Drawing A Giraffe In Quebec City

We’re finally experiencing outdoor temperatures.  Normally this would mean that I’d be wandering the streets every day, drawing my old-man heart out.  That behavior has been derailed by my bad knee.  Just this morning I started out with the idea of taking the bus downtown to sketch, but I quickly realized that, today, my knee wasn’t going to allow that to happen.  So, instead, I’m writing this blog post and thinking that maybe I’ll sketch a pepper plant we bought last weekend.

Last week I got to go to our Musee de la civilisation to see the new Curiosities du monde naturelle.  This exhibit is reminiscent of the old natural history museums, before all the fancy displays and such intruded on a simpler time when museum managers thought people were more interested in seeing actual items than they were pictures and videos of them.

Our museum seems to have a new to this.  They put everything in the dark.  I’m not sure what that’s about but we have to draw with a light on our paper and half the items are too hard to see to draw at all.  This is supposed to be good?  We have two exhibits that are like that currently and it seems to be a trend.  Anyone else seeing this in their museums?

Part of this exhibit is the head of a young giraffe and I decided to draw it.  Where I had to sit was too close and I was looking upward at the head such that I couldn’t see things like its left ear so the sketch is a bit odd.  Still, I had fun finally being out sketching and I enjoyed drawing this guy, or girl.

Stillman & Birn Alpha (4×6), DeAtramentis Document brn/blk, Platinum 3776

A Look Back Through Sketching

I’m an old man and part of being an old man is that my daughter is now a grown, confident woman who is off beating law school into submission.  I’m extremely proud of her and because of her age and maturity we now have conversations to solve the world’s problems and maybe a few of our own.  That’s pretty neat.

But there is a part of being an old man that causes me to miss the days when she would giggle as I’d bounce her on my knee or carry her on my shoulders.  Back then drawing meant scribbling with crayons and she was far better at it than me.  That was also a time when we shared a common interest in stuffed animals.  She was my excuse to buy them and she loved every one.  The result is that we now have a literal mountain of them, each with memories attached to them.

I’ve started drawing some of them because, as I’ve mentioned in previous posts, it rains here all the time so I need stuff to draw indoors and I’m tired of tomatoes.  But what really drives me with this project is that as I draw these puddles of fluff and fur, memories of those early days fill me with joy.  Here’s one I did of a little poupée (doll), one of many in the collection.  For some reason she lacks a nose or mouth and I saw no reason to add them.

Stillman & Birn Alpha (4×6), DeAtramentis Document brown/black

Confused Weather Makes For Confused Sketchers

“April showers bring May flowers.” – Thomas Tusser (1557)

I have a question.  If you get showers in April, and they continue through May, will there be LOTS of flowers in June?  I sure hope so because Quebecers’ moods, will need a boost.

By date and temperature, we have finally gotten to spring and we sketchers are chomping at the bit to get out sketching.  In fact I witnessed a bunch of them, including myself, wandering around in the rain, looking for stuff to draw.  It was quite a sight.

We were attending the first of a series of plein air painting gatherings organized by the great Denise Bujold – great because she’s done this and because she’s so darn good at it.  There are 16 events scheduled, one a week, throughout the summer and fall.  But for this first one, surprise, surprise, it rained.

It was held at an apple/vegetable farm on Ile d’Orleans, a large island near Quebec City.  When Yvan and I arrived we found a gaggle of sketchers huddled in a large space that houses an art gallery during summer tourist season.  Eventually this group spilled out into the garden adjacent to the building and we literally wandered in the rain, pointing at things we could sketch if the rain would stop.

Eventually we made our way to a place where there was an overhang and a few picnic benches and everyone set up shop to sketch.  Across a field there was this scene and I confess that I didn’t have my heart in it and it shows.  But I did get to sketch, outdoors, and with other people.  That has to count for something.  There was supposed to be another event today but it’s pouring rain so it was cancelled.  I’m in desperate need of some flowers.

Stillman & Birn Beta (8×10), DeAtramentis Document diluted black

 

Is It Spring Or Is It Summer?

Yesterday was Memorial Day in the US and all day I heard the US press saying that this day, unofficially, marks the beginning of summer.  Here in Quebec City we had a frost advisory and the trees are just now deciding that they might as well put out their leaves.  It’s sunny today and feels very much like spring.  So, is it summer or spring?  Weather this year has been hard to take for many parts of North America.  I’m hoping we have a really long summer, or is it still spring?

In any case, the squirrels are out and about and I even saw a bumble bee this morning.  In honor of this change of weather, I drew a squirrel with a smile on his face. Like me, he’s happy that things are warming up.

Stillman & Birn Alpha (4×6), DeAtramentis Document Brn/blk

Memories From Old Toys

We’re still waiting for spring to come to Quebec City.  It’s quite unbelievable that it’s mid-May and the best we can hope for is a rainy, dreary day.  But until things warm up a bit (we had a frost warning last week) we’re sort of stuck going to indoor venues to draw.

We were provided with a new one, though, as the Quebec Historial Society opened a small exhibit of old, mostly tin toys from the 40s to the 60s.  As a kid, I was playing with those produced in the 50s so some were quite familiar to me and brought back memories.  I love tin toys, mostly for this nostalgia I suppose, but they were always so brightly painted to mask their simplistic nature.

I spent much of our session viewing the exhibit and reading all the description cards.  It’s not every day that you get to see and Easy-Bake Oven after all.  But eventually I sat down to draw and I did a poor job of sketching an old wind-up race car from the 40s.  I really need to slow down as the quality of my sketches is directly correlated with the speed in which I do them.

Stillman & Birn Beta (8×10 softcover), DeAtramentis Document Brn/Blk ink, Daniel Smith watercolors

Hopping Down The Bunny Trail

I’ve been experimenting with using paint before I do any ink, using a brush and paint to do the actual drawing.  This is mostly as a way of getting my brain to realize that there’s value in color.  That’s probably an odd statement to most artists, but I’ve always been more enamoured with using a fountain pens/inks than I have been with “art.”

Anyways, I’ve decided to do more of this paint-first approach and as I also got a dose of drawing my daughter’s collection of stuffed animals with my recent sketch of Dudley the Dragon I grabbed a large rabbit with oversized feet and ears as my subject for the day.

To provide some guidance with respect to proportions and relationships I penciled in the locations/sizes of all the major masses and then started with paint.  Any self-respecting artist would chuckle to watch me sneaking up on the shapes and color patterns.  I started very light, improving the shapes as I went.  In this process I also started identifying tonal variations, trying to figure out how to create them in color.  I’m woefully ill-equipped to do this but I plowed ahead as if I were.  Eventually I added some ink lines just cuz my drawings need ink lines.  Hope you like the result.

Stillman & Birn Beta (8×10 softcover), Daniel Smith watercolors

Sketching My Stuff

Yvan and Claudette came to visit this week and we spent the afternoon sketching my stuff.  I’ve got a bunch of stuff, mostly obtained at flea markets for purposes of drawing and we put some of it to good use.  As is too often the case, my hand was hurting me but we nevertheless had a great day.

Yvan drew the front of a plaster rabbit so I drew the back and found it hard to make the foreshortened ears sufficient to give the rabbit a real rabbit look.  Some views are better than others I suppose.  Claudette did a really great drawing of a large Japanese woman’s head and it turned out great.

Arches cold press, DeAtramentis Document Black,

We took a break, had coffee and the obligatory talk of drawing and watercolors.  We decided to draw something else.  I have two really nice Japanese figures that I’ve drawn several times and Yvan chose to draw the male figure so I grabbed the female (that didn’t come out right).  I’d never drawn her from behind so I decided to do so, drawing in pencil in a Stillman & Birn Nova.  In the end I wish I’d used ink but this is the result.

Stillman & Birn Nova, mechanical pencil (2B)

Sketching Hands At Yvan’s House

Here in Quebec City we’re still waiting for the opportunity to get out of our igloos so we can sketch outside.  Until the snow starts melting, however, we get together at someone’s house and sketch.

Stillman & Birn Nova

 

Stillman & Birn Nova

A favorite in that regard is Yvan’s place because he has a great studio that’s filled with an artist’s version of a cabinet of curiosities so there’s lots of stuff to draw.  When several of us gathered there I chose to draw plaster casts of hands.  I had a lot of fun with these but I made the mistake of using a water-based felt pen to shade them.  I know lots of people love felt markers but I can’t understand why.  Whenever I use one the results are streaky and splotchy.

 

Sketching An Inukshuk

Inukshuks are common across northern Canada.  Seen principally as a product of the Inuits, other Native American groups also make them.  They are said to have been used as navigation markers, or markers of significant locations.  They commonly represent of Canada itself and some have deemed them a symbol of hope.  You can buy tiny inukshuks as souvenirs, sold right next to the beaver and moose figurines.

In any case their structure is meant to represent a human form and larger ones even have legs and arms.  Most have outward projections that represent arms in some way.  Mostly, though, they are a pile of rocks and I love drawing rocks.

We were at the museum the other day and in the Native American exhibit there is a small inukshuk that sits behind some large display cabinets.  You can see all of it if you’re standing in front of those display cabinets but I had to sit across the aisle from them so I would have light to see my paper.  This meant that I couldn’t see the bottom half of it.  I drew it anyway, direct with ink, and this is the result.

Stillman & Birn Nova (5.5x.8.5), J. Herbin Lie de Thé ink

I really had fun drawing this inukshuk and I remembered that I’d drawn one before, an inukshuk that resides on the Quebec Parliament grounds.  I decided to see if I could find that sketch.  I rarely look at my old sketches but  I did find it and I learned a couple things.  First is that this older sketch was done in 2012, only a few months after I decided to learn how to draw.  The second thing I learned is that I have actually improved as I’ve accumulated pen miles.  That made me happy.  Maybe inukshuks do represent hope.

Sketching Rabbit/Hare Structure

On Tuesday, Yvan, Claudette and myself headed to the hunting and fishing museum.  We’d just had a huge snowstorm that was a real struggle to clean up because the 11-12 feet of the stuff that has preceded it made it nearly impossible to find a place to put the new snow.  Anyways, it felt really good to head out for a day of sketching.

Unfortunately (for me), that same storm was beating up my joints.  I was limping a bit, but the real problem was my left hand and wrist which made it very hard (impossible?) to draw.  We had fun and I did three sketches, all of which were so full of errors and attempts to fix lines that went off willy-nilly that I’d be too embarrassed to share them.

We were drawing rabbits, however, and that got us discussing the structural underpinnings of a rabbit.  When they sit back on their hind legs, they start looking like a ball of fur and it’s hard to make out what’s really going on inside.  When we got home Yvan and I asked Mr. Google if he could provide us with a rabbit skeleton to study.  He obliged and this morning I drew a rabbit skeleton, well sort of.  My hand was a bit better this morning but it’s still hard to get my lines to flow.  But I do understand lagomorph anatomy just a bit better.

Stillman & Birn Beta (10×7), Pilot Falcon, Sketch Ink Thea (grey)