Stepping Through My Sketching Process

Patrick Ng presented one of his sketches by showing us all the stages of development in a series of posts in the Facebook group, Artist Journal Workshop.  I thought that was a great idea and so I’m going to do that here.  Click on the photo to get a larger image.

On Location PhotoFirst stage occurred on a hot day, in front of the Quebec City train station.  I decided to draw a building that sits at 363 Rue St. Paul, partly because it was a great subject and partly because there was a shady spot where I could sit.  I didn’t quite get the drawing done in that first session as it still lacked the foliage, though that had been penciled in early in the process so I’d know what parts of the building would be covered by leaves.

B&W sketch

Once I finished adding the foliage and touching up a few of the details it looked like this.  I did this at home.

I decided to add shading with early morning sun as I thought it would be better than the mid-day sun I had when I did the sketch.  So, I went back to the site, plunked myself on my Walkstool and went to work.

Toned sketchI now use a small chunk of 8B Derwent Graphitone pencil, stuck in a half-pan, for my basic shading.  This has some interesting virtues.  First, I can use it just like a cake of watercolor, using a brush to pick up pigment and mix up washes of any density I need.  Second, it’s much smaller and lighter than the dilute india ink solutions I was carrying for this purpose.  AND, the important thing is that once Graphitone been exposed to water and then dries, it won’t mix with watercolors I put over it.   The end result of this stage sometimes causes me to wonder whether I need color at all.  This may be because I’m not all that versed in or experienced with watercolor (grin).

I like color, though, so I broke out my W&N watercolors and applied a moderate amount of color to the sketch.

I used a Pilot Prera fountain pen with Noodler’s Lexington Gray ink to do this sketch.  In my opinion, the techniques are made possible, or at least easier, because of the fantastic, double-sized papers of the Stillman & Birn sketchbooks I use.  I can’t say enough good things about them.   If you find these sorts of posts useful, let me know and I’ll do more of them.

Cheers — Larry

larry@larrydmarshall.com

Inuit Urban Sketching

Here’s something you won’t see in many urban sketcher’s sketchbooks, an Inukshuk.  The Inuit have used these for years to provide directions, mark locations, and even to aid in caribou hunts.  Because of this, you can find these human-like rock piles scattered across the northern parts of Canada… or in souvenir shops, as miniature versions are quite popular.

This one, however, is in downtown Quebec City, on the Parliament grounds.  I’d guess its height at ten feet.  Yesterday wasn’t the optimal time to sketch it as there are barriers up around the grounds due to construction so I couldn’t get as close as I’d like, nor could I view it from its front, the optimal way to sketch an inukshuk (“in-ooo-shuck”).  But, I was there; it was there; and I sketched it as, these days, I’m interested in rocks and how to depict them.

This sketch was done in a Stillman & Birn Beta (6×8) sketchbook, using a Pilot Prera pen filled with Noodler’s Lexington Gray ink. Winsor & Newton artist watercolors provided the color.  I REALLY like the Beta sketchbook paper.  So thick, so friendly to both pen and watercolor.  I’ve become quite spoiled by my Alpha series sketchbooks but the Beta series is yet one step better for the kinds of sketching I do.

Any inukshuks in your town (grin)?

Esthetics Vs Cheap: What We Are Missing

One of the things I’ve noticed since since I became a sketcher is that most man-made objects have short lifespans, and getting shorter in our disposable economy.  We really need to do something about that.

But architecture is the big exception, largely because buildings built before the 50s and 60s were built to last a loooooong time.  Construction was brick, with thick walls and roofs covered with metal.  And oh do they last…and last.  There are hundreds of buildings in Quebec City that were built in the late 19th Century and hundreds more built during the first quarter of the 20th.  Many remain have not been torn down to make room for the square box buildings we build today for one simple reason.  These old buildings were built to be as attractive as they were functional.  As I compare the beauty of these old buildings and compare them to the more modern parts of our city, it’s not hard to conclude that we’re sacrificing a lot in the name of build it cheap.

The Fire House Example

As in every city, in Quebec City things occasionally catch on fire.  And like other cities, we have a fire department and their facilities scattered around the city.  And if you look at the fire engines that arrived at fires in the early part of the 20th Century they looked like this.  Very cool and people now visit museums to see them.

But today modern fire equipment are marvels of engineering, far more capable at quenching the flames.  Far more expensive too but we spend the money because they do a better job.  As a fire hydrant sketcher, I know there are some fire engine sketches in my future but it’s the fire houses that have caught my eye.  I’ve seen several here that can only be described with a single word – KEWL!

And so this past weekend I sat on the sidewalk across the street from this majestic building and sketched it.  It was done in a Stillman & Birn 10×7 Alpha sketchbook, using a Pilot Prera (fine) pen filled with Noodler’s Lexington Gray.  Aren’t I right?  Isn’t it KEWL!  Why don’t we build buildings like this anymore?

 

 

Stillman & Birn “Beta” Sketchbook

When I got interested in sketching I found it pretty easy to find good watercolors, brushes, pencils, and pens.  What was harder was finding sketchbooks that served my purposes as a pen/ink/watercolor sketcher.  I spent a lot of money and now own a bunch of sketchbooks with 2-3 sketches done in each before I rejected them.

Then a couple artists started talking about Stillman & Birn sketchbooks.  I bought one.  Then another.  Then another.  And I’ve never looked back.  They are simply the best I’ve found.  Mostly I’ve been using sketchbooks, both bound and spiral, from their Alpha series, which have nice, smooth, 100lb paper.  I’ve also tried the Epsilon series and while a bit smoother, I don’t really see much difference between the two but I’m a rookie so what do I know.

And over my few months of using them, lots of other sketchers have started using them too.  We’ve all reported to Stillman & Birn that their Alpha (white) and Gamma (ivory) sketchbooks can handle a lot more water/washes than their advertising suggests.  Many of us are as surprised as S&B are about this, as 100lb paper is about the minimum for doing washes in my experience.  But there’s something about the sizing of the paper that causes it to act ‘heavier’ than it is when accepting watercolor.

It’s not that you can’t buy heavier paper from Stillman & Birn.  They have a Beta (white) and Delta (ivory) series that contain 180lb paper.  But Stillman & Birn advertise these series as being “rough” paper and that’s the last thing one wants if you’re going to be pushing an ink pen over the surface.  So I’ve avoided them…until now.

I’m a curious kind of guy so I’ve now got 6×8 spiral sketchbooks from the Beta and Delta series and…shazaam…the paper isn’t rough at all.  In fact, it’s smoother than some cold-press watercolor papers I’ve tried.  These papers do have a bit more tooth than my Alphas but I got quite excited when I received them because the paper is very heavy, smooth, and inviting.

A quick test demonstrated that my fountain pens like these papers.  I tried a Kaweco Al-Sport, Lamy Safari, Noodler’s Ahab, Pilot Prera, and Hero calligraphy pens.  I tried Platinum Carbon Black, Noodler’s Lexington Gray, and Noodler’s Bernanke Black ink.  All the lines were clean and crisp.  It might be my imagination but I feel that watercolor washes are easier to do with these papers too but I can present no data other than ‘seems like’ to support that view.

And so this morning I got up, looked outside and saw the sun.  I headed out with my new Beta sketchbook in search of something to sketch.  This lasted about 15 minutes.  It was sunny, but ugh; it was cold… cold… cold.  Temps were only a couple degrees below freezing but the winds were howling and so being the sissy that I am, I hustled myself back home.

Not to be defeated by Mother Nature, I went through my photo library and came up with a photo of a sign I’ve been wanting to sketch.  It hangs high over an intersection in our downtown area and I love the flourescent pink lighting around its periphery.  I started sketching, not fully realizing that I had no clue how to draw flourescent lighting.

I’m going to really like this Beta sketchbook.  At 6×8 it’s a good size for portable sketching, though I’ve become quite attached to my 10×7 Alpha sketchbooks.  Here’s the end result.  I did this sketch with a Pilot Prera and Lexington Gray ink.