I’ve always carried a small sketchbook with me for doing quick-sketches of things. But more and more I’ve been sketching in 5×8 or 10×7 sketchbooks. Working larger is fun and lets me ‘stretch’ my gaze a bit more. The result is that my small sketchbook became a cheap dollar store sketchbook that wouldn’t tolerate watercolors while my larger sketchbooks are all Stillman & Birn, first-class sketchbooks. The ‘gap’ between small and large had become greater in my sketching.
So I tried one of Stillman & Birn’s 4×6 sketchbooks. In fact, I’ve nearly filled two of them. The paper is fantastic, as always, but a 4×6, thick sketchbook is too ‘big’ to be called a ‘small’ sketchbook, at least for this street sketcher. I need something I can stuff in a pocket.
And so I bought a Moleskine watercolor book. I don’t much like its landscape layout but it’s tolerable in this small size. The larger one is almost painful to manage if you try to balance it on your knee while sitting on a stool, which is my typical approach. I do wish they’d produce a portrait format sketchbook with their watercolor paper. Heck, what I really wish is that Stillman & Birn would produce a thin (30pages?) 3×5 sketchbook with their Epsilon paper. Then I’d be a very happy sketcher.
This is a Celtic Cross in Artillery Park. Done with a Pilot Prera.
Anyways, I’ve started doing small pen & ink watercolors again and I’m really enjoying it. I thought I’d share some with you. All of these were done in the tiny Moleskine. I’ll mention the pen used in captions.
Factory building along the Riviere St. Charles. Sakura Micron 01.
Lamp on Plains of Abraham. Uniball Signo UM-151 “brown-black” .28
Cast metal fountain on Plains of Abraham. Pilot Prera, Platinum Carbon Black.
Large light inside the Kent Gate. Pilot Prera.
Cartier-Brebeuf Park. Pilot Prera
Pilot Prera w/Platinum Carbon Black