Stepping Through My Sketching Process

Patrick Ng presented one of his sketches by showing us all the stages of development in a series of posts in the Facebook group, Artist Journal Workshop.  I thought that was a great idea and so I’m going to do that here.  Click on the photo to get a larger image.

On Location PhotoFirst stage occurred on a hot day, in front of the Quebec City train station.  I decided to draw a building that sits at 363 Rue St. Paul, partly because it was a great subject and partly because there was a shady spot where I could sit.  I didn’t quite get the drawing done in that first session as it still lacked the foliage, though that had been penciled in early in the process so I’d know what parts of the building would be covered by leaves.

B&W sketch

Once I finished adding the foliage and touching up a few of the details it looked like this.  I did this at home.

I decided to add shading with early morning sun as I thought it would be better than the mid-day sun I had when I did the sketch.  So, I went back to the site, plunked myself on my Walkstool and went to work.

Toned sketchI now use a small chunk of 8B Derwent Graphitone pencil, stuck in a half-pan, for my basic shading.  This has some interesting virtues.  First, I can use it just like a cake of watercolor, using a brush to pick up pigment and mix up washes of any density I need.  Second, it’s much smaller and lighter than the dilute india ink solutions I was carrying for this purpose.  AND, the important thing is that once Graphitone been exposed to water and then dries, it won’t mix with watercolors I put over it.   The end result of this stage sometimes causes me to wonder whether I need color at all.  This may be because I’m not all that versed in or experienced with watercolor (grin).

I like color, though, so I broke out my W&N watercolors and applied a moderate amount of color to the sketch.

I used a Pilot Prera fountain pen with Noodler’s Lexington Gray ink to do this sketch.  In my opinion, the techniques are made possible, or at least easier, because of the fantastic, double-sized papers of the Stillman & Birn sketchbooks I use.  I can’t say enough good things about them.   If you find these sorts of posts useful, let me know and I’ll do more of them.

Cheers — Larry

larry@larrydmarshall.com

36th Worldwide Sketchcrawl – Quebec City Style

Last Saturday I and a group of more talented sketchers took to the streets of Quebec City as part of a worldwide “sketchcrawl”, to spend the day sketching our fair city.  I could tell you all about it.  I could show you pictures.  But that’s already been done better than I could at the Drawn to Quebec blog so click thee to the photos and discussion.

Portrait Sketching in Quebec City

I’ve been sketching for about ten months now.  When I started my goal was to be able to draw some of the unique buildings here in Quebec.  That is still my goal and I’ve been happy with my progress.  Heck, I’d be happy with any progress as I spent most of my life believing you had to have special talents to draw.

I’ve approach that goal in single-minded fashion, first drawing a gazillion boxes and finally buildings.  It’s only been recently that I’ve even added trees and such to my building sketches.  I think that trying to keep it simple has helped me considerably as I climb the learning curve.

But I’ve met a group of sketchers that have me conflicted over my approach.  They meet once a week and draw portraits.  They are Yvan, Denis, Jean-Marc, Sylvie, Katherine, Catherine, Han, and Celine.  While their names don’t mean much to you, take my word for it; these are some of the nicest, most talented people you’d ever want to meet.

I met some of them during our recent sketchcrawl, and I decided to attend their portraiture session last night.  I didn’t sketch.  As I said, I’m trying to stick with buildings and while the US Government can decide that corporations are people, I have a hard time convincing myself that people are buildings.

But the ‘esprit’ of that evening session, and the enthusiasm of its participants, is infectious and I’m afraid I have been infected.  I shouldn’t.  I know I shouldn’t.  Stick with the plan, Larry.  But…but…I feel the need to participate.  My only participation last night, aside from being amazed by the sketches done by these artists, was to pose for a 20-minute session.  It was fun.  I hope to do it again.  If you’ve ever wondered what I look like, this sketch by Yvan is a very good likeness.

36th Worldwide Sketchcrawl – Quebec Style

In conjunction with the Worldwide Sketchcrawl effort on July 14th, We’re having a sketchcrawl here in Quebec City.  I hope you’ll join us for some sketching fun.

Date: July 14th, 2012

Time: Start at 10:00 AM

Location: Meet at the Plains of Abraham’s Jardin de Jeanne D’Arc (corner of Rue de Bernieres and Avenue Tache)

Cost: Free; but you will have to provide your own materials.  Bring your favorite pointy devices and sketchbook.  Also, we will picnic at lunch time so bring food and drink.  There are water fountains on both ends of the garden and restrooms are available.

If you’d like more information, please contact:

Bethann at drawntoquebec@gmail.com
or
Larry at larry@larrydmarshall.com (418-525-4985)

We’d love to know in advance if you plan to participate but drop-ins are also welcome.

Inuit Urban Sketching

Here’s something you won’t see in many urban sketcher’s sketchbooks, an Inukshuk.  The Inuit have used these for years to provide directions, mark locations, and even to aid in caribou hunts.  Because of this, you can find these human-like rock piles scattered across the northern parts of Canada… or in souvenir shops, as miniature versions are quite popular.

This one, however, is in downtown Quebec City, on the Parliament grounds.  I’d guess its height at ten feet.  Yesterday wasn’t the optimal time to sketch it as there are barriers up around the grounds due to construction so I couldn’t get as close as I’d like, nor could I view it from its front, the optimal way to sketch an inukshuk (“in-ooo-shuck”).  But, I was there; it was there; and I sketched it as, these days, I’m interested in rocks and how to depict them.

This sketch was done in a Stillman & Birn Beta (6×8) sketchbook, using a Pilot Prera pen filled with Noodler’s Lexington Gray ink. Winsor & Newton artist watercolors provided the color.  I REALLY like the Beta sketchbook paper.  So thick, so friendly to both pen and watercolor.  I’ve become quite spoiled by my Alpha series sketchbooks but the Beta series is yet one step better for the kinds of sketching I do.

Any inukshuks in your town (grin)?