic.  The palette was inexpensive, the case was a favorite, and that kit contained several Escoda sable travel brushes.  I nearly cried.  But all of it was replaceable and my sketching regime hardly skipped a beat.

I’m dealing with another loss, however, and I while I hope it’s temporary, it’s much harder to overcome.  I’ve lost my ability to walk more than across the room.  It started with my ankle and then my knee.  Right now the leg between the two is the size of a telephone pole and I’m spending a lot of time with doctors.

If I were a “true” urban sketcher I suppose I’d be sharing lots of sketches of medical machinery but I’m not that kind of urban sketcher, I suppose.  Besides, the pain and stress have been distracting.  I won’t bore you with details but I’ve been diagnosed and I’ve just started some physiotherapy yesterday that sounds encouraging.  The ramifications for this blog is that because I can’t wander the streets of Quebec City, I can’t draw the streets of Quebec City so the nature of my sketches will probably change, at least in the short term.  Irony of ironies, I’ve waited all summer for decent weather and we’re finally getting a string of beautiful days.  Such is my luck sometimes.

The upside is that this is a good opportunity to do some experimentation and maybe I can even convince myself that I can draw from a photograph and enjoy it.  For now, I leave you with a sketch I did after hobbling along a beach on the south shore of the St. Lawrence River last week.

Stillman & Birn Alpha (9×6), Platinum 3776, Platinum Carbon Black