A Proud Building In Limoilou

When I came to Quebec I was struck by how people would completely change their schedules if the sun shined, cancelling meetings so they could go on a picnic, taking the day off from work so they could go get a tan, or maybe just to do a happy dance.  Coming from Arizona, it never crossed my mind that sunshine was something to be savoured when it was around.

I’ve learned, though, that rare things have that affect on behavior and it couldn’t be more true this year.  Three of us skipped off to Limoilou to sketch on Tuesday because it wasn’t raining – the sun was shining.  It was a rather short adventure but sketch we did.

I’m working on doing my sketching more quickly than my norm and chose to apply those efforts towards this stately building along 4th Avenue.  It almost looks out of place as it’s far more elegant than those around it and I suspect it once served some special purpose.  I even got to work on my tan while I drew it.

Stillman & BIrn Beta (8×10), Platinum 3776, Diluted DeAtramentis Document Black, Kuretake #13 w/Platinum Carbon Black

Another Trip To The “Ruelles”

I think we must be setting a record for sitting in alleyways while drawing.  Sort of goofy I suppose but alleyways do present scenes with a lot of personality, albeit a somewhat humble form of it.

Claudette and I both chose this scene.  I get the impression that the door on the right leads to an empty building but I could be wrong.  In any event, I had fun drawing this one and we’ll probably all be back in the “ruelles” again.

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, diluted DeAtramentis Document Black

Origami Exhibit At The Bagatelle

Sorry for forgetting to write blog posts.  I spent a day in the emergency ward as some really nice nurses tried to get my heart under control.  Now I’m trying to get used to medications and the side-effects have caused me to lose my motivation to do much of anything.

But, our group went to visit the Bagatelle, a large house and garden that has become a place where art exhibitions are held here in Quebec.  This month it’s origami and what a show it was.  It’s a two-story house and most of the rooms on both floors were filled with amazing origami pieces.

I sat down in the garden and drew one side of the house as it could be seen through the trees.  Hope you like it as much as I enjoyed drawing it.

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, diluted DeAtramentis Document Black

Quick-Sketching A Larger Scene

It’s well-known that I’m a slower than molasses sketcher, but I am making a concerted effort t speed things up.  The big problem is that when I do everything else goes downhill and I get frustrated.  Such is my life but I keep trying.

A few posts ago I talked about some sketching I’d done one morning, including a quick sketch from a photo of a scene not far from my house.  I decided to go to that location and do it again.  Here it is, this one done in a Stillman & Birn Alpha (8.5×5.5) and with a dab of color added.

Sketching In The Flowerless Flower Garden

It seems as though we won’t be having a summer this year.  Lots of rain and temps cool enough that we’re back to wearing jackets to go sketching.  Pretty odd for July, even in Quebec City.

We headed to a large garden in Ste-Foy last week for a sketching session.  Reports said the rain wouldn’t start until late afternoon, though it looked as though it could rain at any minute.  We’re getting used to the dull days, though, so we didn’t think much of it.  The garden brought reality home to roost.  There were so few flowers, so little growth.  The trees and grass were all very green, probably because of the rain, but the garden plants looked like it was April.

Everyone cast around for something to draw and I started by drawing on of my fellow sketchers.  I admit my heart wasn’t into it but a quick sketch was done quickly.  After this I got up and started wandering the grounds, around and around I went.  Nothing inspired.

There were some people weeding some large beds and they had a small garden vehicle in support.  I decided “why not” and sat down to draw it.  A woman came over and asked if I wanted her to move the vehicle, thinking I wanted to draw the garden, but I explained that I was going to draw the vehicle.  She laughed, probably thought I was nuts, and I set to work.  Here’s what I came up with.  Not a Rembrandt but it sure was fun to draw.

Stillman & Birn Alpha (5×8), Platinum 3776, Platinum Carbon Black

Looking Up To Draw

I do almost all of my sketching on location so I’m very comfortable doing so.  There is one circumstance, however, that I find challenging.  Looking up at the subject to be sketched always seems harder than it should be.  I don’t know if there’s something about the upward-looking angle or the fact that I have to bob my head through a much larger angle between subject and paper.  In any case, getting the proportions and perspective correct is always harder.

We were sketching at the train station, though, and I drew this portion of one of the buildings.  Quebec is blessed with these sorts of rooftops and so looking up is is worth the effort.

A Visit With Claude Simard, Sort Of

Just before I left for Ottawa our group went to an exhibit of Claude Simard’s work at the Centre d’interprétation historique de Sainte-Foy. This is a very large house on the grounds of a large church/cemetery.  The church is a stone building that was gutted by fire a while back and was renovated into a place for semi-outdoor (walls but no roof) theatre.  Anyways, the grounds of this building complex are very nice and very sketchable.

We spent some time sketching outdoors before going to the Simard exhibition and I drew this small building where they used to keep corpses in winter when the ground was too frozen for burials to take place.  I apologize for the “lines” in the color.  These were produced when I used a cheap gray marker to indicate locations of tone because I ran out of time and needed some guidance for later when I added color.

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon Black

I really enjoyed Claude Simard’s work.  His paintings, mostly done in acrylic are bright, very colorful and impressionistic.  While it’s clear from sketches on display that he is an excellent draftsman, this is not reflected in his paintings, which are almost caricatures of their subjects.  Nevertheless, it’s clear where he got the moniker as the Happy Painter.

What excited me the most, however, were the cabinets that displayed some of his sketches.  Some were in sketchbooks while others were done on watercolor paper.  All were simple sketches with loose watercolors added to them.  I loved them all.  In fact, I started drawing some of them with the idea of playing with watercolors in as close as I could get to his style.  This was a lot of fun and I did several of them.  Here’s one example.  The original was about 5×7, as is my copy of it.  I’m afraid I fell short of doing his watercolors justice.

“Bois du coulonge” Park

Eek…I’ve been way for a while and haven’t posted anything here in five days.  I just got home from Ottawa so I’m grabbing a couple smallish sketches I did while we were at the Bois du coulonge park.  Not much to say about them except that the little pond sketch was done twice.  The first time around I did it with washable ink without realizing it and when I started applying watercolors I generated a mess (grin).  Anyways, I’ll get the blog back on track ‘real soon.’

Sometimes Small Is Fun

With decent weather coming late this year, I’m in the mood to walk, and walk, and walk.  My pedometer has been smoking hot from all the activity.  At the same time, my arthritic hand has been giving me fits and so it’s been hard for me to be motivated to sketch.

But small formats fit into the walks and don’t pain the hand too much so I’ve used my trusty 3.5×5.5 Stillman & Birn Epsilon book to work some sketching into my walks.  Here’s a couple of those results.  I might have gotten carried away with the color but I’m trying to figure out the why and how other sketchers do this sort of thing.  I think I like the results.  Do you?

Giving A Lamy Another Try

Long ago I decided that the popular Lamy Safari was not the pen for me.  There are two reasons for this.  The first is that European XF nibs aren’t XF and to get a truly fine fountain pen nib requires purchase of an Asian pen.  The other reason, however, is my real problem with the Safari.  Its triangular grip may be fine for people writing with a fountain pen but I find it a real problem when I try to draw with it, mostly because I regularly move my hold point up and down the pen barrel and the triangular grip produces a lot of uncomfortable hold locations.

For some strange reason, though, I decided to try it again so I filled one with Platinum Carbon Black and went out walking.  We’re finally getting decent weather and I so thrilled with being out walking that sketching is taking a back seat.  The fact that my arthritis is causing my drawing hand to hurt may also have something to do with my reluctance to stop and sketch.

So when I was out I did a couple small sketches with the Lamy and my reassessment hasn’t changed my mind about it.  It’s not for me.  Here are the two small sketches I did.  The thick line and my clumsiness combined to create, at best, “ok” results.  It is nice to be able to be outdoors, though.