Plains Of Abraham Reservoir

Quebec City has several artificial underground reservoirs and one of is under a part of the Plains of Abraham, a huge park that overlooks the St. Lawrence River.  Originally owned by a farmer named Abraham, it’s now officially called Battlefield Park because of the famous 1759 battle when the British defeated the French.  Everyone who lives here still calls it the Plains of Abraham and the other name is relegated to the tourist brochures.  Recently the entire reservoir was uncovered to replace the top surface.  This is a sketch of that area of the park.

The building holds the support equipment for the reservoir and each of those little strips of foliage hides an air vent.  The grass is beginning to grow back but it’s still pretty sparse and a bright yellow green.  I thought it made an interesting scene.  Besides, I could sit in the shade as I drew.

Stillman & BIrn Beta (8×10), DeAtramentis Document brn/blk, Daniel Smith watercolors

The Used To Be Zoo Part Two

I almost titled this blog post “Oops… I forgot.”  When I wrote my last post I got pulled away from the writing for a while.  When I returned I read the last paragraph and it seemed like an ending so I did a quick copy edit and posted it.

Later I realized that the ending was really just a stopping point and that I’d forgotten to add a second sketch I’d done at the old zoo park that day.

So, as I was saying in my last post, we were having fun at the park and I decided to do a sketch of the bridge that carries foot traffic over the small river running through the park.

This required that I get down to the river level which put me in shade, among a bunch of foliage and near water.  What could go wrong?  Mosquitoes, mosquitoes, and more mosquitoes.  What made them worse was that I was drawing.  I’m oblivious to my surroundings when I’m sketching, even the swarm of mosquitoes that were biting me.

I didn’t notice until the next day when my arms and legs started itching like crazy (shorts and t-shirt day).  I’m sure the sketch suffers from blood loss effects but here it is.  I didn’t really finish the paint stage but I hope you like it anyway; the mosquitos sure liked me.

Stillman & Birn Beta (8×10), DeAtramentis Document brn/blk

Going To The Used To Be Zoo

At one time, Quebec City had a marvelous zoo.  I got to see it when I did my post-doc here.  By the time I returned to live here, however, politics had caused its demise.  These days a portion of the zoo grounds is now a park called Parc des Moulins because there is a windmill on the grounds, but I miss the animals.

Anyways, the Artistes dans les Parcs went there and had a lovely day.  The weather couldn’t have been better and so hanging out with a bunch of artists, in a heavily forested area, with a creek running by was really relaxing.

For a while I was off by myself because I’d decided to draw the rear of one of the old buildings and the garden area behind (in front of the behind?) of it.  This too is a relaxing place as there is a small pond and creek as part of the garden.  Here’s the drawing I did in the morning.

Stillman & Birn Beta (8×10), Deatramentis Document brn/blk, Daniel Smith watercolors

Then it was time for lunch and we sat around enjoying each other’s company.  Wish I’d think about taking photos of these gatherings.  I never think about it until I write the blog posts (grin).

Confused Weather Makes For Confused Sketchers

“April showers bring May flowers.” – Thomas Tusser (1557)

I have a question.  If you get showers in April, and they continue through May, will there be LOTS of flowers in June?  I sure hope so because Quebecers’ moods, will need a boost.

By date and temperature, we have finally gotten to spring and we sketchers are chomping at the bit to get out sketching.  In fact I witnessed a bunch of them, including myself, wandering around in the rain, looking for stuff to draw.  It was quite a sight.

We were attending the first of a series of plein air painting gatherings organized by the great Denise Bujold – great because she’s done this and because she’s so darn good at it.  There are 16 events scheduled, one a week, throughout the summer and fall.  But for this first one, surprise, surprise, it rained.

It was held at an apple/vegetable farm on Ile d’Orleans, a large island near Quebec City.  When Yvan and I arrived we found a gaggle of sketchers huddled in a large space that houses an art gallery during summer tourist season.  Eventually this group spilled out into the garden adjacent to the building and we literally wandered in the rain, pointing at things we could sketch if the rain would stop.

Eventually we made our way to a place where there was an overhang and a few picnic benches and everyone set up shop to sketch.  Across a field there was this scene and I confess that I didn’t have my heart in it and it shows.  But I did get to sketch, outdoors, and with other people.  That has to count for something.  There was supposed to be another event today but it’s pouring rain so it was cancelled.  I’m in desperate need of some flowers.

Stillman & Birn Beta (8×10), DeAtramentis Document diluted black

 

Memories From Old Toys

We’re still waiting for spring to come to Quebec City.  It’s quite unbelievable that it’s mid-May and the best we can hope for is a rainy, dreary day.  But until things warm up a bit (we had a frost warning last week) we’re sort of stuck going to indoor venues to draw.

We were provided with a new one, though, as the Quebec Historial Society opened a small exhibit of old, mostly tin toys from the 40s to the 60s.  As a kid, I was playing with those produced in the 50s so some were quite familiar to me and brought back memories.  I love tin toys, mostly for this nostalgia I suppose, but they were always so brightly painted to mask their simplistic nature.

I spent much of our session viewing the exhibit and reading all the description cards.  It’s not every day that you get to see and Easy-Bake Oven after all.  But eventually I sat down to draw and I did a poor job of sketching an old wind-up race car from the 40s.  I really need to slow down as the quality of my sketches is directly correlated with the speed in which I do them.

Stillman & Birn Beta (8×10 softcover), DeAtramentis Document Brn/Blk ink, Daniel Smith watercolors

Hopping Down The Bunny Trail

I’ve been experimenting with using paint before I do any ink, using a brush and paint to do the actual drawing.  This is mostly as a way of getting my brain to realize that there’s value in color.  That’s probably an odd statement to most artists, but I’ve always been more enamoured with using a fountain pens/inks than I have been with “art.”

Anyways, I’ve decided to do more of this paint-first approach and as I also got a dose of drawing my daughter’s collection of stuffed animals with my recent sketch of Dudley the Dragon I grabbed a large rabbit with oversized feet and ears as my subject for the day.

To provide some guidance with respect to proportions and relationships I penciled in the locations/sizes of all the major masses and then started with paint.  Any self-respecting artist would chuckle to watch me sneaking up on the shapes and color patterns.  I started very light, improving the shapes as I went.  In this process I also started identifying tonal variations, trying to figure out how to create them in color.  I’m woefully ill-equipped to do this but I plowed ahead as if I were.  Eventually I added some ink lines just cuz my drawings need ink lines.  Hope you like the result.

Stillman & Birn Beta (8×10 softcover), Daniel Smith watercolors

Sketching My Stuff

Yvan and Claudette came to visit this week and we spent the afternoon sketching my stuff.  I’ve got a bunch of stuff, mostly obtained at flea markets for purposes of drawing and we put some of it to good use.  As is too often the case, my hand was hurting me but we nevertheless had a great day.

Yvan drew the front of a plaster rabbit so I drew the back and found it hard to make the foreshortened ears sufficient to give the rabbit a real rabbit look.  Some views are better than others I suppose.  Claudette did a really great drawing of a large Japanese woman’s head and it turned out great.

Arches cold press, DeAtramentis Document Black,

We took a break, had coffee and the obligatory talk of drawing and watercolors.  We decided to draw something else.  I have two really nice Japanese figures that I’ve drawn several times and Yvan chose to draw the male figure so I grabbed the female (that didn’t come out right).  I’d never drawn her from behind so I decided to do so, drawing in pencil in a Stillman & Birn Nova.  In the end I wish I’d used ink but this is the result.

Stillman & Birn Nova, mechanical pencil (2B)

Sketching Hands At Yvan’s House

Here in Quebec City we’re still waiting for the opportunity to get out of our igloos so we can sketch outside.  Until the snow starts melting, however, we get together at someone’s house and sketch.

Stillman & Birn Nova

 

Stillman & Birn Nova

A favorite in that regard is Yvan’s place because he has a great studio that’s filled with an artist’s version of a cabinet of curiosities so there’s lots of stuff to draw.  When several of us gathered there I chose to draw plaster casts of hands.  I had a lot of fun with these but I made the mistake of using a water-based felt pen to shade them.  I know lots of people love felt markers but I can’t understand why.  Whenever I use one the results are streaky and splotchy.

 

Sketching An Inukshuk

Inukshuks are common across northern Canada.  Seen principally as a product of the Inuits, other Native American groups also make them.  They are said to have been used as navigation markers, or markers of significant locations.  They commonly represent of Canada itself and some have deemed them a symbol of hope.  You can buy tiny inukshuks as souvenirs, sold right next to the beaver and moose figurines.

In any case their structure is meant to represent a human form and larger ones even have legs and arms.  Most have outward projections that represent arms in some way.  Mostly, though, they are a pile of rocks and I love drawing rocks.

We were at the museum the other day and in the Native American exhibit there is a small inukshuk that sits behind some large display cabinets.  You can see all of it if you’re standing in front of those display cabinets but I had to sit across the aisle from them so I would have light to see my paper.  This meant that I couldn’t see the bottom half of it.  I drew it anyway, direct with ink, and this is the result.

Stillman & Birn Nova (5.5x.8.5), J. Herbin Lie de Thé ink

I really had fun drawing this inukshuk and I remembered that I’d drawn one before, an inukshuk that resides on the Quebec Parliament grounds.  I decided to see if I could find that sketch.  I rarely look at my old sketches but  I did find it and I learned a couple things.  First is that this older sketch was done in 2012, only a few months after I decided to learn how to draw.  The second thing I learned is that I have actually improved as I’ve accumulated pen miles.  That made me happy.  Maybe inukshuks do represent hope.

Getting My Brain Back Into Sketching

My brain is rusty.  While I’m still having trouble with my drawing hand, it’s my brain that has fallen out of practice and needs some line miles to return my sketching to the miserable quality it once was.  So when Yvan and I made another trip to the hunting an fishing museum I was determined to make a lot of lines.

Instead of trying to create a detailed, well-proportioned drawing, I decided to sketch quickly (for me) so I could cover more ground – make more marks.  No pencil block in, no holding my pencil out to get proportions.  The goal was to make lines – lines that, hopefully, would look something like a duck.  Here’s what I managed to put to paper.

Stillman & Birn Nova (5.5×8.5), not sure what pens I used

Errors abound, of course, but they do look like ducks and generally they look like the ones I was looking at.  I label this a success with the caveat that I need to do a lot more of it to get my lines to flow better.  After a short break I decided to do the same thing with a bunch of fishing lures.  The drawing here was pretty “sketchy” (pun intended) so I added some color to add some life to the spread.

We say all the time that it’s the process, not the product.  Getting back into sketching is reward enough for me.