A Day At The Garden

I attended another event organized by Denise Bujold’s Artistes dans les parcs.  This one was held at a large garden on the other side of the city from where I live and I’ve drawn there a lot.  On this day it was supposed to be sunny and hot.  The sun never showed up and it didn’t get very hot.  We lacked shadows, but the temps were just right for sketching.

I’m not sure I fit into this group very well, though everyone is very nice.  But the members set up easels, tables, and paints.  I sit down on a tripod stool with my sketchbook.  A bigger problem, for me, is that my French is not good at all so carrying on a conversation is mostly out of the question.  Nevertheless, it’s nice to be out with a bunch of people doing art.

I chose to draw a really tiny waterfall that connects two small ponds near the entrance to the garden.  I started by covering the paper with some blotches of color to match the subject and then wandered around the garden while that dried.  I really like the idea of doing paint first but I’m not sure I’ve got the patience to deal with the drying time.  Eventually it did dry and I started drawing with DeAtramentis Document ink.  More watercolor was added to finish the drawing.  It’s a fun way to work, except for the drying time, so I’ll probably do it again.

Drawing A Giraffe In Quebec City

We’re finally experiencing outdoor temperatures.  Normally this would mean that I’d be wandering the streets every day, drawing my old-man heart out.  That behavior has been derailed by my bad knee.  Just this morning I started out with the idea of taking the bus downtown to sketch, but I quickly realized that, today, my knee wasn’t going to allow that to happen.  So, instead, I’m writing this blog post and thinking that maybe I’ll sketch a pepper plant we bought last weekend.

Last week I got to go to our Musee de la civilisation to see the new Curiosities du monde naturelle.  This exhibit is reminiscent of the old natural history museums, before all the fancy displays and such intruded on a simpler time when museum managers thought people were more interested in seeing actual items than they were pictures and videos of them.

Our museum seems to have a new to this.  They put everything in the dark.  I’m not sure what that’s about but we have to draw with a light on our paper and half the items are too hard to see to draw at all.  This is supposed to be good?  We have two exhibits that are like that currently and it seems to be a trend.  Anyone else seeing this in their museums?

Part of this exhibit is the head of a young giraffe and I decided to draw it.  Where I had to sit was too close and I was looking upward at the head such that I couldn’t see things like its left ear so the sketch is a bit odd.  Still, I had fun finally being out sketching and I enjoyed drawing this guy, or girl.

Stillman & Birn Alpha (4×6), DeAtramentis Document brn/blk, Platinum 3776

Is It Spring Or Is It Summer?

Yesterday was Memorial Day in the US and all day I heard the US press saying that this day, unofficially, marks the beginning of summer.  Here in Quebec City we had a frost advisory and the trees are just now deciding that they might as well put out their leaves.  It’s sunny today and feels very much like spring.  So, is it summer or spring?  Weather this year has been hard to take for many parts of North America.  I’m hoping we have a really long summer, or is it still spring?

In any case, the squirrels are out and about and I even saw a bumble bee this morning.  In honor of this change of weather, I drew a squirrel with a smile on his face. Like me, he’s happy that things are warming up.

Stillman & Birn Alpha (4×6), DeAtramentis Document Brn/blk

Memories From Old Toys

We’re still waiting for spring to come to Quebec City.  It’s quite unbelievable that it’s mid-May and the best we can hope for is a rainy, dreary day.  But until things warm up a bit (we had a frost warning last week) we’re sort of stuck going to indoor venues to draw.

We were provided with a new one, though, as the Quebec Historial Society opened a small exhibit of old, mostly tin toys from the 40s to the 60s.  As a kid, I was playing with those produced in the 50s so some were quite familiar to me and brought back memories.  I love tin toys, mostly for this nostalgia I suppose, but they were always so brightly painted to mask their simplistic nature.

I spent much of our session viewing the exhibit and reading all the description cards.  It’s not every day that you get to see and Easy-Bake Oven after all.  But eventually I sat down to draw and I did a poor job of sketching an old wind-up race car from the 40s.  I really need to slow down as the quality of my sketches is directly correlated with the speed in which I do them.

Stillman & Birn Beta (8×10 softcover), DeAtramentis Document Brn/Blk ink, Daniel Smith watercolors

Sketching Rabbit/Hare Structure

On Tuesday, Yvan, Claudette and myself headed to the hunting and fishing museum.  We’d just had a huge snowstorm that was a real struggle to clean up because the 11-12 feet of the stuff that has preceded it made it nearly impossible to find a place to put the new snow.  Anyways, it felt really good to head out for a day of sketching.

Unfortunately (for me), that same storm was beating up my joints.  I was limping a bit, but the real problem was my left hand and wrist which made it very hard (impossible?) to draw.  We had fun and I did three sketches, all of which were so full of errors and attempts to fix lines that went off willy-nilly that I’d be too embarrassed to share them.

We were drawing rabbits, however, and that got us discussing the structural underpinnings of a rabbit.  When they sit back on their hind legs, they start looking like a ball of fur and it’s hard to make out what’s really going on inside.  When we got home Yvan and I asked Mr. Google if he could provide us with a rabbit skeleton to study.  He obliged and this morning I drew a rabbit skeleton, well sort of.  My hand was a bit better this morning but it’s still hard to get my lines to flow.  But I do understand lagomorph anatomy just a bit better.

Stillman & Birn Beta (10×7), Pilot Falcon, Sketch Ink Thea (grey)

Sketching Bobinette

Long before Sesame Street, baby boomers cheered on puppets of one form or another as they came to our houses via television.  Television was new back then and we didn’t seem to mind that the shows were goofy, didn’t have any super-heros and not a single explosion upset the simplistic dialog of these shows.

Remember Howdy Doody and Buffalo Bob?  The people of Quebec didn’t see them, but they had Bobino and Bobinette and I never saw the Bobino show, so never got to see the marionette Bobinette perform.

Bobinette now stands in our civilization museum, next to Bobino’s suit coat and bowler hat, and while a blizzard was dumping yet another foot of snow on us, I drew her.   I probably should have used color to show off her pink dress and big blue eyes but I settled for a Pilot Kakuno and a brown/black mix of DeAtramentis Document ink.  I hope she’ll make you smile.  We need more smiling these days.

 

Getting My Brain Back Into Sketching

My brain is rusty.  While I’m still having trouble with my drawing hand, it’s my brain that has fallen out of practice and needs some line miles to return my sketching to the miserable quality it once was.  So when Yvan and I made another trip to the hunting an fishing museum I was determined to make a lot of lines.

Instead of trying to create a detailed, well-proportioned drawing, I decided to sketch quickly (for me) so I could cover more ground – make more marks.  No pencil block in, no holding my pencil out to get proportions.  The goal was to make lines – lines that, hopefully, would look something like a duck.  Here’s what I managed to put to paper.

Stillman & Birn Nova (5.5×8.5), not sure what pens I used

Errors abound, of course, but they do look like ducks and generally they look like the ones I was looking at.  I label this a success with the caveat that I need to do a lot more of it to get my lines to flow better.  After a short break I decided to do the same thing with a bunch of fishing lures.  The drawing here was pretty “sketchy” (pun intended) so I added some color to add some life to the spread.

We say all the time that it’s the process, not the product.  Getting back into sketching is reward enough for me.

I Went Sketching – Yippee!

As I look out my window I can only barely see the house across the street.  This is because we’ve got a rip-roaring blizzard going on.  This winter has been a doozy thus far.  We’ve already had 11-12 feet of snow and it’s only mid-February.

Many of us have gotten some chuckles listening to the people in Seattle and Vancouver try to deal with snowfall and I include myself among them.  Sure, they’re not used to it, aren’t equipped for it, and are even somewhat surprised by the snowfall, I suppose, but it’s fun to poke fun at them nevertheless.  I’m just glad they took some snow off our hands as we’ve got so much my snowblower is having a hard time throwing the snow to the top of the snowbanks that line my driveway.

But it wasn’t snowing on Monday and Yvan and I headed for the Quebec Federation of Hunters and Fishermen offices.  They have an amazing exhibit of taxidermy animals and it’s a delightful place to sketch.

My hand was hurting a bit, but my real problem was that I’d lost my ability to “see.”  Nothing was automatic and I struggled to see the shapes and volumes of the coyote skull I decided to draw.  I should have chosen something more simple.  I guess I should have known that “out of practice” would include all aspects of drawing, but I figured that once I trained my brain, it would stay trained.  Then again, I forget where I put my keys so…  Anyway, here’s my version of a coyote skull, which has an eye socket drawn way too small.

Stillman & Birn Nova (5.5×8.5), Pilot Metropolitan, DeAtramentis Black

I took a short break to get a drink and rub my hand a bit.  Then I sat down to draw a duck.  I felt a bit more confident by this point and I didn’t need to second guess myself so much.  We’d decided to stop at noon for lunch and so I rushed a bit to finish this one but I was happy, and a bit tired.

Stillman & Birn Nova (5.5×8.5), Platinum 3776, diluted DeAtramentis Document Black

We ate lunch with the idea that we would return to sketching but we didn’t.  My hand was hurting and Yvan suggested that we call it a day since it was my first day back to location sketching.  Instead, we decided to go have coffee where we talked about composition, tactics for blocking in drawings and identifying simple shapes in a scene.  We topped off the day with a stop at an art store and then I got to look over a bunch of Yvan’s art.  The day couldn’t have been more perfect.

Sketching The Alleyways Again

The days are becoming cool and raining and between that and days when my hands won’t let me draw that coincide with the good days, I’m not getting a lot of opportunity to sketch on location.  But Yvan and I did get out and into the alleyways of old Quebec to do a bit of sketching.  This, and the smile on my face, was the result.

A Bit Of Quick Sketchcrawling

People say that getting “out of your comfort zone” is a good idea.  So, I drive twice the speed limit, drink excessively and pick fights with NFL players.  Just kidding…maybe that isn’t what they mean, though in the art world these catch-all phrases are ill-defined and hold little real meaning.

But this week seems to be a week where I’m doing things different from my norm and a couple days ago Yvan suggested that we do a ‘real’ sketchcrawl, where we go to a spot, sketch something quickly and then move on to the next spot, repeating until the day got too hot to continue, or until Larry got completely frustrated (grin).

And that’s exactly what we did.  We hopped a bus and headed to a neighborhood where we’d never sketched and decided that we’d walk until one of us (took turns at that) decided it was time to stop.  There, we would choose a subject and spend only a few minutes capturing the scene.  Easy peasy, right?

For Yvan it was.  He’s a superb sketcher and with decades of experience, he’s also really quick when he needs to be.  Me, not so much.  I’m still vying for the “slowest sketcher on the planet” award and I think I’m still in the lead.

When I start sketching quickly all sorts of things go wrong as I lose control of linear perspective, proportions, and relationships.  These things cause my sketches to be barely recognizable as the scene before me.  But heck, I was out of my comfort zone.  That has to be good, right?  These are three sketches I came up with during our quick-sketchcrawl session.