New Restaurant In Quebec

I don’t have an official count but I think Quebec City has more restaurants per capita than most cities on the planet.   I pass no less than 9 of them on my way to a new one that has just opened and I don’t live in what one might call a dining hotspot.

But open it has, a new Vietnamese restaurant named Ubong.  If the outside is any reflection of the inside, though, I’m sure it will be successful as they’ve completely remodeled the building and painted it with this stunning yellow and green paint and trim.

It’s on a well-traveled street and every once in a while I’d have to stop as a truck or bus blocked my view and there was a steady stream of pedestrians, some of whom stopped to say hello.  I really enjoy this part of street sketching.  It was sketched in my Stillman & Birn Zeta (5×8) and I used a Uniball Signo UM-151 (.38) in black, followed by drawing the window and door frames using a brown-black version of the same pen.  W&N artist watercolors added a bit of shadow and color.

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The Thrill Of The Chase

I’m a sketcher… a street sketcher.  What excites me about sketching is the process, not the results.  I love the feeling I have as I sit, studying a subject, drawing lines – oblivious to everything around me.  I love people who stop and ask questions.  Often they’re the same questions (eg – Do you sell these?  Did you go to art school?  How long have you been doing this?) but there’s always a smile attached and some simple chit-chat that connects me to my fellow humans.

And part of the process, for me, is finding something to sketch… the thrill of the hunt.  It’s pretty rare that I plan to go some particular place to sketch some particular thing.  That takes half the fun out of it for me.  I like to just strike out, in any direction, looking for something that catches my attention.

The other day I did just that.  I walked to a main intersection near my house.  There were metro buses that head east/west/north/south and I decided to hop the first one that came along.  I found myself heading east and, once I had passed areas I knew well, I got off the bus.  I continued, walking east until I came across a small park.

I walked into it and sat on a bench.  I looked around.  There were ravens in one end of the park and I thought about sketching them.  There were swings, slides, and what looked like a hamburger that kids could ride.  It sat on a large spring.  These would make a nice sketch, too.

Then I noticed a small mechanics shop stuffed between two larger buildings.  I walked to that corner of the park, picked out a shady area, plunked myself down on my tripod stool, and started this sketch.

My hunt was a success.  I spent a blissful hour while my pen entertained me as no television ever could.  Life is good.

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Stillman & Birn Zeta (5×8) sketchbook; Pilot Prera pen; Platinum Carbon Black ink; W&N artist watercolors

Big Building In A Little Town

Quebec City is not an industrial town.  We have no massive factories except for our paper mill.  Rather, we have government…lots of government as we’re the capital of the province of Quebec.  And we have the oldest walled city in North America and cruise ships visit us regularly.  We do tourism.  And so we have lots of politicians and tourists.  We also have UbiSoft, the video game manufacturer so we have animators…story-tellers.  In short, no big factories to sketch.

But we are also a port and the largest building around that port is a huge grain elevator and ship loading facility along the northern side of our marina.  Lots of train cars and boats visit the place as grain is moved onto awaiting ships.  In short, it’s a big, intimidating building to sketch 🙂

I took it as something of a challenge and so became my sketch of the Bunge grain elevators. Done in a Stillman & Birn Zeta (5×8 x 2) sketchbook with a Pilot Prera and Platinum Carbon Black ink.  W&N watercolors give it a bit of color.  Click for a larger image.

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Portraits In The Park

Last weekend I attended an annual event that brings portrait artists together in a park area in front of the Gallerie d’Art Magella-Paradis.  This gallery, in association with the La Societé Artistique de Charlesbourg organized the event and Alain Fortier and Lucien Lanoie were the prime movers to make it happen.

René Chamberland doing his thing.

René Chamberland doing his thing.

And what a fun day it was.  By my count there were a dozen or so portrait artists who drew each other and anyone else they could get to sit for them.  René Chamberland even sketched me.  With great company, in a great place, and with a dose of great weather, the day was pretty special.

Richard is drawing a lovely lady who volunteered to pose for him.

Richard is drawing a lovely lady who volunteered to pose for him.

Luceien Lanoie ran the 20-minute sessions and helped portrait artists as he walked around the area.

Lucien Lanoie ran the 20-minute sessions and helped portrait artists as he walked around the area.

Some of the artists taking a break to get something to drink and chat a bit.

Some of the artists taking a break to get something to drink and chat a bit.

I’m an urban sketcher, not a portrait artist but that didn’t keep my pen in my pocket.  I did several sketches during the day, including these sketches of the artists doing what they do best.  These were done in a small 3×5 sketchbook using J.Herbin 1670 ink.  Is it urban sketching to sketch a portrait event?  I think it is (grin).

2013-07-28GillesSketching2013-07-28YvanSketching2013-07-29Rene

 

 

Do You Sketch The Boring Stuff?

I like to sketch boring stuff.  I guess I should be more precise and say that I like to sketch things that other people find boring, or worse, don’t even notice them at all.  Things like garbage cans, fire hydrants, telephone poles… and plain, ‘boring’ buildings.

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So when I saw this view of the end of a 3-store complex, it called to me.  I set up my stool, sat down, and got out my Stillman & Birn Zeta (5×8) sketchbook.  I used a Pilot Prera loaded with Platinum Carbon Ink to do the sketch.  I was happy with the results.2013-07-26Building_site

What do you think?  Do you sketch boring stuff?

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While Walking Through The Park One Day….

Yvan and I planned a sketching session on St. Denis street and we were to meet there.  This street has many majestic residences and a large grassy area in front of them so it’s an ideal place to sketch.

As I arrived I realized that I’d forgotten my WalkStool.  This is a big problem as my knees and me don’t much like sitting on the ground, for fear that we’ll never be able to get back up.

And so the search began for a sitting place with something in front of me to sketch.  It’s not really rocket science but I wandered around for a while before finding such a combination.  I ended up in the Parc des Governeurs, a small park between the Chateau Frontenac, Quebec City’s tourist landmark and the American consulate.

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Both of these buildings are great sketching subjects but I chose this more humble structure that sits in the park.  Yvan suggested that it was once a toilet but these days it looks to be used by maintenance people.  In any case, it had a bench, in the shade, and so I sketched it in my Stillman & Birn Zeta (5×8) with a Pilot Prera and Platinum Carbon Black ink.  I used Lexington Gray for the stairs in the background.  I’m enjoying the contrast between these two inks.  As always, I used Winsor & Newton watercolors like crayons to add some color.

Ferry Dock Sketching

I use any excuse to take the ferry from Quebec City to Levis, which is on the other side of the St. Lawrence River from us.  I do it because 1) I like boats, 2) my bus pass makes it free, and 3) did I mention that I like boats?

On this day, I did it because Yvan wanted to sketch the ferry station, which is an old train station that’s been sort of messed up by neglect and its conversion into a ferry dock.  But they’re planning on tearing it down and he wanted a sketch of it.  Seemed like a plan to me.

But when I got there, something about sketching the station just didn’t turn my crank that morning so I found an alternative, this building that was probably a hotel at some point and may still be.  I like the way the cliff jutted up above, dwarfing what is actually a very large building.
2013-07-18LevisBuildingC
It was done in a Stillman & Birn Zeta (5×8) sketchbook with Pilot Preras and Platinum Carbon Black and Noodler’s Lexington gray inks.  Hope you like it.  It was sure fun.

Do You Sketch Small?

I’ve always carried a small sketchbook with me for doing quick-sketches of things.  But more and more I’ve been sketching in 5×8 or 10×7 sketchbooks. Working larger is fun and lets me ‘stretch’ my gaze a bit more.  The result is that my small sketchbook became a cheap dollar store sketchbook that wouldn’t tolerate watercolors while my larger sketchbooks are all Stillman & Birn, first-class sketchbooks. The ‘gap’ between small and large had become greater in my sketching.

So I tried one of Stillman & Birn’s 4×6 sketchbooks.  In fact, I’ve nearly filled two of them.  The paper is fantastic, as always, but a 4×6, thick sketchbook is too ‘big’ to be called a ‘small’ sketchbook, at least for this street sketcher.  I need something I can stuff in a pocket.

And so I bought a Moleskine watercolor book.  I don’t much like its landscape layout but it’s tolerable in this small size.  The larger one is almost painful to manage if you try to balance it on your knee while sitting on a stool, which is my typical approach.  I do wish they’d produce a portrait format sketchbook with their watercolor paper.  Heck, what I really wish is that Stillman & Birn would produce a thin (30pages?) 3×5 sketchbook with their Epsilon paper.  Then I’d be a very happy sketcher.

This is a Celtic Cross in Artillery Park. 3x5 and done with a Pilot Prera.

This is a Celtic Cross in Artillery Park. Done with a Pilot Prera.

Anyways, I’ve started doing small pen & ink watercolors again and I’m really enjoying it.  I thought I’d share some with you.  All of these were done in the tiny Moleskine.  I’ll mention the pen used in captions.

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Factory building along the Riviere St. Charles. Sakura Micron 01.

Lamp on Plains of Abraham. Uniball Signo UM-151 "brown-black" .28

Lamp on Plains of Abraham. Uniball Signo UM-151 “brown-black” .28

 

Cast metal fountain on Plains of Abraham.  Pilot Prera, Platinum Carbon Black.

Cast metal fountain on Plains of Abraham. Pilot Prera, Platinum Carbon Black.

Large light inside the Kent Gate. Pilot Prera.

Large light inside the Kent Gate. Pilot Prera.

Cartier-Brebeuf Park. Pilot Prera

Cartier-Brebeuf Park. Pilot Prera

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Pilot Prera w/Platinum Carbon Black

A Red Flag Will Stop A Sketcher Every Time

As an urban sketcher, with a penchant for the mundane, I couldn’t pass up this scene. The railroad track in the background feeds into the train station here in Quebec City. A passenger train was headed inbound. The track in the foreground is a seldom-used track that allows a connection between a huge cargo facility on one side of a river and another one on the other side. Not much traffic but they’re not interested in any at all when the passenger trains come and go (only a few times a day).

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And so, they clip this flag to the track, to let anyone thinking of taking their train engine for a spin, not to do it. The bright red flag created an interesting scene, at least to me. Done in my Stillman & Birn Alpha (10×7) with a Pilot Prera, PCB ink, W&N artist watercolors and limited skill.

Sketching On A Summer Morning

It’s fun to be out sketching early in the morning.  Quebec City wakes up slowly and if you are out walking at 7AM, you’re mostly alone.  Of course this morning I met up with my buddy Yvan and we found ourselves on Rue des Remparts, a great sketching street that skirts the upper portion of the old city.  We chose a scene, that was really the backyard and garage areas of several houses.  The location also provided a nice shade tree under which I could sit.

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The sketch was done in a Stillman & Birn Alpha (10×7) sketchbooks using a Pilot Prera and Platinum Carbon Black.  W&N artist watercolors and a a waterbrush were used to add color.  Before it was done I was wishing I’d brought my real brushes along.

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