Last Saturday I and a group of more talented sketchers took to the streets of Quebec City as part of a worldwide “sketchcrawl”, to spend the day sketching our fair city. I could tell you all about it. I could show you pictures. But that’s already been done better than I could at the Drawn to Quebec blog so click thee to the photos and discussion.
In conjunction with the Worldwide Sketchcrawl effort on July 14th, We’re having a sketchcrawl here in Quebec City. I hope you’ll join us for some sketching fun.
Date: July 14th, 2012
Time: Start at 10:00 AM
Location: Meet at the Plains of Abraham’s Jardin de Jeanne D’Arc (corner of Rue de Bernieres and Avenue Tache)
Cost: Free; but you will have to provide your own materials. Bring your favorite pointy devices and sketchbook. Also, we will picnic at lunch time so bring food and drink. There are water fountains on both ends of the garden and restrooms are available.
If you’d like more information, please contact:Bethann at firstname.lastname@example.org or Larry at email@example.com (418-525-4985)
We’d love to know in advance if you plan to participate but drop-ins are also welcome.
Here’s something you won’t see in many urban sketcher’s sketchbooks, an Inukshuk. The Inuit have used these for years to provide directions, mark locations, and even to aid in caribou hunts. Because of this, you can find these human-like rock piles scattered across the northern parts of Canada… or in souvenir shops, as miniature versions are quite popular.
This one, however, is in downtown Quebec City, on the Parliament grounds. I’d guess its height at ten feet. Yesterday wasn’t the optimal time to sketch it as there are barriers up around the grounds due to construction so I couldn’t get as close as I’d like, nor could I view it from its front, the optimal way to sketch an inukshuk (“in-ooo-shuck”). But, I was there; it was there; and I sketched it as, these days, I’m interested in rocks and how to depict them.
This sketch was done in a Stillman & Birn Beta (6×8) sketchbook, using a Pilot Prera pen filled with Noodler’s Lexington Gray ink. Winsor & Newton artist watercolors provided the color. I REALLY like the Beta sketchbook paper. So thick, so friendly to both pen and watercolor. I’ve become quite spoiled by my Alpha series sketchbooks but the Beta series is yet one step better for the kinds of sketching I do.
Any inukshuks in your town (grin)?
One of the things I’ve noticed since since I became a sketcher is that most man-made objects have short lifespans, and getting shorter in our disposable economy. We really need to do something about that.
But architecture is the big exception, largely because buildings built before the 50s and 60s were built to last a loooooong time. Construction was brick, with thick walls and roofs covered with metal. And oh do they last…and last. There are hundreds of buildings in Quebec City that were built in the late 19th Century and hundreds more built during the first quarter of the 20th. Many remain have not been torn down to make room for the square box buildings we build today for one simple reason. These old buildings were built to be as attractive as they were functional. As I compare the beauty of these old buildings and compare them to the more modern parts of our city, it’s not hard to conclude that we’re sacrificing a lot in the name of build it cheap.
The Fire House Example
As in every city, in Quebec City things occasionally catch on fire. And like other cities, we have a fire department and their facilities scattered around the city. And if you look at the fire engines that arrived at fires in the early part of the 20th Century they looked like this. Very cool and people now visit museums to see them.
But today modern fire equipment are marvels of engineering, far more capable at quenching the flames. Far more expensive too but we spend the money because they do a better job. As a fire hydrant sketcher, I know there are some fire engine sketches in my future but it’s the fire houses that have caught my eye. I’ve seen several here that can only be described with a single word – KEWL!
And so this past weekend I sat on the sidewalk across the street from this majestic building and sketched it. It was done in a Stillman & Birn 10×7 Alpha sketchbook, using a Pilot Prera (fine) pen filled with Noodler’s Lexington Gray. Aren’t I right? Isn’t it KEWL! Why don’t we build buildings like this anymore?
Into each life some rain must fall – Henry Longfellow
I wonder if Longfellow was thinking of plein air sketching when he wrote that famous line. Probably not. But as spring came to Quebec City it came in couplets, a a day of sunshine followed by a cold, rainy day. And I was poised with sketchbook, wanting to hit the streets to do some sketching.
And so it was when I woke to a ‘to do’ list that said, ‘go sketching’, but the day greeted me with cloudy skies and cool temps. I’d made that appointment with myself and I wasn’t going to let a few clouds prevent it, no matter how ominous they looked. And so I headed out, hopping a bus for the downtown area.
Though it was a bit cool, I was having a great sketching session as I sat on my Walk Stool, capturing one of the many interesting buildings within my habitat. As the Urban Sketchers say…show the world one sketch at a time. I’d gotten the sketch to the point of adding details when it started to rain. In atypical fashion, I’d actually anticipated the need for an umbrella and I got it out, opened it, and decided that I should take the proverbial ‘location shot’ before I left for the day.
Aside from the fact that the umbrella was one of those small things that are too small to truly protect humans my size, I bumped against another problem; I didn’t have enough hands. If evolution was so smart, we’d have three. I only have two.
I needed to hold the sketchbook up so the photo would include both the sketch and the actual building and, of course, I needed to hold the camera. I could put the umbrella down but then the sketch would get wet. And so it was that I was trying to hold umbrella AND camera in one hand, the sketchbook in the other.
I had looked relaxed and confident while I was sketching. Now I looked like some sort of contortionist. Trying to hold camera and umbrella while looking through the viewfinder, while holding the sketchbook out in front of me was, well, trying. And then there was the problem of having a free finger to push the button. I gave up on trying to look through the camera. I shot several quick photos, hoping that one of them actually included sketch and building.
Somewhere along the line my oldsheimers caused me to forget this sketch and a couple weeks has gone by. I ‘discovered’ it as I was flipping through my sketchbook and I decided it was overdue for completion. This is the result. Hope you like it. Have you ever been caught in the rain while sketching?
Like all of my sketches, this one was done in a Stillman & Birn Alpha (10×7) sketchbook. I used a Lamy Al-Star and Platinum Carbon Black ink to finish it. I may have used the same pen when I started the sketch too but oldsheimers strikes again. Color is Winsor & Newton Artist Watercolor.
Spring is still struggling to show its head here in Quebec. It’s raining here today, but yesterday was gorgeous. Heck, we got all the way up to 68F! So I grabbed my sketchbook and headed out to wander the back streets, looking for something new to sketch. I went to an area I hadn’t been before.
It was a residential area, constructed during the early 20th Century. Many of the buildings had a lot of peeling paint and some even had molding pieces missing or damaged. But there were some gems too.
But I was drawn to a fairly small, simple house, mostly because of its bright colors and absolutely immaculate condition. I think someone must dust the exterior regularly. Obviously its residents cared about their home.
I set up across the street and started drawing it. Here’s what my finished sketch looked like. I hadn’t carried my painting gear with me so I added color at home, after dinner. The sketch was done in my 10×7 Stillman & Birn Alpha sketchbook using a Lamy Al-Star and Platinum Carbon Black ink. Here it is with color added.
One difference you’ll see between the finished drawing and the actual house is that the shade is pulled in the window on the right. During my session, that shade went up and a little, round-faced old lady looked out at me. I envisioned the dialog. “Hey Clarence, there’s a guy out there staring at our house. Looks like he’s making something in his lap. Should I shoot him?”
Alas, there were no shots. this is Canada, after all (grin).
Once I made a couple of sketchbooks with toned paper, I started looking for something to sketch in them. This search coincided with my looking up as I walked and the result were these two sketches. Both were made on Canson Mi-Teinte colored papers. Not as nice for washes as the Stillman & Birn sketchbooks I’m used to but I still had a lot of fun creating these sketches. Hope you like them.
One of the things I learned from doing these sketches is that looking up to sketch is difficult. Not only is there an extra perspective dimension to deal with, but just the head bobbing up and down seemed to make it harder for me to create the sketch.
The Internet has affected our views of the world and for the past month or so I’ve ‘experienced’ spring in many locations on our fair planet as people talk about flowers popping out of the ground, birds chirping, etc. In Quebec spring is a bit different. It’s a time when temperatures fluctuate a lot. One day we’ll be in shirt-sleeves and the next we’re back in our heavy coats. Spring is when the snow melts, though, and we’re left with a bunch of brown, matted grass and no green on the trees. When the trees finally flush, it seems they do it overnight and summer begins.
So, while we “know” it’s spring, the birds haven’t shown up yet and there aren’t those flower indicators of it. Instead, our indicators are big blue trucks. All winter the city’s efforts to keep us moving involves regular gravel/dirt treatments of our roads and sidewalks. Spring snow melt leaves a coating of the stuff everywhere and so the big blue trucks come along, with nice guys in orange coats who wash the sidewalks with power hoses. later, other big blue trucks (actually streetsweepers) come along and suck up the gravel from the streets.
A couple days ago they came and while they weren’t in one place long enough to sketch, I took a couple photos and did this quick, for me, sketch of the activity. We like it clean in Quebec City.
When I came across this house in Quebec City, I had to sketch it. I wonder if the Russian Czar who must be living there had a pool table under that dome or a ballistic missle. It didn’t matter; it was just plain KEWL!
I set up across the street and went to work, sketching the bones in pencil and then doing the ink sketch. I’m pretty slow as a sketcher and so this took me more than an hour but the time passed without notice. When it came time for color, the waterbrush came out and… I realized that my watercolors were sitting on my desk at home. So I shot this photo, packed up, and headed home.
Once at home I vowed to make up a second palette of watercolors so that I could keep it in my sketching satchel. I had a W&N Cotman Sketcher palette that I picked up on sale and so I popped out the Cotman watercolors and filled the pans with Winsor & Newton artist-quality watercolors. I’m still experimenting with color palettes and mostly working with little knowledge. This is what I’m using right now, though.
I decided to go light on the color for this sketch; it just seemed to call for that approach, with all the emphasis on the building. I hope you like it.
I’m so excited that it’s finally spring in Quebec City. I got interested in sketching last fall, just before it started getting cold here, and so I’ve been trying to get out sketching as often as I can. I may be premature in that because Quebec spring is still pretty cool, and often windy.
A few days ago when I’d made the decision to go sketching. The temps were just above freezing and it was quite breezy. But I went anyway. I headed downtown, looking for something to sketch, my face and ears screaming “Are you nuts?” to my stubborn sketcher brain, as the wind defoliated my skin.
I start these sketches with pencil and I have two goals. I want to get the perspective right and I want to locate all the foreground thingies that determine where the background lines start and stop. I don’t worry about drawing the details at this point, but I’m slow enough as a newbie sketcher that this takes me longer than it does for most sketchers. I’d been sitting for about 45 minutes and I was beginning to empathize with popsicles and dream of fireplaces. I called it a day, packed up, and went home. This was the state of the sketch at that point.
Later, in the warmth of my home, I inked (Hero Calligraphy pen w/Platinum Carbon Black ink) the sketch, added some details, and used Winsor & Newton Artist watercolors to give it some color. Hope you like it.
By the way, the more I use it, the more I’m enjoying my Stillman & Birn 10×7 Alpha. I’ve been using Alpha’s for a while now and love them and spiral format is really convenient for outdoor sketching…even when it’s cold.
I went out this morning to sketch some more. I headed to the marina, expecting that some of the winterized sailboats would be back in the water. It was spring, afterall. Turned out that, once again, I had been overly-optimistic as the marina is still covered by ice. Spring is here, but not really.