Fun At The Musée De La Civilisation

Tuesdays are “free Tuesday” at the Musée de la civilisation in Quebec City.  I’m a member but it’s still sort of a special day as there’s a hustle and bustle in the museum that is lacking when I go during most weekday mornings.  Besides, some of my friends show up on Tuesdays, which is always nice.

Today Yvan, Bethann, and Nicolas were there and with so many sketcher shoulders to look over, I spent more time watching than sketching.  It’s said that to learn to draw you need to do it.  That’s certainly true but I learn a lot by watching others ‘do’ as well.

Because of all my sketcher gawking, I only completed one sketch today.  Most of my sketches are done with pen but I’m trying to learn to use a pencil.  I confess to being mostly lost when it comes to shading with these graphite spitters but here’s a sketch of the head of one of Joe Fafard‘s painted bronze statues.  The horse’s name is Vermear, according to the plaque that accompanies the statue and he was very cooperative, not moving a muscle during the entire session.

The sketch was done with a .7mm mechanical pencil in a Stillman & Birn Epsilon sketchbook.

 

Where The Dogs Run In Quebec City

The keepers of Quebec City have a sense of humor, or so it seems.  On every tourist map there is a pointer to Passage du Chiens, or Dog Passage and people flock to see it.  Well, maybe not flock as it’s down the street from lots of other stuff and they simply see it as they pass by.

But there it is, complete with official street sign – Passage du Chiens.  It is a passageway to a road/parking area for residents who live in the area and whose house fronts on a ‘street’ that is no longer a street but rather a walkway for pedestrians.  And the Passage du Cheins does sit between two art galleries that are quite photogenic and so many photos are taken of the spot.  I suspect dog lovers get a kick out of showing it to their friends.

Towards the end of our outdoor sketching season I was wandering around, trying to get in some last minute plein air sketching, and I decided to sketch this famous landmark.  The sun was bright, which was great because the temps were just above freezing.  Before I finished, though, the sun had moved behind the buildings, shading the entire area.  This, and the fact that I’d been sitting for an hour caused me to be quite cold so I quickly snapped this photo and moved on to find more sunny ground.

And then I completely forgot about the sketch, until today.  I decided it was time to add some color and this was the result.  Hope you like it.  It was done in a Stillman & Birn Alpha sketchbook (10×7) and a Pilot Prera pen filled with Noodler’s Lexington Gray ink.

 

 

Urban Sketching During Winter

Winter has been slow in coming to Quebec City, which has been great for those of us who like to sketch on location.  I’ve gotten at least an extra month of sketching my favorite subjects, the buildings of Quebec.

But winter has arrived and as I write this it’s 11F (-12C) outside.  This is just the beginning, as we’ll soon be experiencing much colder temperatures.  So what’s a location sketcher to do?  Common recommendations are to go to libraries, coffee shops, airports, and train stations.  These are all great if the things you want to sketch are people but even then, these places tend to be people in motion, something that’s hard for the best sketchers and impossible for me.  I’m the slowest sketcher on the planet.

But now that winter has set in, I’ve got more places and things to sketch than I ever thought possible.  They’ve come in two forms thus far: museums and free concerts/events.

Museums

There are a bunch of museums in Quebec City.  In addition to the large museums like Musee des Beaux Arts and the Musee de la civilisation there are numerous smaller museums scattered around the city, principally because this is a tourist town.  Each has sketching opportunities and I expect to live in them this winter.

In particular, I’ve become a member of the Musee de la Civilisations as it seems the richest source of things to sketch.  Right now there are displays of Nigerian art, Maori culture, Samouri armor, swords, and helmets, and a wide variety of permanent displays of Canadian and Quebec cultural people, places and things.  And they’re very friendly to sketchers.  There’s a cafe where you can get soup, tea and sandwiches.  And, in a world with snow and cold outside, it’s warm.

My first adventure there was done with my buddy Yvan Breton.  We went on ‘free Tuesdays’ and expected to find the place crowded with people taking advantage of the freebie.  But we went in the morning and it wasn’t really busy so we set up in the Nigeria display and started sketching.  I sketched some of the masks, doing them in a fairly small size and doing them fairly quickly.  I just wanted to get a feel for sketching in the museum and I wanted to save time to walk around to look at all the exhibits.  We had a great day.

Free Concerts/Events

Cities have events going on constantly.  I’m not talking about Justin Beiber coming to town or NASCAR races.  I’m talking about smaller events.  A fashion show at the mall, school plays, an author signing event, club displays, craft shows, holiday events, etc.  All of these provide things to sketch.

Here in Quebec City there are also a bunch of free concerts, many put on by our music conservatory, where advanced students gain stage experience.   I’m new to these and time will tell but they’re a great opportunity to sketch people, the musicians and spectators as they don’t move much for extended periods of time.

A small sketchbook and a pencil are unobtrusive and just the thing.  I initiated my new Stillman & Birn 4×6 Alpha series sketchbook at the last one.  What could be more enjoyable than to listen to great music while you sketch?

I spent a delightful 1 1/2 hours listening to some truly gifted violinists.  I’m going to use these concerts to practice my people quick-sketching skills.  It’s a cinch I need the practice, don’tcha think?  What are some of your favorite winter sketching locations?

Parchemin Du Roy – Sketcher’s Paradise

I was talking to a sketching buddy and he asked “Do you know about Parchemin du Roy?”  I said no and he told me about a place that sold pens, sketchbooks, and pencils that he’d recently discovered.  To say my interest was peaked was an understatement.  That was a Sunday.

And so on Monday I hoofed my way to Parchemin du Roy, about a one-hour walk from my house.  They were closed, so like a kid in front of the toy shop, all I could do was put my nose to the glass and look in.  And what a view.  I left with the resolve to return.

And so I did.  It’s not very manly to jump up and down while giggling so I controlled myself, almost, as my eyes beheld the interior of this store.  Inks, pens, books, papers, sketchbooks, notebooks, maps, pencils, watercolors, brushes, and lots of other wonderful items to look at and touch.

Maybe more important, is that while they have the more typical Paper Blanks, Moleskine, and Rhodia products, they also have some really nice high-end speciality paper products.  Not only do they have J.Herbin and Pilot/Namiki inks, they’ve got walnut inks and specialized calligraphy inks.  In addition to Brause dip pens, they’ve got handmade dip pens turned from hardwoods.  While they stock Lamy pens and all their accessories, they also have the new Shaeffer “Ferrari” pen.  Yes, I admit it.  I did giggle and I jumped up and down a little.  I hope Roy didn’t see me.

They offer workshops in calligraphy and you can learn to create illuminated pages.  I might have to take one of those.  For my first visit I bought a brush, notepad and mechanical pencil.  I talked with Roy about differences between Parker and Waterman ballpoint cartridges and I looked and looked – and then I looked some more.  I’m still a bit giddy from the experience.

As I left I took a couple photos (it was too cold to sketch outdoors) and ran home to do the sketch I’ve shared above.  I hope you like it.  Do you have a specialty store like this in your town?  I’m so lucky.

Tis The Season…To Be Cold

I’ve just finished my first summer as a “plein air” sketcher.  I so passionately wandered the streets of Quebec City with a sketchbook that I’ve not spent enough time reporting on those activities in this blog.  My productivity as a writer has been excruciatingly close to zero.  But I have had sooooooo much fun this summer.  Sketching has changed my views of everything.

But for five months of the year Quebec City becomes an icebox.  I don’t mean it gets a little bit cool.  That happened when I lived in Arizona.  I mean it gets the kind of cold that causes tires to go clunk, clunk, clunk as you roll down the street as the rubber  stiffens while the tires sit.  I mean the kind of cold where you have to plug your car in at night so it will start in the morning.  I mean the kind of cold that causes polar bears to hibernate.

Like squirrels gathering nuts, we run around this time of year, preparing for our own hibernation in warm, cozy huts and with the exception of a few crazy people who like to ski and skate, we see “outdoors” only when forced to shove a snowblower around the driveway.

But, with my new found hobby, this is unacceptable.  I want to sketch.  Yes, I can draw coffee cups and sofas but that’s not who I am.  I like sketching places.  So, how do I get past the reality that watercolors freeze when subjected to Quebec City winter temperatures?

Clearly the watercolors will have to be left behind,  but a pen and a small sketchbook can be crammed into a coat pocket.  I’ve got small versions of Stillman & Birn’s Alpha series sketchbooks on their way.  I may even move from my favorite fountain pens to a gel pen or…shudder…maybe even a pencil, to simplify the toolkit.

I’m excited.  As the leaves fell from the trees, my stomping grounds have revealed a whole new landscape, just waiting to be sketched, with or without color. 

But, can an Arizona-bred old guy sketch in the cold.  We’ll see, but I’m optimistic.  Is this how a well-dressed sketching fanatic faces temperatures that live around zero degrees Fahrenheit?  Hope so.

I think the sessions will be shorter, and they’ll probably followed by warming myself over a hot cup of tea, but I’m optimistic.  Then again, it’s still “warm” here.  The  following photo was taken last weekend as I sketched on the large island next to Quebec City.  It was 35F.  If nothing else, winter will help me sketch faster (grin).  What do you do to feed your sketching itch when winter rolls around?  Am I nuts?

Photo by Yvan Breton

Brightest Building in Quebec

The leaves are falling from the trees and temperatures are heading in the same direction.  It won’t be long before I won’t be able to stalk the streets of Québec, looking for buildings to sketch.  I guess I’ll have to go inside and stalk Quebecers to sketch.

But I was out today and walking a street I’d walked many times.  Either I’m going blind or this small ‘casse-croute’ (in some places it would be called a chips stand) has just gotten a very bright facelift.  In any case today gave me opportunity to capture its essense, which I did.

Stillman & Birn Alpha sketchbook (10×7), Pilot Prera/Lexington Gray, Winsor & Newton watercolors

I did the basic sketch on site but decided to come home to do all the signage as I wanted to try out some different tools.  To that end, the large sign and the plates of food were done with colored pencils, a medium I have yet to conquer.  The ‘Frites maison’ sign was done with some Stabilo felt pens I just bought…and like very much for doing such things.   The building’s kinda cute, don’tcha think?

Cheers — Larry

larry@larrydmarshall.com

Stepping Through My Sketching Process

Patrick Ng presented one of his sketches by showing us all the stages of development in a series of posts in the Facebook group, Artist Journal Workshop.  I thought that was a great idea and so I’m going to do that here.  Click on the photo to get a larger image.

On Location PhotoFirst stage occurred on a hot day, in front of the Quebec City train station.  I decided to draw a building that sits at 363 Rue St. Paul, partly because it was a great subject and partly because there was a shady spot where I could sit.  I didn’t quite get the drawing done in that first session as it still lacked the foliage, though that had been penciled in early in the process so I’d know what parts of the building would be covered by leaves.

B&W sketch

Once I finished adding the foliage and touching up a few of the details it looked like this.  I did this at home.

I decided to add shading with early morning sun as I thought it would be better than the mid-day sun I had when I did the sketch.  So, I went back to the site, plunked myself on my Walkstool and went to work.

Toned sketchI now use a small chunk of 8B Derwent Graphitone pencil, stuck in a half-pan, for my basic shading.  This has some interesting virtues.  First, I can use it just like a cake of watercolor, using a brush to pick up pigment and mix up washes of any density I need.  Second, it’s much smaller and lighter than the dilute india ink solutions I was carrying for this purpose.  AND, the important thing is that once Graphitone been exposed to water and then dries, it won’t mix with watercolors I put over it.   The end result of this stage sometimes causes me to wonder whether I need color at all.  This may be because I’m not all that versed in or experienced with watercolor (grin).

I like color, though, so I broke out my W&N watercolors and applied a moderate amount of color to the sketch.

I used a Pilot Prera fountain pen with Noodler’s Lexington Gray ink to do this sketch.  In my opinion, the techniques are made possible, or at least easier, because of the fantastic, double-sized papers of the Stillman & Birn sketchbooks I use.  I can’t say enough good things about them.   If you find these sorts of posts useful, let me know and I’ll do more of them.

Cheers — Larry

larry@larrydmarshall.com

36th Worldwide Sketchcrawl – Quebec City Style

Last Saturday I and a group of more talented sketchers took to the streets of Quebec City as part of a worldwide “sketchcrawl”, to spend the day sketching our fair city.  I could tell you all about it.  I could show you pictures.  But that’s already been done better than I could at the Drawn to Quebec blog so click thee to the photos and discussion.

36th Worldwide Sketchcrawl – Quebec Style

In conjunction with the Worldwide Sketchcrawl effort on July 14th, We’re having a sketchcrawl here in Quebec City.  I hope you’ll join us for some sketching fun.

Date: July 14th, 2012

Time: Start at 10:00 AM

Location: Meet at the Plains of Abraham’s Jardin de Jeanne D’Arc (corner of Rue de Bernieres and Avenue Tache)

Cost: Free; but you will have to provide your own materials.  Bring your favorite pointy devices and sketchbook.  Also, we will picnic at lunch time so bring food and drink.  There are water fountains on both ends of the garden and restrooms are available.

If you’d like more information, please contact:

Bethann at drawntoquebec@gmail.com
or
Larry at larry@larrydmarshall.com (418-525-4985)

We’d love to know in advance if you plan to participate but drop-ins are also welcome.

Inuit Urban Sketching

Here’s something you won’t see in many urban sketcher’s sketchbooks, an Inukshuk.  The Inuit have used these for years to provide directions, mark locations, and even to aid in caribou hunts.  Because of this, you can find these human-like rock piles scattered across the northern parts of Canada… or in souvenir shops, as miniature versions are quite popular.

This one, however, is in downtown Quebec City, on the Parliament grounds.  I’d guess its height at ten feet.  Yesterday wasn’t the optimal time to sketch it as there are barriers up around the grounds due to construction so I couldn’t get as close as I’d like, nor could I view it from its front, the optimal way to sketch an inukshuk (“in-ooo-shuck”).  But, I was there; it was there; and I sketched it as, these days, I’m interested in rocks and how to depict them.

This sketch was done in a Stillman & Birn Beta (6×8) sketchbook, using a Pilot Prera pen filled with Noodler’s Lexington Gray ink. Winsor & Newton artist watercolors provided the color.  I REALLY like the Beta sketchbook paper.  So thick, so friendly to both pen and watercolor.  I’ve become quite spoiled by my Alpha series sketchbooks but the Beta series is yet one step better for the kinds of sketching I do.

Any inukshuks in your town (grin)?