First Outdoor Sketch Of 2018

While many are counting spring flowers, Quebec City lags behind planet Earth as we still have lots of snow.  I’m hopeful it will melt away ‘real soon’ and it was with that optimistic view that I decided to go outside and draw.

It was still too cold.  It was windy and  I had to stand up while drawing, something I’m not good at, but by standing against a wall, out of the wind, it wasn’t too bad.  Here’s my first outdoor sketch of 2018.

Papelarias Emilio Braga Sketchbook

We made a weekend trip to Montreal to visit our daughter, which meant that within a couple hours of arriving we were standing in Notebene, my favorite pen/paper/pencil store.  I was there to talk to Carol about a pen and to pick up some Platinum Carbon Black cartridges.

It was to be a ‘no spend’ visit because I didn’t need much.  But, you know, a guy’s got to look around and, you know, it’s hard to resist, you know, finding stuff I “needed.”  Of course I “needed” a dozen Tombow Mono 2B pencils I found.  Not too bad, though.  We were twenty minutes into the visit and the pencils were all I “needed.”

Then it happened.  My daughter handed me a notebook and said, “This feels so good.”  It was an A6-size book that must have had a couple hundred pages in it, nice cream-colored blank, as in could be used as a sketchbook, pages.  And she was right, it felt right.  It was heavier than I like in a sketchbook but holding it made me feel like I had something important in my hands.  I could tell my daughter wanted it badly.  She did her best to argue that I shouldn’t buy it for her but her heart wasn’t really in it.  By then, my wife was there and she wanted one too.

I now had nearly $60 worth of books in my hands and I was sort of wishing they had a third one for me.  I say sort of because they also had a thinner version of the book that was just as elegant but much lighter and it suited my “needs” better than the thicker book.  One of those ($14 CDN) ended up on the pile.  And with smiles all around, my “no spend” day warmed up the credit card quite a bit.

So what is this sketchbook?  It’s a Paperlarias Emilio Braga notebook with blank, cream-colored  90gsm paper.  These notebooks are handmade and both sewn and glued together.  They lay flat.  The covers are cardboard covered with brown paper and reinforced with a fabric spine and corners.  The blank page books come with a writing guide with lines on one side and a grid on the other.

Because the paper is only 90gsm it’s best used with dry media, or at most light washes as it will buckle if you add a lot of water.  In the one drawing I’ve done, I did get some buckling but no bleedthrough or ghosting.  I’m really happy with it; it feels so good in the hand.  I just might have to get one of the thicker ones the next time I’m in Montreal.

100 People – Day 5

#oneweek100people2018 – I gave it a valiant effort, but starting on day three and having a bit of bad luck resulted in my coming up short for this challenge.  Yesterday afternoon I got a chance to draw some floating heads, which brought my people count to 82.  Since I’d done that in two days, I felt it was be a cinch to get the remaining 18 on Friday.  Silly me.

Today I went to a different mall around lunch time.  Their food court is organized to make it an excellent place to sketch, but not today.  Today was the last day of spring break and the mall was having a bunch of activities for kids.  The place was packed.  There were no seats and even if there were it wouldn’t have mattered because the place was so stressful from all the kids running around that I couldn’t stand to be there.  Chalk that up to me being a grumpy old man.  Anyways, I managed to draw a couple people before I gave, got on the bus, and came home.  Hope I have better luck next year.  Hope Marc and Liz decide to do it again as I love seeing all the people sketches.

100 People – Day 4

#oneweek100people2018 – It occurs to me that my attempts to ‘catch up’ after missing the first two days of this five day challenge is becoming a “how can Larry embarrass himself further?” affair.  So be it.  I’m scrambling for numbers and it seems almost comical how I’m stumbling to the finish line of this challenge.

I woke this morning determined to get from 42 (done yesterday) to 70 or so to give myself a chance to complete the challenge on Friday.  I started today’s activities by ‘experimenting’ with the notion of doing a bunch of people direct with watercolor.  These were done on a 5×7 piece of watercolor paper.  What I learned is that I don’t know how but I’m going to count the eight little people I did during this experiment.  Once this challenge is over I’ll continue this experiment and maybe, after a few hundred of them, I’ll figure out how to paint people.

Since that wasn’t going to work for me I grabbed a sketchbook, a Pilot parallel pen, and a Pilot Metropolitan and I headed to the coffee shop.  There is a bus stop across the street so I figured I could sit in the coffee shop window and have lots of ‘targets.’  A couple things were wrong with that idea.

The first problem is that I was reminded that if a large truck gets between me and my subject, I have a hard time drawing that subject.  And, it seemed, every time the street light changed, a large truck had to stop – right in front of the people waiting at the bus stop.  This slowed progress considerably, but I was enjoying a nice coffee so my patience, while challenged, was sufficient.

I was sketching along with the parallel pen when it ran out of ink.  No big deal; I just switched to the Metropolitan.  I like the Metropolitan and don’t use it enough.  I was sketching along, though visibility was becoming reduced by a blizzard and the fact that people waiting for the bus started huddling inside the bus stop cubicle.  Then my Metropolitan ran out of ink.  This pen sits on my desk at home and I realized that it had been a long time since I’d checked its ink load.  My sketching session was over for the day.

The 25 people I had scribbled brought my total for the week to 75 so I do have a chance to make it to 100 if I can get out an about tomorrow.  Sorry for the sad lot of kinda-sorta-maybe people on display here.

100 People – Day Three

#oneweek100people2018 – When Liz Steel and Marc Taro Holmes announced they were doing the 100 people in five days thing they did last year, I was all in.  It was a lot of fun last year and just the thing to rev the engines a bit, though drawing people is not my favorite thing.  But when Monday, March 5th, rolled around my arthritic hands were locked up tighter than a …err…well, they weren’t functioning very well.  The same was true on Tuesday so I told Marc I would have to pass on the event.

Yesterday, my hands were better, though they seem to have a mind of their own right now, and I headed to the mall to draw people.  I figured that if I was to catch up I would have to go into overdrive, maybe even cheating a bit to get the job done.  So, with a cup of coffee, I sat down in front of a McDonalds in the food court and started quickly sketching people who were waiting for their orders.  Nothing very artistic about the process, I was almost literally scribbling, but one hour later I ended up with 42 kinda-sorta people blobs in my Stillman & Birn Nova (5.5×8.5) sketchbook.  I then headed off to an appointment.

Once I got home, I applied colors somewhat randomly.  If I’d been true to the actual colors most of the coats would have been black.  Quebecers are not known for their bright colors.  I know I’ll not likely make 100 people given I gave all of you a two day head start but I feel good that I’ve put a dent in the goal.  We’ll see what today brings.

Sketching Ain’t Easy These Days

It’s now 2018 and I’m hoping there will be fewer doctor and physio appointments this year.  I’ve tried to doodle my way through the last few months of 2017, working on using my elbow and shoulder more and my wrists less.  I draw small, though and find that transition to be tough sledding, particularly for drawing small-size curves that my wrist just won’t do.

Nevertheless, if I made any resolution for 2018 it was to get back to drawing.  This morning I decided to draw a scene from a photo.  My wrist was feeling “pretty good” which is my shorthand term for “it’s not locked up and doesn’t hurt constantly” and so I grabbed a Platinum Carbon pen and a 5×7 piece of Fabriano Artistico CP and tried to capture a photo I had of Quebec’s Finance Building.  The pen isn’t flowing like it once did, probably because I’m being too careful about how I’m moving my hand, but I did produce a sketch and I share it with you here.

Hopefully things will improve as I get back into it.  I sure hope so because Liz Steel’s new watercolour course starts January 10th and I hope to do a lot of fuzzy stick practice ‘real soon.’

Weathervane Sketching Is Fun

I should be writing blog posts about how life would be for a snail trying to do location sketching.  Movement from point A to point B is so slow and energy-draining for me these days that I have to make decisions based on how long it will take me to get there.  I suppose that’s true for everyone but I’m talking about how far I have to walk in a museum.  Distances measured in feet have become important (grin).  Weird that.

But I am starting to get out and about and it feels really good.  I went to the museum on Tuesday.  I used to walk there (about 45min).  Now I take two buses and when I get there I’m exhausted.  Once I’ve hobbled up a couple flights of stairs I have to sit down and rest before I try to sketch.

The significant thing about all this is that the majority of my sketching time isn’t spent sketching so I have to keep the subjects simple and just try to get as much enjoyment from the short sketching fix as possible.  There’s a row of weathervanes on display right now and they fit a snail-sketcher’s approach really well.  Hope you like this one.  The original is made of sheet metal.

Stillman & Birn Alpha (9×6), Pilot/Namiki Falcon

Life Of A Sketchless Sketcher

I made another trip to our museum.  I’m still amazed at how tired I can become just getting there, but got there I did.  It’s the last week of the Hergé exhibition and I hadn’t actually viewed it seriously.  The exhibit emphasizes the process of creating Tin Tin, Herge’s famous comic series and so there’s lots to read and look at.  Not much to draw.

I hobbled around the exhibit, reading everything and studying the artwork.  It’s a really good exhibit in my opinion.  But finally I had to sit down, completely exhausted.  It must be the weight of the cane that’s wearing me out (grin).

After a while I decided that I needed to draw something, so I combined getting a cup of coffee with drawing one of the weather vanes on display in the cafeteria.  It’s not much and like eating a single Gummi bear, not quite enough, but it formed a satisfying end to yet another sketchless sketcher day.

Forgotten But Not Lost

It’s been several weeks since I walked out of my house wearing my larger art bag.  That was the day I met Brigitte, the new sketcher I mentioned in my last post.  We met in the small park along St. Denis street within the walls of the old city of Quebec.

We were to meet at 10AM but Claudette and I arrived earlier, I think it was around 9:30.  We both started sketching and I was well into a drawing when Brigitte arrived.  When she did, we started talking about everything and anything and had a delightful conversation about her, about the sketching world in Quebec City, her house renovations and a bunch of other stuff.  She’s really a delightful person but eventually we decided that maybe we should draw and so got back to it.  By then, though, it was nearing lunch time, or at least coffee break time so we didn’t get much more sketching done.

I was starting to have my leg problems and when I got home my bag went on the shelf and the only thing I’ve done with it since was to remove my pen case, because all other materials are replicated on my desk and/or in my smaller bag.  Yesterday, however, I decided to organize for what I optimistically view as my imminent return to street sketching.

And guess what I found?  That partially complete sketch from weeks ago.  It seems very unlikely that I’ll ever complete it so I thought I’d show you an ‘in progress” photo of it.  Hope you like it.

Trying To Get Out With My Friends

Several weeks ago I got to meet a new sketcher.  She and her husband had moved to Quebec City and she wanted to hook up with local sketchers.  We met for a sketching session and had a great time.

Then I started having mobility problems and time after time, we couldn’t manage to get together for another session.  I was both frustrated and embarrassed by this and so when she asked if we could go sketching last week I said yes and we agreed to meet near the large fountain in front of the Quebec Parliament.  Yvan came along as well.

I limped my way to the site and sat on a bench.  It was really great to be out in the fresh air and to get to talk with friends but I was hurting so much that sketching didn’t seem important.  Still, there I was and so I started by drawing three young children who are part of the fountain.

I spent more time just sitting than I did drawing but I just kept adding small sketches of things I could see from my position.  No rhyme or reason to it; I was just sketching, or trying.  It wasn’t urban sketching at its best but it was urban sketching I suppose (grin).  For what it’s worth, the guy in front of the lamp post wasn’t actually leaning against it; he was part of the fountain too.  The lamp post was actually across the street from the fountain.  While he is shirtless, we were wearing jackets.