Drawing On Red Toned Paper

I got my first taste of drawing on red paper when Field Notes released a set of small notebooks containing brightly colored papers.  I posted a bunch of the sketches I’d done at that time.  The only problem with this was that I find drawing in Field Notes to be unsatisfactory because of the very soft nature of their softcover and their very thin floppy nature.

A large wooden sculpture with a stone face looking out of it.

I was in the art student coop here and found some light card/cover stock in red and I bought a couple sheets of it.  I wasn’t sure it would handle fountain pen ink but at $0.39 for an 11×17 sheet of the stuff I thought I could take a chance.  As it turned out, it’s really nice to draw on as I found out the next day when I went to our museum.  Here are those results.

A couple baskets and some sort of megaphone made of leather

Road Trip To The RedPath Museum In Montreal

I’m a really lucky guy.  Why?  Because I’ve got a daughter who’s been accepted to the McGill Law program in Montreal.  Who cares, you might ask.  Well I ask you, what better excuse could there be for a certain sketcher to go to Montreal and sketch in the many great sketching locations that exist there.

My first trip took place last week, when my daughter went to an orientation at the law school.  It was a great day.  I emailed (is that a verb yet?) Marc Taro Holmes and asked if he was available.  Good timing and a bit luck found him having the day free for sketching.

We met at the RedPath Museum on the McGill campus and I spent the day attention torn between concentrating on my drawing and talking to Marc and watching him do some amazing watercolors.  For this post I’ll stick with showing you what I drew that day.

This heron and I spent some time together.  He (she?) was beautiful.  I was doing this standing up and when it came to the paint I ran out of hands, which led to things being out of control, and that’s putting it mildly.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black

When we finished up in this part of the museum we decided to go upstairs to draw.   The stairwell is filled with a bunch of stuffed animals.  It was a very overcast/rainy day and this part of the museum was pretty dark but I decided to draw the head of a hippopotamus.  As I sat on the steps, I could see the outline well enough but there was considerable guesswork regarding the various undulations on the body of the animal.   It was both frustrating and fun to try to think about how the muscles would run around the head/neck of the animal.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black

We’d had a long discussion about whether one should use pencil or not.  This internet meme is very popular and I don’t ascribe to it, though I’m very much in favor of leaving the eraser at home.  I’ll probably talk about it at some later date but here I’m only going to say that I decided to do some pen-only drawings.

I was fascinated by this very primitive stringed instrument, formed by a drum-like body with sticks strung through it to raise up the “drum” cover so that a bridge could rest on it to hold the strings.  The neck of the instrument was a long, somewhat rough stick with frets formed by ropes wrapped around it along its length.  I hope I’ve captured it well enough to show these features.

Stillman & Birn Beta (8×10), PIlot Falcon, DeAtramentis Document Black

I was getting sort of tired at this point but just to the right of where I was sitting was this clay statue that had a grass skirt and a bunch of feathers on its head.  I quickly sketched it but didn’t completely finish it as time ran out.  I played with some color when I got home but I don’t think it improved it much, if at all.

This day was a great day.  Heck, I think any day at the RedPath would be, but it was particularly great because the discussions that Marc and I had were fun and watching him work magic with watercolors was very insightful and inspiring.  Ain’t sketching and the sketching community great?

 

Mini-Sketchcrawl At The Morrin Center

Hubert, a member of our Tuesdays group, arranged for us to sketch at the Morrin Center.  This is an anglophone service center that holds lots of wine-drinking soirees and has a wonderful old library, with leather-covered tables, beautiful old railings and stairs, and an ambiance that can’t be beat.  The building itself used to be a women’s prison and they’ve retained a couple cells in the basement in their original form.  I think you could fit all the anglophones who live in Quebec City into this building and still have room for the wine (grin).

I decided to draw a bust that was sitting in front of one of the windows.  It wasn’t a particularly good cast but I liked the guy’s beard and mustache, which gave me ample opportunity to drive my Pilot Falcon around in my Stillman & Birn Beta (8×10) softcover book.  I’ve thought about adding some watercolor shading and may do that but I haven’t found the time.  Sorry.

Another Trip To The Hunting And Fishing Museum

Oh my goodness.  It’s been ten days since I’ve posted.  I’m running as fast as I can but it just isn’t fast enough.  I’ve done some more extreme sketching, went to a gathering at the Morrin Center in Quebec City, my daughter came home for “reading week” and we just got back from Montreal where I got to spend the day with Marc Taro Holmes.  I’ll try to get blog posts written on all these things in the next couple days, but today I want to show you a couple more sketches that I did when several of us went back to the Quebec hunting and fishing museum.

I was struck by this duck because I had never seen one before and I didn’t know what it was.  There was no label on it.   I drew it because of its atypical orientation but it wasn’t until I got home and talked with Mr. Google that I found out that this is a a Eurasian duck called the Ruddy Shelduck and that it’s very common in India.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black

With so many beautiful animal subjects at the museum it’s easy to ignore the multitude of antique and modern fishing and hunting equipment on display.  But on this day I was struck by a long row of antique fishing bobbers, or floats if you prefer that term.  While they did have an example of modern, red/white plastic bobbers, most of them were very old, wooden bobbers.  Rather than drawing them in a row, I created this composition and liked the result.  Hope you do too.

Stillman & Birn Beta (8×10)

Winter Chill Means Sketching At The Museum

It’s winter and so my feet move me, without thought, to the local museum for sketching sessions.  This day was no different and I found myself in the tiny “attic” display of all sorts of stuff, including this shelf.  I probably drew it smaller than I should have but what the heck – I use less ink this way (grin).

Stillman & Birn Alpha (8.5×5.5), Pilot Falcon, DeAtramentis Document Black

Sketching With The Jesuits

Last Sunday we met at the Maison des Jésuites de Sillery as our monthly Croquistes de Québec sketchcrawl.  Our time window was short because these small museums that are scattered around Quebec don’t open until 1PM during the winter but they are warm and they do have stuff to draw.   This particular place is a large two-story house, associated chapel, and the foundations of the original church that was across the street.  Contained within it are a bunch of artifacts that tell the story of this 18th Century missionary settlement.

While most were drawn to displays on the second floor, I couldn’t resist the golden eagle that was on display.  Halfway through the drawing I was wishing I’d chosen something else.  Did you realize that eagles have a lot of feathers?   I did like this view, however, as it’s a little different than the typical sideways, head up of most eagle photos/drawings.  Anyways, here’s what resulted from my interaction with this beautiful bird.

Stillman & Birn Beta softcover (8×10), Pilot Falcon, Diluted DeAtramentis Document Black

Old-Time Kitchen Sketching

In recent weeks I’ve had to forsake urban sketching because it’s just too darn cold outside and so I’ve started doing domestic sketching (my name for studio sketching as the opposite of urban sketching) and historic sketching (drawing from old photos).  Seems there is jargon-ese convergence in what I present today – historic, domestic, urban sketching.

Yvan and I braved the cold and took the ferry to Levis, where we climbed the hill and made our way to Maison Alphonse-Dejardins.  Dejardins is the guy who started the Quebec banking system and his home is now a museum in his honor.  I was on location and sketching and thus, I was an urban sketcher again.  But this time my target was the sink and counter in the smallish kitchen in this home.  Next time I’ll do the coal-fired stove cuz it’s a dandy.  And in one swoop, this sketch is both historic and domestic.  Voila, I did historic, domestic, urban sketching (grin).

I know, I’m being silly, but then the labels we put on everything, and worse, the debates over what qualifies as fitting a label are pretty silly too.  Anyways, here’s the sketch I did in a Stillman & Birn Beta (8×10) softcover sketchbook.  I kinda let the perspective get away from me but what the heck, if they were all perfect there’d be no reason to continue trying.

Maison Alphonse-Dejardins

Urban Sketching In 2029???

There I was, with John Connor, fighting against the machines.  Somehow my fountain pen didn’t seem quite up to the task.  Truthfully, neither was I.  The machines had taken over the Earth and they were in the process of exterminating the human race.  They were everywhere, as was evidence of the carnage.  What’s an urban sketcher to do?  Draw, of course.  A little thing like the annihilation of the human race can’t slow down an urban sketcher.

Ok…so I lied.  Actually, I was at our Museum of Civilisation, in the nanotechnology exhibit.  In that exhibit is a full-size model of the Terminator of movie fame in all its shiny metal glory and, of course, it’s posed over several broken skulls.  In honor of John Connor I did my best to capture the remains of the 2029 urban landscape.  I drew the skulls.

Stillman & Birn Beta softcover (8x10), Pilot Falcon, DeAtramentis Document Black (diluted)

Stillman & Birn Beta softcover (8×10), Pilot Falcon, DeAtramentis Document Black (diluted)

Domestic Sketching: Let’s Try Imagining A Pine Tree

It seems there will be a continuing series of sketches being done by this urban sketcher that have nothing to do with urban sketching.  I’m forcing myself to draw at my desk.  I’ve even cleaned it off so I don’t have to shove stuff out of the way to do it.  I’m going to call this domestic sketching and label results as such.

Anyways, my first sketch was a small, defoliated tree and I thought it only fitting that I should follow it up with a pine tree.  As it turned out, I drew two of them, the second coming simply because I wanted to try to do a classic Christmas tree shape.  Probably shouldn’t have cuz it looks out of place in this sketch, at least to me.  One thing I’ve noticed about sketching at home, with good light, a desk and a good chair.  The sketching is a whole lot easier.

Fabriano Artistico (7.5x11), Pilot Falcon

Fabriano Artistico (7.5×11), Pilot Falcon

Late Fall Sketching Is The Best

Ever notice that when things come as a surprise they’re just a bit better?  We’re experiencing some late fall weather that’s been really great and it’s extended my outdoor sketching season.  This surprise has been sweetened even more by my boss and true love (some call her my wife) wanting to sketch with me.  Life is great.

We found ourselves on Ile d’Orleans, the island I’ve mentioned in recent posts and we were back in the park I discussed here.  Chantal wanted to sketch the large hotel building and I sat down to sketch an old house on that sits on a hill in the park.

Stillman & Birn Beta (8x10), Platinum 3776, Platinum Carbon Black

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Brown

When I finished up I went looking for Chantal and found her working away on her sketch.  Not wanting to interrupt her, I sat down and started doodling details of the building she was drawing.  I need to do this more often cuz it’s fun… lots of fun.  I probably could have organized them better on the page but I gave that no thought as I just kept scibbling until the pages were full.  You might want to click on the graphic to enlarge it a bit.  Do you ever do this?

Stillman & Birn Alpha (5.5x8.5), Platinum 3776, Platinum Carbon Black

Stillman & Birn Alpha (5.5×8.5), Platinum 3776, Platinum Carbon Black