What Makes A Sketching Day Fun For You?

Spring is still struggling to show its head here in Quebec.  It’s raining here today,  but yesterday was gorgeous.  Heck, we got all the way up to 68F!  So I grabbed my sketchbook and headed out to wander the back streets, looking for something new to sketch.  I went to an area I hadn’t been before.

It was a residential area, constructed during the early 20th Century.  Many of the buildings had a lot of peeling paint and some even had molding pieces missing or damaged.  But there were some gems too.

But I was drawn to a fairly small, simple house, mostly because of its bright colors and absolutely immaculate condition.  I think someone must dust the exterior regularly.  Obviously its residents cared about their home.

I set up across the street and started drawing it.  Here’s what my finished sketch looked like.  I hadn’t carried my painting gear with me so I added color at home, after dinner.  The sketch was done in my 10×7 Stillman & Birn Alpha sketchbook using a Lamy Al-Star and Platinum Carbon Black ink.   Here it is with color added.

One difference you’ll see between the finished drawing and the actual house is that the shade is pulled in the window on the right.  During my session, that shade went up and a little, round-faced old lady looked out at me.  I envisioned the dialog.  “Hey Clarence, there’s a guy out there staring at our house.  Looks like he’s making something in his lap.  Should I shoot him?”

Alas, there were no shots.  this is Canada, after all (grin).

 

 

Urban Sketcher’s Kit Bag

This is a quick post in response to questions asked in the Artist Journal Workshop forum on Facebook that resulted from a photo I posted of my field gear.  They wanted to know about my field bag so here it is.

I bought it from Mountain Equipment CO-OP for $21CDN.  Before we get started, I should say that this bag is with me everywhere I go and thus it’s used as a general service bag as well as my art bag.  I’ve always got sketching materials with me but when I go out for a ‘serious’ sketching session I add the paints, water, brushes and larger sketchbooks.

The bag has five main areas as well as a small pen compartment.  All but the back compartment can be zippered shut but I rarely do this as the cover flap closes things up enough for me.

I use compartment A to hold several pens.  Which ones I carry changes at my whim but generally I’ve got half a dozen or so and I think I could clip at least 10 of them into this pocket.  If you look closely behind this compartment you’ll see a small, open pocket.  This is handy for carrying shopping lists and notes.  For instance, I’ve got lists of all the Tombow brush pen, colored pencils, etc. I own so when I’m in an art store, I have those lists with me.

Compartment B is large enough to hold a pencil box, a small writing notebook, watercolors (W&N artist watercolors in a Cotman sketcher box),and other stuff if need be.

Compartment C is the largest and the workhorse of the bag.  You can put a 9×12 sketchbook in it but you can’t zipper it as the sketchbook sticks out just a bit.  My Stillman & Birn 10x7s fit nicely, though.  Sometimes it also holds a 5.5×8 book.  This is where I put my camera, paper towels and a collapsible umbrella if I need it.  If I carry only one sketchbook and the camera, I can stick binoculars in here.

Compartment D is in the cover.  I’ve carried a small Moleskine there in the past but I haven’t used it much simply because I haven’t needed the space.  While there’s lots of room here, it’s best for light things as otherwise it makes the cover hard to flip up when you need access to the other compartments.

Looking at the bag from the back, there is a large, thin compartment with no zipper.  I have a couple thin, 5×8 homemade sketchbooks, made from toned paper, that live here.  I also have a fomecore backing board for these sketchbooks in this compartment.  Because this compartment is up against my side as I walk, I don’t put anything in here that’s lumpy but the sketchbooks seem happy there.

Here’s a photo of the typical contents of my bag when I’m out on a sketching session.  I stuff all the ‘wet’ things (marked D) in a large ziplock bag before dropping them into compartment C.

When I head out, the back looks like this, with my Walk Stool clipped under the cover.  It makes a compact rig and I’ve been very happy with it.

 

Stillman & Birn “Beta” Sketchbook

When I got interested in sketching I found it pretty easy to find good watercolors, brushes, pencils, and pens.  What was harder was finding sketchbooks that served my purposes as a pen/ink/watercolor sketcher.  I spent a lot of money and now own a bunch of sketchbooks with 2-3 sketches done in each before I rejected them.

Then a couple artists started talking about Stillman & Birn sketchbooks.  I bought one.  Then another.  Then another.  And I’ve never looked back.  They are simply the best I’ve found.  Mostly I’ve been using sketchbooks, both bound and spiral, from their Alpha series, which have nice, smooth, 100lb paper.  I’ve also tried the Epsilon series and while a bit smoother, I don’t really see much difference between the two but I’m a rookie so what do I know.

And over my few months of using them, lots of other sketchers have started using them too.  We’ve all reported to Stillman & Birn that their Alpha (white) and Gamma (ivory) sketchbooks can handle a lot more water/washes than their advertising suggests.  Many of us are as surprised as S&B are about this, as 100lb paper is about the minimum for doing washes in my experience.  But there’s something about the sizing of the paper that causes it to act ‘heavier’ than it is when accepting watercolor.

It’s not that you can’t buy heavier paper from Stillman & Birn.  They have a Beta (white) and Delta (ivory) series that contain 180lb paper.  But Stillman & Birn advertise these series as being “rough” paper and that’s the last thing one wants if you’re going to be pushing an ink pen over the surface.  So I’ve avoided them…until now.

I’m a curious kind of guy so I’ve now got 6×8 spiral sketchbooks from the Beta and Delta series and…shazaam…the paper isn’t rough at all.  In fact, it’s smoother than some cold-press watercolor papers I’ve tried.  These papers do have a bit more tooth than my Alphas but I got quite excited when I received them because the paper is very heavy, smooth, and inviting.

A quick test demonstrated that my fountain pens like these papers.  I tried a Kaweco Al-Sport, Lamy Safari, Noodler’s Ahab, Pilot Prera, and Hero calligraphy pens.  I tried Platinum Carbon Black, Noodler’s Lexington Gray, and Noodler’s Bernanke Black ink.  All the lines were clean and crisp.  It might be my imagination but I feel that watercolor washes are easier to do with these papers too but I can present no data other than ‘seems like’ to support that view.

And so this morning I got up, looked outside and saw the sun.  I headed out with my new Beta sketchbook in search of something to sketch.  This lasted about 15 minutes.  It was sunny, but ugh; it was cold… cold… cold.  Temps were only a couple degrees below freezing but the winds were howling and so being the sissy that I am, I hustled myself back home.

Not to be defeated by Mother Nature, I went through my photo library and came up with a photo of a sign I’ve been wanting to sketch.  It hangs high over an intersection in our downtown area and I love the flourescent pink lighting around its periphery.  I started sketching, not fully realizing that I had no clue how to draw flourescent lighting.

I’m going to really like this Beta sketchbook.  At 6×8 it’s a good size for portable sketching, though I’ve become quite attached to my 10×7 Alpha sketchbooks.  Here’s the end result.  I did this sketch with a Pilot Prera and Lexington Gray ink.

When Sketchers Look Up

Once I made a couple of sketchbooks with toned paper, I started looking for something to sketch in them.  This search coincided with my looking up as I walked and the result were these two sketches.  Both were made on Canson Mi-Teinte colored papers.  Not as nice for washes as the Stillman & Birn sketchbooks I’m used to but I still had a lot of fun creating these sketches.  Hope you like them.

One of the many turrets that grace buildings here in Quebec City. Canson Mi-Teintes paper (5x7), Hero calligraphy pen w/Platinum Carbon Black ink. W&N artist colors

One of the things I learned from doing these sketches is that looking up to sketch is difficult.  Not only is there an extra perspective dimension to deal with, but just the head bobbing up and down seemed to make it harder for me to create the sketch.

I found this cluster of transformers and their associated wires interesting. Canson Mi-Teinte (5x7), Hero pen with PCB ink.

A Sign Of Spring In Quebec

The Internet has affected our views of the world and for the past month or so I’ve ‘experienced’ spring in many locations on our fair planet as people talk about flowers popping out of the ground, birds chirping, etc.  In Quebec spring is a bit different.  It’s a time when temperatures fluctuate a lot.  One day we’ll be in shirt-sleeves and the next we’re back in our heavy coats.  Spring is when the snow melts, though, and we’re left with a bunch of brown, matted grass and no green on the trees.  When the trees finally flush, it seems they do it overnight and summer begins.

So, while we “know” it’s spring, the birds haven’t shown up yet and there aren’t those flower indicators of it.  Instead, our indicators are big blue trucks.  All winter the city’s efforts to keep us moving involves regular gravel/dirt treatments of our roads and sidewalks.  Spring snow melt leaves a coating of the stuff everywhere and so the big blue trucks come along, with nice guys in orange coats who wash the sidewalks with power hoses.  later, other big blue trucks (actually streetsweepers) come along and suck up the gravel from the streets.

A couple days ago they came and while they weren’t in one place long enough to sketch, I took a couple photos and did this quick, for me, sketch of the activity.  We like it clean in Quebec City.

Stillman & Birn 5.5×8.5 Alpha; Lamy All Star w/Platinum Carbon Black ink; W&N artist watercolors