38th Worldwide Sketchcrawl in Quebec City

I received this from Celine Poulin, via email:

38e Sketchcrawl à la Chapelle du Musée de l’Amérique française

Bonjour à tous les amis du dessin,
Un 38e Sketchcrawl aura lieu à Québec le samedi, 19 janvier prochain. Voici les renseignements pertinents :
 
Lieu : Chapelle du Musée de l’Amérique française, 2 Côte de la Fabrique (à côté de la Cathédrale de Québec)
Coût : Gratuit (annoncer au guichet que c’est pour l’activité de croquis)
Heure : 13h
 Apporter son banc ou sa chaise pour plus de confort.
 
Pour infos : http://www.mcq.org/fr/maf/renseignements.html
Pour ceux qui veulent visiter le musée avant l’activité, c’est gratuit de 10h à 12h le samedi (janvier et février seulement)

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chapelle_2For those unfamiliar with French, the 38th Worldwide Sketchcrawl will be celebrated by Quebec City sketchers on Saturday, January 19th at the chapel associated with the Musée de l’Amérique française which is at 2 Côte de la Fabrique (next to the Quebec Cathedral).  This chapel was secularized for banquets and meetings but it’s gorgeous  and should be great for sketching.

This is a free event.  Just tell them at the door that you’re there for the sketching activity and they’ll let you in.  We’ll start at 13:00.  Bring your materials, and if you have one, a stool, as it will be more comfortable than standing all afternoon.

MuseeFrancais

You can get information about the site here: http://www.mcq.org/fr/maf/renseignements.html

View Location Map
Lastly, if you would like to visit the museum, during January and February it is free from 10-12h on Saturdays.

 

10 Favorite Sketches of 2012

2012 represents most of my sketching experience to date.  I started trying to draw cubes back in September of 2011 but I didn’t start doing any location sketching until spring of 2012 as the Quebec snow melted.  It’s been a fantastic journey as I’ve climbed the early stages of the sketching learning curve. I thought it might be fun to do a ‘ 10 favorites’ post, where I present what I think are some of my best sketches of the year.  I’m often accused of being ‘down’ on my sketches.  Here’s my chance to show people that I’m actually happy with some of them (grin).

Because 90% or more of my sketches have been done on the street and most have been buildings, I thought I should vary my choices by selecting one sketch from ten different categories, just to increase the variety.   So, here they are.  I hope you like them.

Building

This is, by far, the hardest selection.  I’ve done a LOT of building sketches and none of them really stand out as extraordinary, though many are personal ‘favorites’.  I’ve chosen this one because it, in the extreme, is the brightest (grin).

2012_10-MokaPlus800

Vehicle

2012_09-CarI’ve drawn a number of cars, trucks and even heavy equipment.  I chose this one, however, because the subject was so darn cute when it found it lounging in the old port area of Quebec.

 

Fire hydrant

Pete Scully, by example, caused me to notice and sketch fire hydrants.  I don’t know what it is about them but once you start looking at them you realize they vary considerably and that fire hydrants have oodles of personality.  I chose this one because I like the composition.

2012_01-FireHydrant2_sm

 Samurai helmet

2012_12-Samouri3_700I’ve tried drawing from photos and it’s ‘ok’ but sketching, for me, is about going places and seeing things.  But winter in Quebec City is just too cold to be outdoors so we’re all driven indoors.  At first I found that depressing but once I saw the Samurai exhibit at our museum of civilization, I was hooked on indoor sketching.  I started sketching Samurai helmets, which are amazing, serving to protect heads as well as indicate status, identity, and even to serve in ceremonial roles.  It’s hard to choose a single helmet sketch as I love these amazing pieces of hardware.  I chose this one as it nearly drove me nuts drawing all those flame thingies.

Human

52This was hard as I haven’t drawn many people.  It’s on my ‘to do’ list for 2013.  But I chose this one, a very simple sketch, because I liked the way I was lucky enough to capture the movement of this guy’s coat as he walked along.

Ship

2012_07-CHJColor800Quebec City has an active port so I’ve sketched several ships.  I chose this one because I remember struggling with all the decks and railings.  I also have memories of how much fun I had that day as I sketched with my buddy Pierre.

Steeple/Dome

Quebec City is heavily populated by domes and steeples projecting upward from their supporting structures.  I love sketching them and have done a bunch of them.  I chose this particular sketch because it features both domes and steeples in a single sketch.

2012_11-Domes800_site

Telephone pole

Maybe you have to be an urban sketcher to appreciate them, but I like telephone poles and all the wires, transformers and connectors that hang from them.  I did this sketch on blue paper and liked the way it turned out.

2012_04-3Transformer800

Tree

I’ve drawn a bunch of trees but mostly they’ve been ‘studies’ where it was just the tree and nothing for supporting material.  This one, however, was done one day when Pierre and I headed out one Sunday morning looking for things to sketch.  It was a crisp autumn day and the maples had started to change colors.  I decided to make the tree the main attraction, putting the building in the background.

2012_09-StAnneTree800

Vignette

To fulfill my promise of ten sketches, I’ve added this vignette to complete the set.  I was sketching with my friend Nicolas and we were sitting in a church yard, a church that has become a library.  I looked over my shoulder and could see part of this restaurant, liked the red umbrellas and so I drew it.  Again, it brings back memories of a good day.

2012_08-VeauD'OrC800

I’m looking forward to 2013 sketching.  For a while I’m going to have to work indoors but sometime around April we’ll start having a day or three where it’s tolerable to sketch outside and you’ll find me on the streets all summer.  Happy New Year, everyone.

 

I’ve Become A Samurai Sketcher

Winter has turned me into a Samurai sketcher.  By that I mean I’m spending more time sketching the Samurai exhibit at our Musee de la Civilisation than anything else.  I need to spend time in the Nigeria exhibit too as it has a lot of great masks and statues worthy of a sketcher’s eye, but the Samurai display is only here until Feb 17 so I’m trying to get as much done there as possible, which isn’t a lot as slow as I sketch (grin).

2012_12-Samurai4_700Yesterday I went with Celine, Pierre and Yvan to the museum.  We had a great time.  I sketched a couple more Samurai helmets, bringing my total to five.  There’s only another 40 or so to go 🙂

Both were done in a Stillman & Birn Epsilon (5.5×8.5) with a Pilot Prera, Lex Gray ink, and my Faber-Castell watercolor pencils.  The more I use these watercolor pencils the more I like them.

 

2012_12-Samurai5_700

Samourai Sketching in Quebec – Urban Sketching?

The Urban Sketcher’s ‘manifesto’ is quite clear: “We draw on location, indoors or out, capturing what we see from direct observation.”  I’m a diehard location sketcher.  I do sometimes sketch from photos or just doodle from things my two functional neurons cough up.  But I can’t really get into that sort of thing very much.

I like to draw buildings, fire hydrants, telephone poles, trashcans and vehicles, but this time of year, outdoors is inhospitable in Quebec City, at least for an Arizona cowboy like myself.  For example, it’s currently 24F (-5C) with 35kmh winds just for good measure.  So, the things I have available to sketch for the next few months are going to be indoors.

One of my favorite places is the Musee de la Civilisation here in Quebec.  Nice ambiance, lots of things to sketch, and it’s warm.  The people are also very friendly towards sketchers, which puts one at ease.  So, you’ll see lots of museum sketches from me this winter.

And here are a couple more.  I went to the museum last Sunday with three of my sketching buddies and we had a great time.  As we were there in the morning I decided to give the Samourai exhibit my attention.  Often it’s just too busy to sketch there as it’s the current ‘feature’ display, but on Sunday mornings there aren’t a lot of visitors.

2012_12-Samouri1_700

Koshozan sujibachi kabuto (1588) – This is a very rare piece, constructed with 120, riveted plates. It bears the crest of the Inabi family, a very influential family of the 16th Century.

It is a dark room, with most of the Samourai armor in lighted glass cases.  Sketching in the dark is an interesting challenge and more than once I had to walk to a light to see if I was doing ok with the sketch.  I’ve got to get a little clip-on light I guess.  These little excursions became more frequent when I was trying to figure out whether the watercolor pencil was red, orange or brown (grin).

Nagaeboshinari kabuto (Edo 17th Century) - This appears to be hammered bronze.  It features the Big Dipper constellation inset into the metalwork.

Nagaeboshinari kabuto (Edo 17th Century) – This appears to be hammered bronze. It features the Big Dipper constellation inset into the metalwork.

These helmets were done in a Stillman & Birn Epsilon series sketchbook (5.5×8.5) using a Pilot Prera and Noodler’s Lex Gray ink.  I have a handful of Faber-Castell watercolor pencils that I used to color them.  I’m guessing but I think I only have 30 or so more helmets to sketch.  Then I can move on to the rest of the armor, the weapons, the guys on horses.  It’s going to be a fun, long winter.  Where do you find your sketching inspiration during winter?

 

 

Sketching on 12/12/12

Yesterday I had a lunch appointment and as I walked home from it I passed a bright yellow pizza place.  Have you ever done anything goofy for a goofy reason?  Maybe I’m alone in that combination.  It occurred to me that it was 12/12/12, a rather unique date and that I should sketch something.  But, this was one of the odd times when I didn’t have my sketching stuff with me.  Besides it was cold.  Still, as I continued walking I couldn’t get the pizza parlor out of my mind.

By the time I got home, all sense of rationality had left me.  “It’s only 10 minutes back to that place,” I said to myself.  “I’ll work fast and it’s not really that cold.”  I grabbed my sketching bag, threw half a dozen Tombow markers that I thought would I’d need into the bag along with a waterbrush.  Off I went.

It was nuts and I’ve never sketched a building so fast.  It’s certainly not my best sketch and somewhat wonky.  I used the Tombow pens to color it at lightning speed.  and then got out the waterbrush to add some sky color by wicking color from a Tombow pen onto the waterbrush.  I made a mistake and swiped some red from the sign into my sky.  I liked this little “happy mistake” so I did it some more.  This adds to the wonkiness of my 12/12/12 sketch but I liked it.

I liked it better, though, when I got home and got a cup of hot tea in my hands.  It’s definitely too cold for me to sketch outdoors anymore this year.  Have you done anything this crazy in the name of sketching?

The sketch was done in a Stillman & Birn Alpha (10×7) sketchbooks, using a Kaweco Classic Sport (fine) and Noodler’s Lexington Gray ink.  As mentioned, Tombow pens were used for color.

 2012_12-Salvatore700

Fun At The Musée De La Civilisation

Tuesdays are “free Tuesday” at the Musée de la civilisation in Quebec City.  I’m a member but it’s still sort of a special day as there’s a hustle and bustle in the museum that is lacking when I go during most weekday mornings.  Besides, some of my friends show up on Tuesdays, which is always nice.

Today Yvan, Bethann, and Nicolas were there and with so many sketcher shoulders to look over, I spent more time watching than sketching.  It’s said that to learn to draw you need to do it.  That’s certainly true but I learn a lot by watching others ‘do’ as well.

Because of all my sketcher gawking, I only completed one sketch today.  Most of my sketches are done with pen but I’m trying to learn to use a pencil.  I confess to being mostly lost when it comes to shading with these graphite spitters but here’s a sketch of the head of one of Joe Fafard‘s painted bronze statues.  The horse’s name is Vermear, according to the plaque that accompanies the statue and he was very cooperative, not moving a muscle during the entire session.

The sketch was done with a .7mm mechanical pencil in a Stillman & Birn Epsilon sketchbook.

 

Where The Dogs Run In Quebec City

The keepers of Quebec City have a sense of humor, or so it seems.  On every tourist map there is a pointer to Passage du Chiens, or Dog Passage and people flock to see it.  Well, maybe not flock as it’s down the street from lots of other stuff and they simply see it as they pass by.

But there it is, complete with official street sign – Passage du Chiens.  It is a passageway to a road/parking area for residents who live in the area and whose house fronts on a ‘street’ that is no longer a street but rather a walkway for pedestrians.  And the Passage du Cheins does sit between two art galleries that are quite photogenic and so many photos are taken of the spot.  I suspect dog lovers get a kick out of showing it to their friends.

Towards the end of our outdoor sketching season I was wandering around, trying to get in some last minute plein air sketching, and I decided to sketch this famous landmark.  The sun was bright, which was great because the temps were just above freezing.  Before I finished, though, the sun had moved behind the buildings, shading the entire area.  This, and the fact that I’d been sitting for an hour caused me to be quite cold so I quickly snapped this photo and moved on to find more sunny ground.

And then I completely forgot about the sketch, until today.  I decided it was time to add some color and this was the result.  Hope you like it.  It was done in a Stillman & Birn Alpha sketchbook (10×7) and a Pilot Prera pen filled with Noodler’s Lexington Gray ink.

 

 

Urban Sketching During Winter

Winter has been slow in coming to Quebec City, which has been great for those of us who like to sketch on location.  I’ve gotten at least an extra month of sketching my favorite subjects, the buildings of Quebec.

But winter has arrived and as I write this it’s 11F (-12C) outside.  This is just the beginning, as we’ll soon be experiencing much colder temperatures.  So what’s a location sketcher to do?  Common recommendations are to go to libraries, coffee shops, airports, and train stations.  These are all great if the things you want to sketch are people but even then, these places tend to be people in motion, something that’s hard for the best sketchers and impossible for me.  I’m the slowest sketcher on the planet.

But now that winter has set in, I’ve got more places and things to sketch than I ever thought possible.  They’ve come in two forms thus far: museums and free concerts/events.

Museums

There are a bunch of museums in Quebec City.  In addition to the large museums like Musee des Beaux Arts and the Musee de la civilisation there are numerous smaller museums scattered around the city, principally because this is a tourist town.  Each has sketching opportunities and I expect to live in them this winter.

In particular, I’ve become a member of the Musee de la Civilisations as it seems the richest source of things to sketch.  Right now there are displays of Nigerian art, Maori culture, Samouri armor, swords, and helmets, and a wide variety of permanent displays of Canadian and Quebec cultural people, places and things.  And they’re very friendly to sketchers.  There’s a cafe where you can get soup, tea and sandwiches.  And, in a world with snow and cold outside, it’s warm.

My first adventure there was done with my buddy Yvan Breton.  We went on ‘free Tuesdays’ and expected to find the place crowded with people taking advantage of the freebie.  But we went in the morning and it wasn’t really busy so we set up in the Nigeria display and started sketching.  I sketched some of the masks, doing them in a fairly small size and doing them fairly quickly.  I just wanted to get a feel for sketching in the museum and I wanted to save time to walk around to look at all the exhibits.  We had a great day.

Free Concerts/Events

Cities have events going on constantly.  I’m not talking about Justin Beiber coming to town or NASCAR races.  I’m talking about smaller events.  A fashion show at the mall, school plays, an author signing event, club displays, craft shows, holiday events, etc.  All of these provide things to sketch.

Here in Quebec City there are also a bunch of free concerts, many put on by our music conservatory, where advanced students gain stage experience.   I’m new to these and time will tell but they’re a great opportunity to sketch people, the musicians and spectators as they don’t move much for extended periods of time.

A small sketchbook and a pencil are unobtrusive and just the thing.  I initiated my new Stillman & Birn 4×6 Alpha series sketchbook at the last one.  What could be more enjoyable than to listen to great music while you sketch?

I spent a delightful 1 1/2 hours listening to some truly gifted violinists.  I’m going to use these concerts to practice my people quick-sketching skills.  It’s a cinch I need the practice, don’tcha think?  What are some of your favorite winter sketching locations?

Parchemin Du Roy – Sketcher’s Paradise

I was talking to a sketching buddy and he asked “Do you know about Parchemin du Roy?”  I said no and he told me about a place that sold pens, sketchbooks, and pencils that he’d recently discovered.  To say my interest was peaked was an understatement.  That was a Sunday.

And so on Monday I hoofed my way to Parchemin du Roy, about a one-hour walk from my house.  They were closed, so like a kid in front of the toy shop, all I could do was put my nose to the glass and look in.  And what a view.  I left with the resolve to return.

And so I did.  It’s not very manly to jump up and down while giggling so I controlled myself, almost, as my eyes beheld the interior of this store.  Inks, pens, books, papers, sketchbooks, notebooks, maps, pencils, watercolors, brushes, and lots of other wonderful items to look at and touch.

Maybe more important, is that while they have the more typical Paper Blanks, Moleskine, and Rhodia products, they also have some really nice high-end speciality paper products.  Not only do they have J.Herbin and Pilot/Namiki inks, they’ve got walnut inks and specialized calligraphy inks.  In addition to Brause dip pens, they’ve got handmade dip pens turned from hardwoods.  While they stock Lamy pens and all their accessories, they also have the new Shaeffer “Ferrari” pen.  Yes, I admit it.  I did giggle and I jumped up and down a little.  I hope Roy didn’t see me.

They offer workshops in calligraphy and you can learn to create illuminated pages.  I might have to take one of those.  For my first visit I bought a brush, notepad and mechanical pencil.  I talked with Roy about differences between Parker and Waterman ballpoint cartridges and I looked and looked – and then I looked some more.  I’m still a bit giddy from the experience.

As I left I took a couple photos (it was too cold to sketch outdoors) and ran home to do the sketch I’ve shared above.  I hope you like it.  Do you have a specialty store like this in your town?  I’m so lucky.

Tis The Season…To Be Cold

I’ve just finished my first summer as a “plein air” sketcher.  I so passionately wandered the streets of Quebec City with a sketchbook that I’ve not spent enough time reporting on those activities in this blog.  My productivity as a writer has been excruciatingly close to zero.  But I have had sooooooo much fun this summer.  Sketching has changed my views of everything.

But for five months of the year Quebec City becomes an icebox.  I don’t mean it gets a little bit cool.  That happened when I lived in Arizona.  I mean it gets the kind of cold that causes tires to go clunk, clunk, clunk as you roll down the street as the rubber  stiffens while the tires sit.  I mean the kind of cold where you have to plug your car in at night so it will start in the morning.  I mean the kind of cold that causes polar bears to hibernate.

Like squirrels gathering nuts, we run around this time of year, preparing for our own hibernation in warm, cozy huts and with the exception of a few crazy people who like to ski and skate, we see “outdoors” only when forced to shove a snowblower around the driveway.

But, with my new found hobby, this is unacceptable.  I want to sketch.  Yes, I can draw coffee cups and sofas but that’s not who I am.  I like sketching places.  So, how do I get past the reality that watercolors freeze when subjected to Quebec City winter temperatures?

Clearly the watercolors will have to be left behind,  but a pen and a small sketchbook can be crammed into a coat pocket.  I’ve got small versions of Stillman & Birn’s Alpha series sketchbooks on their way.  I may even move from my favorite fountain pens to a gel pen or…shudder…maybe even a pencil, to simplify the toolkit.

I’m excited.  As the leaves fell from the trees, my stomping grounds have revealed a whole new landscape, just waiting to be sketched, with or without color. 

But, can an Arizona-bred old guy sketch in the cold.  We’ll see, but I’m optimistic.  Is this how a well-dressed sketching fanatic faces temperatures that live around zero degrees Fahrenheit?  Hope so.

I think the sessions will be shorter, and they’ll probably followed by warming myself over a hot cup of tea, but I’m optimistic.  Then again, it’s still “warm” here.  The  following photo was taken last weekend as I sketched on the large island next to Quebec City.  It was 35F.  If nothing else, winter will help me sketch faster (grin).  What do you do to feed your sketching itch when winter rolls around?  Am I nuts?

Photo by Yvan Breton