Various Thoughts At The End Of The Year

Posted on January 1, 2017 by Larry Marshall

This post will seem a bit disorganized. That’s cuz it’s a bit disorganized, or at least my thoughts about it are disorganized. But I want to wrap up the year by talking about a couple things and I’ll throw in a sketch just to keep it interesting.

Stillman & Birn source for Canadians

Lots of people have asked me where to buy Stillman & Birn sketchbooks in Canada. Sadly, Canadian suppliers are simply horrible when it comes to fulfilling the needs of urban sketchers and none of them are a reliable source for S&B sketchbooks. Even Amazon.ca, who list them, do so at such ridiculous prices that nobody in their right mind would pay that for them.

Thus, I’ve never had an answer to give to those asking about S&B, until now. I realized that Jackson Art Supplies in the UK has them… the entire S&B product line. And what’s good about Jacksons is that they, like several UK online sellers, “get it.” By that I mean they’ve figured out that if they sell to 7 billion of the Earth’s inhabitants, they are better off than selling only within their country. If only the US would figure this out. Anyways, Jackson Art Supplies will ship ANYWHERE for FREE if you buy 39GBR or more from them. I’ve ordered from them a couple times and they’re great to deal with so if you want S&B, there’s a place where you can get them.

(ed note: Susan King just informed me that Opus Art in Vancouver is not stocking the full line of Stillman & Birn softcovers which is really good news.)

New Year’s Resolution???

I’m probably notorious for doing a bah humbug when it comes to making New Year’s resolutions and each year I say as much in a blog post. This year I won’t do that because, I guess, in a casual way, I’m making a resolution.

I’ve decided to talk more about my drawing process on the blog. I’ve avoided that thus far because I don’t really know what I’m doing and a lot of other people are much better equipped than I when it comes to discussing drawing. But I’ve realized that I have something they don’t. Because I’m relatively new to this I’m able to remember the kinds of struggles I had when I started. Besides I know what I do more than anyone else and that’s what people ask me about. I don’t know how or what I’m going to talk about and I don’t know when. I just hope to do it. See…it’s just like a resolution 🙂

Turning the page to 2017

I’m finishing up two more sketchbooks so I can start with a couple new ones in 2017. I still have an Stillman and Birn 8.5×5.5 with about 15 pages left so that one will drift into 2017 but I’ll be starting new 8×10 Beta and 3.5×5.5 Alpha softcover books.

I did a bunch of small sketches to finish up the little one and I have one page left in the larger one. There’s a guy on Instagram that does a lot of loose motorcycle sketches and he really impresses me with his simplicity of line and confidence of purpose. I’ve tried to replicate some of his sketches but have never been successful. I decided to draw a motorcycle from memory of his sketches. The result isn’t as good as his and not nearly as loose, but that’s how Larry rolls after all. And yes, I’m now talking about myself in the third person. If it’s good enough for Trump, shouldn’t it be good enough for me?

I’m anxious to get started with 2017 sketching and I hope the year ahead is a productive and happy one for all of you.

Stillman & Birn Beta (8×10), Platinum 3776

Last Trip To The Museum Before Christmas

Posted on December 23, 2016 by Larry Marshall

With my daughter coming home for Christmas, and Chantal getting a few days off, I won’t be doing any location sketching for a while. But I did go with the gang to the museum for a pre-holiday sketching session. They wanted to sketch some of the folk art nativity scene that is now in place there. If nothing else, it demonstrates imagination on the part of its creator. Have you ever seen a flying cow-fish?

I decided to sketch a wooden carving of a fusilier in another part of the museum. It is fairly large, almost telephone pole diameter and quite black, as though it had been creosote treated. In spite of this, it suffers from severe cracking in places. Nevertheless, it’s an impressive carving, far more impressive than my sketch of it I’m afraid. I got caught between wanting to include detail and the fact that the entire left side was in deep shadow, almost black. Like every sketch, though, it was fun to do which is why I do them.

Stillman & Birn Beta (8×10) softcover, Platinum Carbon ink, Platinum 3776 pen

When I finished I headed up to the nativity scene and found everyone busy drawing. They were talking about getting coffee, though, so I just sat down and waited for them. The thing is, I can’t sit for very long without getting out a sketchbook and I did this quick sketch of Lisette, busy sketching some wooden guy (I think, but I was too far away to know for sure) in a large glass case.

Stillman & Birn Alpha (8.5×5.5) softcover

I’ll probably put together some sort of post during the holidays but I’m not sure what. I willl be spending lots of time eating and sketching, though, so there will probably be something to post. In the meantime, and since it’s December 23rd,

Happy Festivas

Sketching With The Jesuits

Posted on December 16, 2016 by Larry Marshall

Last Sunday we met at the Maison des Jésuites de Sillery as our monthly Croquistes de Québec sketchcrawl. Our time window was short because these small museums that are scattered around Quebec don’t open until 1PM during the winter but they are warm and they do have stuff to draw. This particular place is a large two-story house, associated chapel, and the foundations of the original church that was across the street. Contained within it are a bunch of artifacts that tell the story of this 18th Century missionary settlement.

While most were drawn to displays on the second floor, I couldn’t resist the golden eagle that was on display. Halfway through the drawing I was wishing I’d chosen something else. Did you realize that eagles have a lot of feathers? I did like this view, however, as it’s a little different than the typical sideways, head up of most eagle photos/drawings. Anyways, here’s what resulted from my interaction with this beautiful bird.

Stillman & Birn Beta softcover (8×10), Pilot Falcon, Diluted DeAtramentis Document Black

Sketching The Red Door

Posted on November 29, 2016 by Larry Marshall

I love the doors of Quebec. I’ve often thought that an entire sketchbook filled with doors and windows of Quebec City would be great. If were even a little bit organized in my approach to sketching, I might just do one. For today, though, here’s a single door, well actually two of them, done from a photo (my photo) on 7.5×11 Fabriano Artistico cold press. I love this paper but it’s a bit rough for my very fine fountain pens.

Domestic Sketching: Quebec City When I Was Born

Posted on November 26, 2016 by Larry Marshall

I’ve mentioned that this winter I was going to try to learn to draw at an indoor workspace and to draw from photos. I know it sounds odd to those of you who do it all the time, but I’ve spent five years drawing on location and have a really hard time drawing in a ‘studio’ or from photos.

In this I’m very much like the dog that’s got to walk around in circles a couple times before it lays down. Location sketching, for me, is about discovering something to draw, which requires wandering a bit. There is no wandering in a studio. Once I get going on an indoor drawing I seem to be able to do it and even enjoy it, but initiating the behavior… that’s harder.

I decided it was time, though, to draw from a photo. Looking for something that would motivate me to do so, I decided that I should draw from a photo that is not of something I can go out and see. The idea of historic sketching must have come from my watching the new Timeless series, which is about time travel, but as I already have a lot of historic photos of Quebec City I thought that was where I should begin. I chose a photo of a trolley, both because I like trolleys and because it was taken in the year that I was born.

I started by lightly drawing everything using a Platinum Carbon Pen, keeping the lines very light so I could cover my errors if needed. This is what I ended up with:

7.5x11 Fabriano Artistico cold press, Platinum Carbon pen

7.5×11 Fabriano Artistico cold press, Platinum Carbon pen

To bring a more solid nature to the drawing I started increasing the contrast, using a Platinum 3776 pen and a Platinum brush pen. This got the drawing to this point:

Then it was time for color and touch up. I still struggle with watercolors but at least I’m starting to pay attention to it. I was pretty happy with the results. Hope you are as well. I think I’ll be doing more historic sketching.