Sketching Animals That Don’t Move

What could be better for a sketcher than a place where there are hundreds of animals that don’t move.  Daniel Chagnon, an organizer for the Le Collectif des ateliers libres en arts visuels de Québec (CALAVQ) organized an event at la Fédération québécoise
​des chasseurs et pêcheurs.  This is a bit outside the domain of CALAVQ, which is primarily a portraiture group, but Daniel has been organizing more and more of these events and it’s very exciting to see.

I didn’t know that the Quebec hunters and fishermen had a museum/training center but this place is incredible for those of us scrambling to find winter sketching places.  It’s a bit of a drive but access is free, though they appreciate donations.  There is a lunch room with microwaves, vending machines, etc. AND several hundred taxidermy specimens just waiting to be drawn.  The hard part was deciding what to draw and being satisfied even though you didn’t get to draw everything.

There were a dozen of us sketching in the building and a lot of sketches were produced.  I found myself drawing too quickly and I was a bit disappointed in that.  I sometimes get ahead of my skis and it shows up in the results.  My attempt at drawing a wolf is a case in point.  I blocked it in quickly (ie too quickly and I got one foot in the wrong place.  I drew the eye incorrectly, tried to correct it, only making it worse.  Still, it looked like a wolf, sort of.  You might notice that it’s not displayed here 🙂

Stillman & Birn Beta (8×10), PLatinum 3776, Platinum Carbon Black

I moved onto the wildfowl area and drew this elegant bufflehead.  Here I bumped into my watercolor ineptitude and had trouble obtaining a really dark black, but I was generally happy with the result.  Robert Bateman I am not.

After lunch I decided that since I’d drawn fur and feathers that it was time to draw a fish.  I like the small vignette surrounding this one.   Striped bass used to be common to the stretch of the St. Lawrence River around Quebec but they had nearly disappeared until the fishing and hunting organization started a program to build up their populations.  They are being grown and planted along the river and fishing regulations prohibit the taking of this fish.  From what I could read, the program is making good progress towards their reintroduction.

I slowed down just a bit, partly because of my early morning lesson and partly because I was just getting tired.  I think the result was more in tune with my norm…only a few mistakes (grin).  Thanks to CALAVQ and particularly Daniel for organizing this event and introducing us to the museum.  We’re heading back here on Tuesday.

 

Our Tuesday Group Hosted By Hubert Langevin

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinum Carbon Black

I’m really behind in my posting but this event is so old that it’s starting to show up in the history books.  Way back when, about a week and a half ago, Hubert Langevin invited us to sketch at his house.  As a  big storm was predicted and we got to watch the snow going sideways through the large windows of his house as we drew objects Hubert had placed around for that purpose.  There were seven of us and we spent the day sketching, laughing and eating marvelous vegetable soup and fresh bread.  Lisette brought date bars for dessert.

I started sketching this smallish (15-20cm) clay woman.  She was so cute, even though she lacked a face.   Then I watched the snow fall, talked with everyone too much (I must drive them crazy) and thoroughly enjoyed myself.

Then I sat down to draw a set of teacups set out as a still life.  We broke for lunch and then, with belly full, I returned to sketching tea cups, spoons and napkins.  My intent was to simply do a shaded contour drawing but somehow I got dragged down the rabbit hole of drawing all the decorations on the cups.  This was a lot of fun and not nearly as hard as one would suppose.  I hope you like it.  Thanks to Hubert for hosting us.

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinun Carbon Black

Sketchcrawling With USK Montreal

I’m going to keep this short because we’re experiencing really low barometric pressure which is giving me a horrible arthritis attack in my knees and hands.  I’ll also apologize for the typos because my typing is being affected…bigly.

But last Sunday I was in heaven.  I met Marc Holmes for coffee before the event and when we arrived at the Pointe-à-Callière museum there were 30 or so sketchers waiting for the place to open.  The goal for the day was to sketch the Asian exhibition and it was a doozy.

The exhibit is on two floors and I probably should have made a quick run around to inventory things but I just started sketching these small clay figures.  They were simple, crude, and I managed to make them even more so when I went out in hall and tried to paint them while standing.  I was at least a couple of hands short for that exercise.

Stillman & Birn Beta, Platinum 3776, Platinum Carbon

I did those quickly, all the time thinking of heading upstairs in search of something better to draw.  The second floor had one display of larger statues, a bunch of pottery, kimonos, and a couple samurai suits.  I decided to draw a couple of the larger statue artifacts.  Those were fun but I really hope that some day I’ll get better at drawing while standing.

Stillman & Birn Beta, Platinum 3776, Platinum Carbon

The area around the samurai suits was pretty crowded so I decided to draw a piece of pottery.  Then I went outside and found Marc creating a masterpiece.  Watching work with watercolors is always a treat.  I never did add color to my pottery.

We only had 20 minutes left so we went back in and I decided to take that time to read about some of the smaller pieces which were at the other end of the first-floor room from where I had done my first page.  That’s when I saw it… a large door into yet another room.  Dare I say this was where thek really good stuff was?  Large buddah’s statues of all sorts, large busts of Asian characters.  Wow…and me with only a few minutes left before we were to rendevous for lunch and show-n-tell.  I quickly drew one of the heads, using pencil this time.  Yet another skill I need to work on.

We met for lunch and passed sketchbooks around.  USK Montreal has a lot of talented people among its ranks and it was fun seeing their results.  This day was pretty special to me and I hope to return for some of their future sketchcrawls.  Thanks, Marc, for organizing the event.

Extreme Urban Sketching

Once upon a time I realized that it was crazy to try to sketch outdoors during Quebec winters.  I wasn’t happy about it, but I accepted it.  Then, along came Marc Taro Holmes, talking about wanting to lose weight by walking and using sketching to motivate himself.  He spoke of wandering Montreal, doing 5-6 minute sketches.  He enticed us with some of the sketches he’d done and threw down a gauntlet, daring someone to join him in this endeavour.  I accepted the challenge.

I knew it was crazy.  I knew I didn’t have the skills that Marc has.  But I was also desperate to sketch outside.  I’ve dedicated a small Stillman & Birn Epsilon softcover to this project.  I was motivated by the realization that doing this could help me develop several skills, presuming I didn’t lose my fingers to frostbite. These skills were:

1) Learn how to hold a sketchbook while sketching

I know… after five years of sketching you’d think I could hold a sketchbook out in front of me and sketch, but I can’t.  I typically sit when I sketch, resting the sketchbook on my lap or, using a larger sketchbook stuffed into my gut, I can sketch while standing.  Holding a small sketchbook (3×5) in one hand while drawing with the other – not on your life.

2) Improve my ability to draw something with fewer lines

I draw in either a cartoon or illustrative style.  To do this quickly is nearly impossible, at least for me because there are just too many lines and too much detail.  To draw quickly one must learn to identify which lines are important and draw only those.  I’m really bad at this and want to get better.

3) Improve my ability to simplify a scene so as to capture it quickly

I still get overwhelmed by the world around me, lacking the skill to see a scene on paper that reflects what I see but without extraneous details.

 

So with this as my motivation, and having agreed to be part of Marc’s project, I went out sketching.  The first day it was -14C, but it wasn’t very windy.  I set a timer and started drawing.  I think my timer is broken because the time passes far too quickly and my results were horrible.  But I know that early results are always horrible so I wasn’t put off by the results.  Here’s a couple of them.

The next day I was greeted by -20C and a bit of a breeze.  It was really cold.  I reminded myself that if Marc could do it, so could I.  I sketched.  I walked.  I sketched some more.

Then it turned cold(er).  When the temps were -22C and below reason kicked in and I stayed indoors.   We entered a series of days with snow, rain, and more cold, which led to ice, making walking impossible.  So I stayed inside some more.

Eventually the weather improved and I was back at it again.  I’d resolved to do 100 of these sketches.  My sketchbook was still moving around almost as much as my pen so there was a randomness in the line work.  Here are a couple more examples.

More days passed; more walking and sketching took place.  It was still frustrating but I noticed that my sketchbook was slowing down; it was becoming easier to keep up with it.

So far I’ve done 20 of these little scribbles.  When it’s not too cold, it’s even starting to be fun.  I’m beginning to think that by the time I get the 100th sketch done I may have made progress on all three of my goals.  In any case I’m getting to do some outdoor sketching and that’s a good thing.  Here are the last couple drawings I’ve done.  I think I’ve moved from doing horrible sketches to doing bad sketches.  I consider that a win.  I’ve quickly added quick bits of color to these to see how they’d look with color.  Extreme urban sketching is challenging but fun.

Winter Chill Means Sketching At The Museum

It’s winter and so my feet move me, without thought, to the local museum for sketching sessions.  This day was no different and I found myself in the tiny “attic” display of all sorts of stuff, including this shelf.  I probably drew it smaller than I should have but what the heck – I use less ink this way (grin).

Stillman & Birn Alpha (8.5×5.5), Pilot Falcon, DeAtramentis Document Black