A Sketching Challenge: Chapel Altar

I love drawing the ornaments and carvings in churches but confess that I find most churches to be pretentious.  Still, there I was, in the chapel associated with the Musée d’Amérique francophone when I got the bright idea to sketch the huge, monolithic, altar.  Because of the complicated nature of it, doing a proper, accurate drawing would have required many hours.  I only had two.

So I “steeled” myself (i.e. tried to channel Liz Steel) and set to work.  My eyes crossed several times as I tried to draw all the bits and details of this 30-foot high structure.  It was both fun and tiring, and it humbled me a bit, which I guess is the goal of such structures.

Musee d'Amerique chapel altar

Fabriano Artistico CP (7.5×11), Pilot Metropolitan, DeAtramentis Document Black

Sketching And Painting Decorative Squares

Decorative carvingNot long ago I posted this decorative square and talked about how we’d started drawing these squares in a chapel.  I also mentioned that I was going to work on methods for painting/shading them.

These wood-carved squares are probably not even noticed by most visitors to the chapel because they’re dark mahogany and blend into the mahogany wainscotting that runs around the chapel.  Yvan ‘discovered’ them and we’ve both been thrilled with the idea of drawing them.  I find them challenging.  Yvan just makes them look beautiful (grin).

2015-12-29square2We’ve continued drawing them and I have been experimenting a bit with approaches to shading them.  The process is teaching me quite a bit about watercolors and their use, at least the way I want to use them.  Which one looks best to you?

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A Day At The Chapel

When I talk about “our museum” I’m generally referring to the Musée de la Civilisation in Quebec City.  But we do have other, much smaller museums, one of them being the Musée de l’Amérique francophone. This small museum exhibits are mostly disappointing as while they have considerable display space, it is very poorly utilized and the exhibits are…well boring. 

2015-12-27steepleBut, with winter upon us, Yvan and I decided we should visit and see if we could find something to sketch.  We did, though not in the museum.  Between the museum entrance and the exhibits is a chapel that you walk through to get to the elevator that takes you to the exhibits.  There, you can sit in the warmth of the place, look out the window and sketch.  That’s what I did to sketch this quick drawing of the tower over one of the old seminary buildings (not the Université Laval Dept of Architecture).

What really drew our interest, however, were all the small decorative carvings that ring the main chapel area.  These are handcarved floral designs, with lots of symmetry, curves, and details.  To Yvan, this means fun challenge.  To me it means scary, but a good kind of scary.

We decided that we would draw a bunch of these as it would form good practice.  I admit that I struggled with this first one but I also enjoyed the mental challenge of depicting a piece that is largely symmetrical but that also has a sprinkling of asymmetry due to the vagaries of its handcarved nature.  Can’t wait to go back to do more.  I’m hoping I”ll improve my use of watercolor shading on subsequent sketches.

Decorative carving

Sketching in Pencil

I met Claudette this morning for a sketching session at the Musée d’Amerique Francophonie.   I want to say this is a tiny museum but it’s actually a fairly big building/facility.  They just don’t have much in it 🙂  But there were a couple pieces that Claudette wanted to sketch so that’s where we went this morning.

I wandered around, looking for something to sketch.  We’ve done group sketching events there on several occasions so I was very familiar with the displays.  So, after wandering a bit, I finally settled on a statue (former mayor I think) as my subject.  Since we’ve been discussing pencil drawing in one of the Facebook groups, and since I know nothing of pencil drawing except that I tend to smear everything I draw, I decided to do this sketch with an HB mechanical pencil.  Definitely a KISS principle drawing.  It’s also a sketch that demonstrates why I use my fountain pens (grin).  It was done on a light gray Canson Mi-Teintes (6×9).

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Sketching Other People’s Art

Last Sunday Yvan, Pierre, Celine and I headed to the Musee de L’Amerique Francais because they were launching a new display of art done in Quebec long ago and donated to the Catholic church who kept the collection in their museum.  We didn’t know what to expect but since it’s still too cold for outdoor sketching, what the heck, we were going sketch art.

Much of the art in this collection is religious art, not my favorite way to use display space.  I find most of it too gawdy and repetitious.  But one room was filled with some amazing Quebecois pieces, many that would be considered ‘urban’ art today.  I was looking for a new challenge, something different… at least for me.

2013-03-10BronzeStatueAfter looking around, I settled down to sketch a bronze statue of a woman carrying a heavy bucket.  I was struck by how well the sculpture captured the physical effort and body/arm positioning to maintain balance with a heavy bucket in one hand.

This was a considerable leap for me as I’m not good at drawing human forms and I had no idea how to make one look like a bronze statue.  Still, it was fun.  I drew it in a Stillman & Birn Epsilon (5.5×8.5) with a Pilot Prera and Lexington Gray.  I used watercolor pencils to fake the bronze look.

There were many paintings that seemed worthy of turning them into a Larry sketch but one in particular caught my eye.  It was a painting of a 19th Century seminary courtyard, a courtyard that was actually just next door to the museum.  I went outside to look at the real thing and found what a hundred years can do.  The basic building layout remained.  In fact, on one edge of the courtyard, the end where the artist stood, there exists the remains of an old wall, clearly a very old wall.

Aside from that, everything had been remodeled and updated.  The two main buildings had an extra story added to them and all the windows had been modernized.  The stairway was gone adn the entries had modern doors.  It definitely looked cooler in the 19th Century so I went back indoors where it was warm.

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I’d never sketched an oil painting before and converting it to my cartoon sketching style did present some challenges, but it was fun, too.  Done in the same S&B sketchbook but with a Lamy Safari as my Prera ran out of ink .   I’m not sure I’ll add color to it as I like it au natural.

We’ve vowed to return to sketch some other pieces, particularly some of the sculptures.   A great day was had by all, but every sketching day is a great day, isn’t it?