Location Sketching On Ile d’Orleans

“In 1814 we took a little trip,
along with Colonel Jackson
down the mighty Mississip.
 
We took a little bacon,
and we took a little beans,
and we fought the bloody British
in a town called New Orleans.”

These lyrics, sung long ago by Johnny Horton, tell of the final battle of the War of 1812 where Americans defeated a British invasion force.  The song was a big hit when I was a kid and every time I head to Quebec’s Ile d’Orleans that song rattles around in my brain.  Truth is, the French had their own battle against a British invasion and Wolfe, the leader of that invasion force, nearly died when his ship ran aground just off the coast of the island, and within cannon distance of the French forces.

But war is not the topic of today’s post.  Rather, it is about a trip I took recently to Ile d’Orleans to sketch.  I use ‘trip’ loosely as it takes all of fifteen minutes to get there as you can see Ile d’Orleans from Quebec City and vice versa.  Going to the mall takes longer.

Ile d’Orleans is a big island in the St. Lawrence River, just as it widens from its narrowest point, at Quebec City, on its way to the Atlantic Ocean.  There are six municipalities on the island, though I have a hard time determining where one begins and another ends.  What I know is that the island is gorgeous and I love my time there.  A lot of vegetable and fruit growing goes on, and it’s a very popular tourist location.

I’ve sketched on the island but I’ve never gone there alone, with the singular goal of sketching.  This day, I was on a mission.  The sun was out, I had sketchbooks a plenty, and I’d arranged to have our car for the day.  I arrived on the island about 8:45 and drove to the backside of the island to a pier that juts out into the St. Lawrence.  I discovered it when I was with my buddy Nicolas and we were like a couple kids, chasing the Queen Elizabeth II as she passed along the southern coast of the island on her approach to Quebec City.

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Moleskine watercolor (3×5), Pilot Prera, Platinum Carbon Black

I walked out onto the pier, set up my stool and began sketching.  You know what?  Sun doesn’t help much when there’s a 20-30km/h wind blowing across a large body of water and its hyper-cooled air is cutting you in half.  I was COLD!!!  At one point I went back and sat in the car for a while to warm up but, finally I finished the sketch.  I was a bit too much in a hurry, do you blame me, and ended up with some paint blooms in the foliage because my previous wash wasn’t yet dry, but them’s the breaks.

I was really cold when I finished and so headed for a place I knew that serves wonderful brioche and good, hot coffee.  Unfortunately, the winds had blown out their electricity – no coffee.  So, I bought a brioche and sat in the car, with the heater running, to warm up.

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Stillman & Birn Zeta (5×8), Pilot Prera, Platinum Carbon Black

Across the street from the café is a church and a cemetery.  I keep telling myself that I should draw more in cemeteries as I love the shapes of the grave stones and their helter-skelter orientations, probably caused by the annual freezing and thawing of the ground.  I found a view I liked, went back to the car to get my stuff and I was soon sitting in the cemetery sketching.  This was a little better as there was a stone wall around the area that broke some of the wind.  I was only semi-frozen when I finished this one.

I was getting ready to leave.  Actually I was turning around in the church parking lot when my eye caught a “Privé” sign and a lamp post.  I love to have such things in my sketches and so I decided to sketch this scene.  Once again, however, I would be fully-exposed to that darn wind coming off the St. Lawrence.  I am old but even I can learn new tricks.  I positioned the car so I could sketch while sitting inside.  About halfway through I was wishing I had a hacksaw to eliminate the steering wheel but it worked out ok once I got the hang of it.

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Stillman & Birn Zeta (5×8), Pilot Prera, Platinum Carbon Black

There’s so much to sketch on the island that I could go there every day and not get bored.   In another couple weeks the trees should be putting on their annual ‘fall colors’ light show and I’m going back ‘real soon.’

Small Sketch Series Continued

I’m continuing to fill my small Moleskine watercolor book with sketches.  Doing a bit of experimenting, having a lot of fun.  I do enjoy this format, though I wish the Moleskine was in portrait format.  As you’ll see, most of the sketches I’ve done are in portrait format.  Personally, I’m still waiting for Stillman & Birn to do a 3×5, small sketchbook with their great papers, preferably their Beta or Zeta papers.

Until then, here’s a few more small sketches.

2013-07-28MoulinOven

This young woman was stoking the fire of an outdoor oven associated with a historic Jesuit mill in the Quebec area. Most of the time she was chopping wood but I did this quick sketch of her tending the fire.

2013-07-28TraitCarreLibrary

Part of the Charlesbourg library roof is grass covered and you can walk up there. From there you can see another wing of the building which sports this tower. I sat, on a very windy day trying to keep my sketchbook from blowing away as I made this sketch.

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A somewhat different lamp that I found in Charlesbourg. Just a quick ink sketch that took only a few minutes.

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Part of the Quebec skyline. This was an experiment in quick-sketching using J.Herbin 1670 ink, followed up with a waterbrush to spread the ink a bit. In spite of my typical penchant for straight lines and detail, I liked this one a lot.

2013-07-30FerryPassengers

For some reason, ferry passengers seem in constant motion during the 10 minute trip from one side of the St. Lawrence to the other. These two actually stood still for a couple minutes as I sketched them.

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The people who get to sit on this terrace are lucky indeed as the house is high on a cliff overlooking the St. Lawrence.

2013-08-05Chimney

I’m a big fan of the complex chimneys on many of the downtown buildings. I couldn’t resist trying to capture the detail of this one.

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This is one of three navigational bouys that sit in the Canadian Coast Guard park associated with their Quebec City installation.

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This is one of a brace of entry markers at the entrance to one of the local parks.

 

Sketching In A Target-Rich Environment

Every year Quebec City holds the Festivale de Nouvelle France.  It is a celebration of the French landing here and setting up shop.  It’s a celebration of French culture.  It’s a celebration of traditional foods.  And it’s a heck of a good excuse for adults to dress up in costumes and roam the streets of old Quebec.

It’s also a great opportunity for sketchers who want to sketch people dressed as peasants, royalty, pirates, military, indians, and vendors.  I was a peasant myself – a peasant with a pen and a sketchbook.

I’m not very good at this kind of sketching.  Generally your subject is in a crowd of people and you have only a very short time to capture their geometry.  Once done, you’ve got a variable, though always short period of time, to fill in the details from a subject that’s moving constantly, often away from, blending back into the crowd.  Here are a few of my attempts; it sure was fun.

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Urban Sketcher Communes With Nature

I had a wonderful time last Saturday.  I was invited to the house of long-time friend, Pierre Therrien, along with two other sketching buddies, one of them being Pierre’s constant companion and main squeeze, Celine.

I picked Yvan up and we headed to Pierre’s house, which is just south of the North Pole, I think.  We drove and drove and drove.  Pierre lives in a forest.  His home looks out on gorgeous forested landscape areas and is near Jacques Cartier River, a very sketch-ogenic river.  It is a sketcher’s dream.

We spent the first hour chatting about everything and anything and spent some time drooling over his art library.  Then we decided that maybe sketching time was wasting away so we headed outside and broke out the pointy devices.  Yvan, Celine and Pierre set up in front of the house to draw the ‘paysage’ that splays out in front of it and ends with a backdrop of the Laurentian mountains which, to a Rocky Mountain guy like myself, have always more resembled hills than mountains.  Everything’s relative, I guess, and so are mountains.

2013-07-06_Larry-chez-Pierre_St-Gabriel-Valcartier_4_smBut I’m an urban sketcher so I started wandering around.  I found myself in a far corner of a field, looking back at Pierre’s house.  Photo is courtesy of Yvan.  You can see that I was very comfy as I had a full chair rather than my stool.

All alone was I, except for the curious ants, too many biting flies and a Theridid spider.  I tried to strike up a conversation with the spider but she didn’t say much.  She just glared at me for plunking my chair down so close to her web.

Here’s the view I had and the partially completed sketch:

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I had decided to try out my new Uniball UM-151 (.28mm) pen on Stillman & Birn Alpha paper and I’ve concluded that it’s a wonderful combination.  I’m going to be ordering some more of them ‘real soon.’

After lunch I returned to my perch, with the addition of a portable umbrella that shaded me from what was now a very hot sun.  I completed the ink sketch and added color, using a waterbrush and W&N artist colors.  I’m a hack watercolorists but I’ve got to get back to using real brushes.  Here’s the finished sketch:

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Rainy Weekend Sketching

This past weekend was rainy and windy, so my hopes of outdoor sketching were dashed…or dampened…or blown away.  It depends on your view.  And when it’s a gloomy, rainy day, a philosopher sits on a rock and ponders the universe. A sketcher draws the rock. Stillman & Birn Alpha (4×6), TWSBI Mini with Lex Gray.

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Sunday was the same – rain and wind. No outdoor sketching today either. So there I was, watching the Bluejays on TV. Since I can’t watch TV without doing something else I started flipping through photos I’ve taken around Quebec and found a photo of Quebec’s “cannonball tree.” This is something that would be hard to sketch on site because, in the winter, it’s covered with snow and in the summer, it’s surrounded by groups of tourists taking photos of it.

Back in the 18th Century the Brits came along and decided they like this “Nouvelle France” place, so they started lobbing cannon shells on the city…I’m sure in an attempt to make it look more British. In any case, they did that for several months, ultimately got the French to surrender, and we’ve all lived happily every after ever since.

2013-05-26CannonballTreeBut somehow, this French tree grabbed a British cannonball and hung onto it, for a couple hundred years. It seems reluctant to give it back and so so the tree has become famous for its persistence, appearing on tourist guide maps of things to see. My sketch is in a Stillman & Birn Alpha (4×6) and I used my TWSBI Mini with Lex Gray ink.

Will the rain ever end?