Another Trip To The Hunting And Fishing Museum

Oh my goodness.  It’s been ten days since I’ve posted.  I’m running as fast as I can but it just isn’t fast enough.  I’ve done some more extreme sketching, went to a gathering at the Morrin Center in Quebec City, my daughter came home for “reading week” and we just got back from Montreal where I got to spend the day with Marc Taro Holmes.  I’ll try to get blog posts written on all these things in the next couple days, but today I want to show you a couple more sketches that I did when several of us went back to the Quebec hunting and fishing museum.

I was struck by this duck because I had never seen one before and I didn’t know what it was.  There was no label on it.   I drew it because of its atypical orientation but it wasn’t until I got home and talked with Mr. Google that I found out that this is a a Eurasian duck called the Ruddy Shelduck and that it’s very common in India.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black

With so many beautiful animal subjects at the museum it’s easy to ignore the multitude of antique and modern fishing and hunting equipment on display.  But on this day I was struck by a long row of antique fishing bobbers, or floats if you prefer that term.  While they did have an example of modern, red/white plastic bobbers, most of them were very old, wooden bobbers.  Rather than drawing them in a row, I created this composition and liked the result.  Hope you do too.

Stillman & Birn Beta (8×10)

Sketching Animals – The Sequel

We had so much fun at the la Fédération québécoise ​des chasseurs et pêcheurs during our first visit that we decided to get back as soon as we could, which was last Tuesday.  There were five of us this time and we had a great time together.  I do hope we can return ‘real soon.’

Stillman & Birn Beta (8×10) softcover, Platinum 3776, Platinum Carbon Black

I decided to draw one of the deer and I struggled to get the antlers right.  And I didn’t.  I find some days I just ‘see’ better than other days.  Not sure why.

When I finished that I wandered around a bit.  There’s so much to see and study there.  Eventually, though, I settled down in front of a couple Canada Geese.  By the time I got them drawn it was time for lunch and we all got together, shared our projects, and chatted up a storm.  Then I added color to my geese.   I’m sure we’ll go back again, and probably real soon.  Next stop, though, is the Croquistes de Quebec sketchcrawl.

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon Black

 

Sketching Animals That Don’t Move

What could be better for a sketcher than a place where there are hundreds of animals that don’t move.  Daniel Chagnon, an organizer for the Le Collectif des ateliers libres en arts visuels de Québec (CALAVQ) organized an event at la Fédération québécoise
​des chasseurs et pêcheurs.  This is a bit outside the domain of CALAVQ, which is primarily a portraiture group, but Daniel has been organizing more and more of these events and it’s very exciting to see.

I didn’t know that the Quebec hunters and fishermen had a museum/training center but this place is incredible for those of us scrambling to find winter sketching places.  It’s a bit of a drive but access is free, though they appreciate donations.  There is a lunch room with microwaves, vending machines, etc. AND several hundred taxidermy specimens just waiting to be drawn.  The hard part was deciding what to draw and being satisfied even though you didn’t get to draw everything.

There were a dozen of us sketching in the building and a lot of sketches were produced.  I found myself drawing too quickly and I was a bit disappointed in that.  I sometimes get ahead of my skis and it shows up in the results.  My attempt at drawing a wolf is a case in point.  I blocked it in quickly (ie too quickly and I got one foot in the wrong place.  I drew the eye incorrectly, tried to correct it, only making it worse.  Still, it looked like a wolf, sort of.  You might notice that it’s not displayed here 🙂

Stillman & Birn Beta (8×10), PLatinum 3776, Platinum Carbon Black

I moved onto the wildfowl area and drew this elegant bufflehead.  Here I bumped into my watercolor ineptitude and had trouble obtaining a really dark black, but I was generally happy with the result.  Robert Bateman I am not.

After lunch I decided that since I’d drawn fur and feathers that it was time to draw a fish.  I like the small vignette surrounding this one.   Striped bass used to be common to the stretch of the St. Lawrence River around Quebec but they had nearly disappeared until the fishing and hunting organization started a program to build up their populations.  They are being grown and planted along the river and fishing regulations prohibit the taking of this fish.  From what I could read, the program is making good progress towards their reintroduction.

I slowed down just a bit, partly because of my early morning lesson and partly because I was just getting tired.  I think the result was more in tune with my norm…only a few mistakes (grin).  Thanks to CALAVQ and particularly Daniel for organizing this event and introducing us to the museum.  We’re heading back here on Tuesday.

 

Our Tuesday Group Hosted By Hubert Langevin

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinum Carbon Black

I’m really behind in my posting but this event is so old that it’s starting to show up in the history books.  Way back when, about a week and a half ago, Hubert Langevin invited us to sketch at his house.  As a  big storm was predicted and we got to watch the snow going sideways through the large windows of his house as we drew objects Hubert had placed around for that purpose.  There were seven of us and we spent the day sketching, laughing and eating marvelous vegetable soup and fresh bread.  Lisette brought date bars for dessert.

I started sketching this smallish (15-20cm) clay woman.  She was so cute, even though she lacked a face.   Then I watched the snow fall, talked with everyone too much (I must drive them crazy) and thoroughly enjoyed myself.

Then I sat down to draw a set of teacups set out as a still life.  We broke for lunch and then, with belly full, I returned to sketching tea cups, spoons and napkins.  My intent was to simply do a shaded contour drawing but somehow I got dragged down the rabbit hole of drawing all the decorations on the cups.  This was a lot of fun and not nearly as hard as one would suppose.  I hope you like it.  Thanks to Hubert for hosting us.

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinun Carbon Black

Sketchcrawling With USK Montreal

I’m going to keep this short because we’re experiencing really low barometric pressure which is giving me a horrible arthritis attack in my knees and hands.  I’ll also apologize for the typos because my typing is being affected…bigly.

But last Sunday I was in heaven.  I met Marc Holmes for coffee before the event and when we arrived at the Pointe-à-Callière museum there were 30 or so sketchers waiting for the place to open.  The goal for the day was to sketch the Asian exhibition and it was a doozy.

The exhibit is on two floors and I probably should have made a quick run around to inventory things but I just started sketching these small clay figures.  They were simple, crude, and I managed to make them even more so when I went out in hall and tried to paint them while standing.  I was at least a couple of hands short for that exercise.

Stillman & Birn Beta, Platinum 3776, Platinum Carbon

I did those quickly, all the time thinking of heading upstairs in search of something better to draw.  The second floor had one display of larger statues, a bunch of pottery, kimonos, and a couple samurai suits.  I decided to draw a couple of the larger statue artifacts.  Those were fun but I really hope that some day I’ll get better at drawing while standing.

Stillman & Birn Beta, Platinum 3776, Platinum Carbon

The area around the samurai suits was pretty crowded so I decided to draw a piece of pottery.  Then I went outside and found Marc creating a masterpiece.  Watching work with watercolors is always a treat.  I never did add color to my pottery.

We only had 20 minutes left so we went back in and I decided to take that time to read about some of the smaller pieces which were at the other end of the first-floor room from where I had done my first page.  That’s when I saw it… a large door into yet another room.  Dare I say this was where thek really good stuff was?  Large buddah’s statues of all sorts, large busts of Asian characters.  Wow…and me with only a few minutes left before we were to rendevous for lunch and show-n-tell.  I quickly drew one of the heads, using pencil this time.  Yet another skill I need to work on.

We met for lunch and passed sketchbooks around.  USK Montreal has a lot of talented people among its ranks and it was fun seeing their results.  This day was pretty special to me and I hope to return for some of their future sketchcrawls.  Thanks, Marc, for organizing the event.