New Restaurant In Quebec

I don’t have an official count but I think Quebec City has more restaurants per capita than most cities on the planet.   I pass no less than 9 of them on my way to a new one that has just opened and I don’t live in what one might call a dining hotspot.

But open it has, a new Vietnamese restaurant named Ubong.  If the outside is any reflection of the inside, though, I’m sure it will be successful as they’ve completely remodeled the building and painted it with this stunning yellow and green paint and trim.

It’s on a well-traveled street and every once in a while I’d have to stop as a truck or bus blocked my view and there was a steady stream of pedestrians, some of whom stopped to say hello.  I really enjoy this part of street sketching.  It was sketched in my Stillman & Birn Zeta (5×8) and I used a Uniball Signo UM-151 (.38) in black, followed by drawing the window and door frames using a brown-black version of the same pen.  W&N artist watercolors added a bit of shadow and color.

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The Thrill Of The Chase

I’m a sketcher… a street sketcher.  What excites me about sketching is the process, not the results.  I love the feeling I have as I sit, studying a subject, drawing lines – oblivious to everything around me.  I love people who stop and ask questions.  Often they’re the same questions (eg – Do you sell these?  Did you go to art school?  How long have you been doing this?) but there’s always a smile attached and some simple chit-chat that connects me to my fellow humans.

And part of the process, for me, is finding something to sketch… the thrill of the hunt.  It’s pretty rare that I plan to go some particular place to sketch some particular thing.  That takes half the fun out of it for me.  I like to just strike out, in any direction, looking for something that catches my attention.

The other day I did just that.  I walked to a main intersection near my house.  There were metro buses that head east/west/north/south and I decided to hop the first one that came along.  I found myself heading east and, once I had passed areas I knew well, I got off the bus.  I continued, walking east until I came across a small park.

I walked into it and sat on a bench.  I looked around.  There were ravens in one end of the park and I thought about sketching them.  There were swings, slides, and what looked like a hamburger that kids could ride.  It sat on a large spring.  These would make a nice sketch, too.

Then I noticed a small mechanics shop stuffed between two larger buildings.  I walked to that corner of the park, picked out a shady area, plunked myself down on my tripod stool, and started this sketch.

My hunt was a success.  I spent a blissful hour while my pen entertained me as no television ever could.  Life is good.

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Stillman & Birn Zeta (5×8) sketchbook; Pilot Prera pen; Platinum Carbon Black ink; W&N artist watercolors

Big Building In A Little Town

Quebec City is not an industrial town.  We have no massive factories except for our paper mill.  Rather, we have government…lots of government as we’re the capital of the province of Quebec.  And we have the oldest walled city in North America and cruise ships visit us regularly.  We do tourism.  And so we have lots of politicians and tourists.  We also have UbiSoft, the video game manufacturer so we have animators…story-tellers.  In short, no big factories to sketch.

But we are also a port and the largest building around that port is a huge grain elevator and ship loading facility along the northern side of our marina.  Lots of train cars and boats visit the place as grain is moved onto awaiting ships.  In short, it’s a big, intimidating building to sketch 🙂

I took it as something of a challenge and so became my sketch of the Bunge grain elevators. Done in a Stillman & Birn Zeta (5×8 x 2) sketchbook with a Pilot Prera and Platinum Carbon Black ink.  W&N watercolors give it a bit of color.  Click for a larger image.

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Do You Sketch The Boring Stuff?

I like to sketch boring stuff.  I guess I should be more precise and say that I like to sketch things that other people find boring, or worse, don’t even notice them at all.  Things like garbage cans, fire hydrants, telephone poles… and plain, ‘boring’ buildings.

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So when I saw this view of the end of a 3-store complex, it called to me.  I set up my stool, sat down, and got out my Stillman & Birn Zeta (5×8) sketchbook.  I used a Pilot Prera loaded with Platinum Carbon Ink to do the sketch.  I was happy with the results.2013-07-26Building_site

What do you think?  Do you sketch boring stuff?

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Sometimes You Just Need A Challenge

ArtisticLicenseIf you know Brenda Swenson’s “75-day Challenge”, you know the concept of casting aside the pencil, even for organizational purposes and sketching directly with pen.  It’s said, and I believe it to be true, that doing so for a lot of sketches, will improve your ability to see and put what you see on paper.  The process moves a lot of thinking to early in the process, ensuring that when you do lay down a line it’s in the right place.

I do a lot of ink work but typically use a pencil to lightly outline main masses and relationships in a sketch.  But sometimes a guy just needs a challenge and I was feeling like one when I started looking at this railing and post.

I set up to sketch it (Stillman & Birn Zeta -5×8, Pilot Prera) and decided to do it ‘ink-only’, though I confess that I drew a pencil horizontal line at the top of the railing and a vertical line at the inside of the post.  Then I got out my pen and stared.  And then I stared some more, measuring, seeing, and occasionally putting a dot on my paper.  Then I drew the lines… and the curves.  For me it was a struggle with all the curved wrought iron to render.  And there are screw ups… there are always screw ups.  It’s my signature move.  But generally, I like the results and had a lot of fun with the process.

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