Isn’t She A Doll?

When I was a kid I remember Howdy-Doody and Buffalo Bob, Captain Kangaroo, and Sheri Lewis and Lamp Chop.  When my daughter was little she watched Mister Rogers and Sesame Street.  Kid shows with a mix of adult and puppet characters have always been popular.

A show I never did see was very popular in Quebec and involved Bobinette, a wooden-headed puppet, and Bobino, a guy sporting a vest and bowler hat.  I’d heard of Bobinette but never seen her until, because of rain (again) we were forced into the museum.  A new display provided some insight into this early TV show and provided a chance to draw her.  The show was called Bobino and ran from 1957 to 1985.  Bobinette was Bobino’s sister.  Isn’t she a doll?

Stillman & Birn Beta (8×10)

First Nations Ceremonial Headdress

With all the 100people2017 stuff going on, I forgot to post this sketch that I did last week at our museum.  I’ve looked at this headdress several times and each time I convinced myself that I wasn’t up to depicted all those feathers with pen and ink.  In a crazy moment I started drawing it.  The biggest challenge was keeping my eyes from crossing as I tried to follow the feather contours.  I was pleased with the outcome, though.  Hope you like it.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black (diluted 1:2)

Native Americans Wear Cool Boots

Due to lots of snow removal, going to sketchrawls, and general winter sloth, I am once again behind in my blogging.  This sketch was done at the Musee de la Civilisation last Tuesday, I think.  I like it a lot, mostly because I really enjoyed getting caught up in the detail of these beautiful boots.  I hope you agree.  I also hope I can get caught up ‘real soon’, like that’s gonna happen (grin).

First Nations Boots

Stillman & BIrn Beta (8×10) softcover, Platinum 3776, Platinum Carbon Black

Winter Chill Means Sketching At The Museum

It’s winter and so my feet move me, without thought, to the local museum for sketching sessions.  This day was no different and I found myself in the tiny “attic” display of all sorts of stuff, including this shelf.  I probably drew it smaller than I should have but what the heck – I use less ink this way (grin).

Stillman & Birn Alpha (8.5×5.5), Pilot Falcon, DeAtramentis Document Black

Sketching in the First Nations Exhibit

One of the permanent exhibits at our Museé de la civilisation reflects the First Nations of Canada.  It’s a wonderful exhibit that leans heavy on videos and audio, but that also holds a large collection of First Nations artifacts that are good sketching subjects.

I was there on Thursday and decided to draw a “scene” that amounted to a large, floor drum and a manikin wearing ceremonial garb.  The manikin was hard to deal with as a sketcher because it was black foam and almost without a face.  The dark room, dark outfit and dark manikin did make drawing the figure difficult. Like all my moving of pens around on paper, it was fun and made the day a good one.

Stillman & Birn Beta, Platinum 3776, Platinum Carbon Black

Sketching In The Museum Attic

Currently there is an exhibit that is a set of rooms, each unique in its own way.  They form something of a ‘find _fill_in_the_blank’ treasure hunt for kids who are visiting the museum.

For the most part they are not worthy of a sketcher’s attention, with one exception.  One room is supposed to be an attic area, an accumulation of junk.  This ‘junk’ is so well spectacular, though, that it’s unconvincing as such.  What it is, however, is a small room with a whole lot of stuff packed into it and much of it is worth drawing.  The space is crowded however, and some things are more sketchable than others simply because you can find a place from which to sketch them.

I was there last Tuesday and sketched this little insect/curio cabinet and some stuff that was sitting on top of it.  I hope you like it.

Stillman & Birn Beta (8×10) softcover, Platinum 3776, Platinum Carbon Black

Last Trip To The Museum Before Christmas

With my daughter coming home for Christmas, and Chantal getting a few days off, I won’t be doing any location sketching for a while.  But I did go with the gang to the museum for a pre-holiday sketching session.  They wanted to sketch some of the folk art nativity scene that is now in place there.  If nothing else, it demonstrates imagination on the part of its creator.  Have you ever seen a flying cow-fish?

I decided to sketch a wooden carving of a fusilier in another part of the museum.  It is fairly large, almost telephone pole diameter and quite black, as though it had been creosote treated.  In spite of this, it suffers from severe cracking in places.  Nevertheless, it’s an impressive carving, far more impressive than my sketch of it I’m afraid.  I got caught between wanting to include detail and the fact that the entire left side was in deep shadow, almost black.  Like every sketch, though, it was fun to do which is why I do them.

Stillman & Birn Beta (8×10) softcover, Platinum Carbon ink, Platinum 3776 pen

When I finished I headed up to the nativity scene and found everyone busy drawing.  They were talking about getting coffee, though, so I just sat down and waited for them.  The thing is, I can’t sit for very long without getting out a sketchbook and I did this quick sketch of Lisette, busy sketching some wooden guy (I think, but I was too far away to know for sure) in a large glass case.

Stillman & Birn Alpha (8.5×5.5) softcover

 

I’ll probably put together some sort of post during the holidays but I’m not sure what.  I willl be spending lots of time eating and sketching, though, so there will probably be something to post.  In the meantime, and since it’s December 23rd,

Happy Festivas

Leaf-tailed Geckos In Quebec

In the nanotechnology exhibit of our museum rests a glass box and inside is a stick and a small plant – a terrarium of sorts.  It’s raison d’etre is to house two of the oddest creatures – leaf-tailed geckos.

They’re only six inches long.  They have none of the flair of the whiptail lizards I used to chase when I lived in Arizona and none of the venom of the gila monsters I avoided.  No, if you walked by these guys in a forest you wouldn’t even see them and quite often that’s the situation in our museum as well.  I’d been waiting for today.

You see, the reason they’re in our nanotechnology exhibit is that they have nano-hairs on their feet.  These are hairs so fine that they can cling to glass, those hairs ‘sticking’ to glass molecules using Vanderwaal forces, the forces that hold molecules together.  And finally, today, one of these lizards was sticking to the glass out where I could see and draw him.

The view I had was a top view and I wanted to capture both its shape and the fact that when they do this they are squashed down flat to the glass.  They remind me of how Wile E. Coyote looks after the Roadrunner dropped an anvil on him.  They are really flat.  In the end it doesn’t make much of a sketch but I walked away quite satisfied that I’d accomplished the task.

Urban Sketching In 2029???

There I was, with John Connor, fighting against the machines.  Somehow my fountain pen didn’t seem quite up to the task.  Truthfully, neither was I.  The machines had taken over the Earth and they were in the process of exterminating the human race.  They were everywhere, as was evidence of the carnage.  What’s an urban sketcher to do?  Draw, of course.  A little thing like the annihilation of the human race can’t slow down an urban sketcher.

Ok…so I lied.  Actually, I was at our Museum of Civilisation, in the nanotechnology exhibit.  In that exhibit is a full-size model of the Terminator of movie fame in all its shiny metal glory and, of course, it’s posed over several broken skulls.  In honor of John Connor I did my best to capture the remains of the 2029 urban landscape.  I drew the skulls.

Stillman & Birn Beta softcover (8x10), Pilot Falcon, DeAtramentis Document Black (diluted)

Stillman & Birn Beta softcover (8×10), Pilot Falcon, DeAtramentis Document Black (diluted)

I’m Back Drawing Soapstone

[note:  this was done last week but I forgot to press the publish button]

We returned to the museum of civilisation on Thursday and I continued sketching Inuit soapstone carvings.  These are not precise carvings but they have a smoothness about their surfaces that is impressive when you realize they’re generally done by hand.  More importantly, traditional Inuit carving is a form of story-telling, a reflection of Inuit life.

I started a two-page spread in my Stillman & Birn 8×10 Beta softcover book but only got the central sculpture done.  It depicts a family’s successful hunt.

2016-11-14fishingfamilySorry about the poor photo.  I found it impossible to scan a two-page spread and didn’t have lights set up to photograph it properly.