The Day Queen Victoria Lost Her Head

Quebec is a province full of French-speaking Quebecois, descendents of the explorer Jacques Cartier, Champlain and those who settled this part of Canada before it was Canada.  Yes, the British defeated them on the Plains of Abraham and those “red coats” would have forced Quebecers to speak English if not for a pesky group called Americans who got the idea to invade Canada.  The Brits needed the Quebecois to help them fight off these attacks and so struck a deal that allowed them to retain their language.  Thanks America.  Quebec is the better for it.

But this didn’t end the tensions between the French and English and by the 1940s, the English, using the Church to keep the very religious French in their place, pretty much ran the province of Quebec.  But then came groups like the FLQ who thought this wasn’t such a good idea.

A lot of their actions were political but during the 60s there were over 200 terrorist bombings, including a famous one in Quebec City.  One night, in 1963, dynamite was stuffed into a large bronze statue of Queen Victoria and the resultant explosion blew her head off and sent it flying over 100 yards across Victoria Park.  I won’t bore you with the rest of Quebec history but the Quiet Revolution that took place in the 70s is a remarkable history of a people regaining control of their province.  Instead, I’ll share with you a sketch I did of Vicky’s head, which resides in our Musee de la Civilisation.

Stillman & Birn Nova (5.5×8.5), Platinum 3776, DeAtramentis Document Black

First Outdoor Sketch Of 2018

While many are counting spring flowers, Quebec City lags behind planet Earth as we still have lots of snow.  I’m hopeful it will melt away ‘real soon’ and it was with that optimistic view that I decided to go outside and draw.

It was still too cold.  It was windy and  I had to stand up while drawing, something I’m not good at, but by standing against a wall, out of the wind, it wasn’t too bad.  Here’s my first outdoor sketch of 2018.

100 People – Day 5

#oneweek100people2018 – I gave it a valiant effort, but starting on day three and having a bit of bad luck resulted in my coming up short for this challenge.  Yesterday afternoon I got a chance to draw some floating heads, which brought my people count to 82.  Since I’d done that in two days, I felt it was be a cinch to get the remaining 18 on Friday.  Silly me.

Today I went to a different mall around lunch time.  Their food court is organized to make it an excellent place to sketch, but not today.  Today was the last day of spring break and the mall was having a bunch of activities for kids.  The place was packed.  There were no seats and even if there were it wouldn’t have mattered because the place was so stressful from all the kids running around that I couldn’t stand to be there.  Chalk that up to me being a grumpy old man.  Anyways, I managed to draw a couple people before I gave, got on the bus, and came home.  Hope I have better luck next year.  Hope Marc and Liz decide to do it again as I love seeing all the people sketches.

100 People – Day 4

#oneweek100people2018 – It occurs to me that my attempts to ‘catch up’ after missing the first two days of this five day challenge is becoming a “how can Larry embarrass himself further?” affair.  So be it.  I’m scrambling for numbers and it seems almost comical how I’m stumbling to the finish line of this challenge.

I woke this morning determined to get from 42 (done yesterday) to 70 or so to give myself a chance to complete the challenge on Friday.  I started today’s activities by ‘experimenting’ with the notion of doing a bunch of people direct with watercolor.  These were done on a 5×7 piece of watercolor paper.  What I learned is that I don’t know how but I’m going to count the eight little people I did during this experiment.  Once this challenge is over I’ll continue this experiment and maybe, after a few hundred of them, I’ll figure out how to paint people.

Since that wasn’t going to work for me I grabbed a sketchbook, a Pilot parallel pen, and a Pilot Metropolitan and I headed to the coffee shop.  There is a bus stop across the street so I figured I could sit in the coffee shop window and have lots of ‘targets.’  A couple things were wrong with that idea.

The first problem is that I was reminded that if a large truck gets between me and my subject, I have a hard time drawing that subject.  And, it seemed, every time the street light changed, a large truck had to stop – right in front of the people waiting at the bus stop.  This slowed progress considerably, but I was enjoying a nice coffee so my patience, while challenged, was sufficient.

I was sketching along with the parallel pen when it ran out of ink.  No big deal; I just switched to the Metropolitan.  I like the Metropolitan and don’t use it enough.  I was sketching along, though visibility was becoming reduced by a blizzard and the fact that people waiting for the bus started huddling inside the bus stop cubicle.  Then my Metropolitan ran out of ink.  This pen sits on my desk at home and I realized that it had been a long time since I’d checked its ink load.  My sketching session was over for the day.

The 25 people I had scribbled brought my total for the week to 75 so I do have a chance to make it to 100 if I can get out an about tomorrow.  Sorry for the sad lot of kinda-sorta-maybe people on display here.

100 People – Day Three

#oneweek100people2018 – When Liz Steel and Marc Taro Holmes announced they were doing the 100 people in five days thing they did last year, I was all in.  It was a lot of fun last year and just the thing to rev the engines a bit, though drawing people is not my favorite thing.  But when Monday, March 5th, rolled around my arthritic hands were locked up tighter than a …err…well, they weren’t functioning very well.  The same was true on Tuesday so I told Marc I would have to pass on the event.

Yesterday, my hands were better, though they seem to have a mind of their own right now, and I headed to the mall to draw people.  I figured that if I was to catch up I would have to go into overdrive, maybe even cheating a bit to get the job done.  So, with a cup of coffee, I sat down in front of a McDonalds in the food court and started quickly sketching people who were waiting for their orders.  Nothing very artistic about the process, I was almost literally scribbling, but one hour later I ended up with 42 kinda-sorta people blobs in my Stillman & Birn Nova (5.5×8.5) sketchbook.  I then headed off to an appointment.

Once I got home, I applied colors somewhat randomly.  If I’d been true to the actual colors most of the coats would have been black.  Quebecers are not known for their bright colors.  I know I’ll not likely make 100 people given I gave all of you a two day head start but I feel good that I’ve put a dent in the goal.  We’ll see what today brings.

Tiny Sketches Of February

Stillman & Birn Beta softcover, mostly done with a Platinum 3776 and DeAtramentis Document ink

A guy I follow on Instagram (@lefthandeddrawer) posted a graphic showing tiny, daily sketches he did for the month of January.  That looked fun to me so I started doing it for the month of February.  Being the lazy sort I did pick the shortest month of the year and it worked out nicely.  Each square is 4cm.  I’ll say no more except that you can see a larger view of this by clicking on the graphic.

My New Toy: The Pilot Cavalier

First it was arthritis.  Then it was atrial fibrillation.  Then my leg blew up to the size of a telephone pole (slight exaggeration for effect).  That turned out to be osteoarthritis in my knee and a long set of physio treatments.  Then it became a steady stream of doctor’s appointments.  This torture just would not end, but it has, sort of.

As long as I fill my gut with pills twice a day, my heart is under control, my arthritis is only problem on really “bad” days, and I’m getting used to not walking as far as I’d like and doing so with a limp.  Things are looking up.

It got better when my doctor informed me that I have type 2 diabetes.  I guess that was the dessert after my months of dining on medical treatments.  But you know what?  That’s good news.  For the past half a year I’ve been very fatigued, having less and less energy.  Initially I attributed it to all those doctor visits but eventually concluded that it was just cuz this was what “old” felt like.  It wasn’t an encouraging prognosis.  But, eliminating the cookies (my favorite thing) and adding a couple more pills to my diet and I’ve gotten my energy back.  I call that a win.

So enough about health, let’s talk about my new toy, the Pilot Cavalier fountain pen.  When I got mine I couldn’t find one in North America so I bought through a third-party vendor via Amazon.  But Jet Pens now stocks them in several colours.

I bought this pen because I enjoy quick-sketching with my Kaweco Lilliput but find the screwing and unscrewing its cap to be sort of annoying when I’m wanting to quickly sketch someone in the food court.  One thing I like a lot about the Lilliput, however, is that it’s got a pencil-size diameter and it’s very light.

The Cavalier has both of those attributes associated with a standard length pen.  The cap snaps in place nicely and seals well.  It also posts well, something I have to have in a sketching pen or I’d lose the cap.  Because it’s a Pilot pen, the steel nib provides a smooth feel.

This pen accepts Pilot cartridges but one problem is that the barrel of the pen is just narrow enough that you can’t use Pilot’s CON-50 converter so I have use a syringe to get waterproof ink into empty Pilot cartridges.  It’s said that you can use the CON-20 converter (the rubber bulb-style converter in it but I like syringe filling so I haven’t tried that.  This pen has found a place in my pen quiver, mostly for quick-sketching food court people.  Here’s a sketch I did while test-driving it.  This was also the beginning of a new Stillman & Birn Alpha softcover (5.5×8.5).  I haven’t used this format in quite some time and thought it might be a good idea.

Montreal Day 1: Drawing With Paint

I’m a lucky guy because I’ve had the opportunity to sketch with Marc Taro Holmes on occasion.  Not only is he one of the best sketchers in the world, he’s also a really nice guy and it’s really fun to sketch with him.  But this past weekend was really special because I was sketching with him and I was going to meet Liz Steel and Anne-Laure Jacquart because they were visiting Marc and Shari in Montreal.

On Thursday, though, it was just Marc and I and we headed towards Mont Royal Cemetery to draw statues.  Along the way we stopped, set up shop on the sidewalk, and drew a wonderful house, undoubtedly built just so we could sketch it.  I’m afraid I got a bit clumsy and heavy-handed with the paint on this one but I present the results anyways.  That’s just the kind of guy I am (grin).

Fabriano Artistico 140CP, Platinum 3776, Platinum Carbon Black

Marc has started skipping the pen stuff and he’s drawing directly with paint and we started talking about that as we walked along.  Marc’s not a guy who does a hard-sell on anything but he has a way of making you want to try new things.  And so I did.  This is the first time I’ve ever done anything with paint that wasn’t coloring inside the lines and, well, I have a lot to learn.

Stillman & Birn Alpha (8.5×5.5), Daniel Smith watercolors

Undaunted by all the things I didn’t understand about this process, I continued, doing this second statue.

This was definitely one of those experiences that taught me more about what I didn’t know than how to do it.  I’ve been wanting to integrate paint more directly in my thought process, as in include it in the thought process rather than considering it only as an afterthought.  This drawing with paint idea might generate a bunch of bad drawings, but I think it’s going to get me doing what I should be doing with paint if I’m going to learn how to use it properly.  These are some of the things/ideas that spilled from the process and things I need to work on:

  1. Work in both negative and positive space to define shapes.
  2. Paint must be mixed thicker than wash consistency to be an effective drawing tool.
  3. To achieve light colors that are sufficiently thick for drawing requires mixing light neutral colors into the mix.  Marc uses DS Buff Titanium and Holbein’s Davey’s Gray for this.
  4. Large contrasts between foreground and background pay large dividends.
  5. Oh…and this is probably the most important thing I’ve learned.  Larry needs a LOT more brush time cuz he can’t draw a straight line with a brush to save his soul.

At this point it was looking like rain and we were both hungry so we hopped on the metro and headed for lunch.  I guess we’re not dedicated sketchers because we sat eating sandwiches and talked about the future of urban sketching the rest of the afternoon, not lifting pen nor brush the rest of the day.  But, as Scarlett said, “Tomorrow is another day,” and we had a big day planned.

Draw The Cool Stuff First, Then Stop

I’m the sort that just draws stuff.  My sketching lacks attempts to generate good compositions, to capture large panoramic scenes, or achieve balance and unity.  I simply draw stuff that interests me.  I realize these other things matter but for me, the fun comes from making lines on a page.  What they define is a very low priority for me.  Goofy view of art, I know, but it is mine.  I’m trying hard to learn these other things, to worry about them, and somehow bring them to my sketches, but sometimes I just like to draw the cool thing and then stop.

Along Rue St. Paul, across from the train station, there are some really great old buildings with lots of gables, towers, and, as my dad used to call it, “gingerbread” that makes them special.  I was walking along and decided to draw one of the towers on a corner building.  But this building goes a long way in both directions, with a bunch of windows and cables.  I didn’t want to spend that much time on it, so I just drew the cool part and stopped.  I was happy with that result.

Too Far Away, And The Need To Make It Interesting

I was walking along the river and decided to draw part of the skyline.  From where I was, these buildings were very small, and very far away.  I decided that I could “improve” things by drawing the buildings larger/closer to me so I put on my ZOOM brain and went to work.

There was only one problem with that idea.  If the buildings were close, I should be able to see a bunch of details.  I could not and so I started stumbling around (figuratively) trying to figure out what details I “needed” to imaginate.  This is harder than it sounds and clearly I need to think about this a lot.  I’m used to drawing what I see and I always err on the side of too much detail, which is the opposite of what I should probably doing here.  So much to learn, so little time.