Are You Afraid Of Clowns?

Many people are afraid of clowns for some reason.  They might be scared to death if they walk down rue St. Paul in the old port area of Quebec City because, between two buildings there is a humongous inflatable clown head scrunged between the two walls.  I think it’s cute but it could also be scary, depending upon your point of view.  I had to draw it.

Stillman & Birn Alpha (4×6), DeAtramentis Document Black, Wing Sung 8009, Platinum brush pen

The Used To Be Zoo Part Two

I almost titled this blog post “Oops… I forgot.”  When I wrote my last post I got pulled away from the writing for a while.  When I returned I read the last paragraph and it seemed like an ending so I did a quick copy edit and posted it.

Later I realized that the ending was really just a stopping point and that I’d forgotten to add a second sketch I’d done at the old zoo park that day.

So, as I was saying in my last post, we were having fun at the park and I decided to do a sketch of the bridge that carries foot traffic over the small river running through the park.

This required that I get down to the river level which put me in shade, among a bunch of foliage and near water.  What could go wrong?  Mosquitoes, mosquitoes, and more mosquitoes.  What made them worse was that I was drawing.  I’m oblivious to my surroundings when I’m sketching, even the swarm of mosquitoes that were biting me.

I didn’t notice until the next day when my arms and legs started itching like crazy (shorts and t-shirt day).  I’m sure the sketch suffers from blood loss effects but here it is.  I didn’t really finish the paint stage but I hope you like it anyway; the mosquitos sure liked me.

Stillman & Birn Beta (8×10), DeAtramentis Document brn/blk

Going To The Used To Be Zoo

At one time, Quebec City had a marvelous zoo.  I got to see it when I did my post-doc here.  By the time I returned to live here, however, politics had caused its demise.  These days a portion of the zoo grounds is now a park called Parc des Moulins because there is a windmill on the grounds, but I miss the animals.

Anyways, the Artistes dans les Parcs went there and had a lovely day.  The weather couldn’t have been better and so hanging out with a bunch of artists, in a heavily forested area, with a creek running by was really relaxing.

For a while I was off by myself because I’d decided to draw the rear of one of the old buildings and the garden area behind (in front of the behind?) of it.  This too is a relaxing place as there is a small pond and creek as part of the garden.  Here’s the drawing I did in the morning.

Stillman & Birn Beta (8×10), Deatramentis Document brn/blk, Daniel Smith watercolors

Then it was time for lunch and we sat around enjoying each other’s company.  Wish I’d think about taking photos of these gatherings.  I never think about it until I write the blog posts (grin).

Location Sketching (Finally) In Beauport

To say that spring/summer has been slow in arriving would be a big understatement but we’re finally starting to get some warm, sunny days.  We took advantage of one of them last week and found ourselves in Beauport, along Avenue Royale, a street that runs along a hillside, a part of the city where the architecture is spectacular but quite different from the really early architecture of our “old city.”

My first sketch was an example of me biting off more than I could chew.  It didn’t start out that way.  I intended to draw just the end of a long set of Quebec equivalents of New York brownstones.  These are covered with gables, towers, etc. and are quite stunning.  They’re also quite complicated.  Very quickly, though I let my eyes grow big while my time stayed the same and the result was that very soon I was scribbling my way to depicting half of the entire complex, something that should have taken twice the time and been done in a much larger format.  My little 4×6 book just wouldn’t hold it all.  Here it is, serving as a lesson – when you decide the scope of a drawing, stick to it.

Stillman & Birn Alpha (4×6), DeAtramentis Document brn/blk, Daniel Smith watercolors

As it turned out, I had more time than I thought.  It has been forever since I’ve sketched outdoors with our little group and getting back into the swing of things is harder than it should be and my timing is off.  Anyways, I started drawing a small subject, figuring I could get it done before everyone wanted to head off for lunch.  In spite of its simplicity, I really like this one.  Hope you do too.  In any case, summer is here and I hope it will be a good one.

Stillman & Birn Alpha (4×6), DeAtramentis Document brn/blk, Daniel Smith watercolors

Spud Sketching In The Afternoon

Winter is tough on people who like to sketch on location.  We can go to museums, sketch people in coffee shops, and maybe even visit a mall, but there are days when the weather is so bad that we can’t even do that.  What to do, what to do.

Those of you who follow Tina Koyama might have an answer.  You draw fruits and vegetables and since Seattle agreed to take some of the snow headed to Quebec, that’s what she’s been doing.  Recently she ventured beyond bananas, apples and garlic and drew a potato.

I’ve drawn apples, bananas, garlic, pumpkins, peppers, etc. (we get lots of snow), but I’ve never drawn a potato.  Following in Tina’s footsteps, today I drew a potato, or rather two potatoes since that was the road less traveled.

Stillman & Birn Beta (10×7), Pilot Kakuna, DeAtramentis Document Black, Daniel Smith watercolors