The Variety That Comes From Sketching

Posted on September 4, 2013 by Larry Marshall

If I did a statistical analysis of the my sketching subjects, it would be clear that I’m a building portrait kind of guy. I just love ’em and enjoy going out, finding them, and sketching them. In fact, being out in the city, sitting on a stool as people walk by, is a major part of what I enjoy about it. I’ve never been much for sketching from photos and this is probably why.

This little guy was hanging out over a path I was walking on in the park. He was actually moving quite quickly, for him, but I had time to do this quick sketch.

I guess it’s true for most people, regardless of how or what kind of art they do; we all have a preferred subject type, whether it is flowers, landscapes, boats, or still lifes. But sketching provides something that other forms do not – the ability to sketch something quickly. This translates into sketchers drawing a much wider variety of things than an artist who must set up an easel and has a mindset of hanging the result on a wall.

I was out for a long walk and sat down in a park. Something suggested that I sketch this basketball hoop that was sitting idle. Definitely a ‘no big deal’ sketch. Took less than ten minutes but it was ten minutes of fun.

We sketchers are happy with these quick sketches, often of subjects that no other group would ever do. We proudly show off our sketch of a garbage can, a fire hydrant or maybe even a dead fish. Why our brains work that way I do not know but I do know that our ability to do this without devoting a lot of time to it is the reason we do it so regularly.

They’re repaving a street near my house and I thought this small roller was unique.

This occurred to me as I was looking at the last few sketches I did in my little Moleskine watercolor book (3×5). Excepting the roller, which took me twenty minutes or so, these sketches were done very quickly, with no particular goal in mind other than to be sketching. All were fun.

I went birding on a ‘too windy’ day and ended up huddled behind a tree. Did this sketch of a fungus.

Sketching at Chute Montmorency

Posted on August 26, 2013 by Larry Marshall

Chute Montmorency is a large waterfall just east of Quebec City. It’s a major tourist attraction, a mini-Niagara Falls I suppose. It has all the tourist amenities. Large facility at the base of the falls greets tourists and there’s a large parking lot to accommodate a constant parade of vehicles.

There’s also a tram and a smiling attendant with their hand out. You can pay the price or you can climb a veritable labyrinth of stairs up to the top of the falls. We did neither.

Locals, wanting to get to the top take a metro bus that drops them near the top and next to a hotel that sits at the tram terminus. There’s a wonderful boardwalk that tourists walk along to the falls and it provides spectacular views of the falls as well as the St. Lawrence River. We took the bus.

I met my sketching buddy, Claudette, on the bus and we walked the short trail down to the west end of a large pedestrian bridge that runs right across the top of the falls. The views are pretty spectacular from there. So, what do a couple of urban sketchers do? We set up at the end of the bridge and drew the bridge. We’ll draw the trees, beautiful canyon, and the falls themselves some other day. I guess it truly is a mindset as both of us did this without much thought.

I decided to work in a small format as I’ve been doing a series of smaller sketches. I got out my little Moleskine watercolor sketchbook and started drawing. Claudette did likewise with her 5×8 Strathmore 467-series sketchbook. These are beautiful, brown-covered watercolor sketchbooks, though they are in landscape mode which is not idea in my view.

It seemed that we both finished our linework about the same time as I noticed that she was getting out her watercolors as I reached for mine. She had hers. I did not. I’d left my watercolor kit sitting on my desk.

While disappointing, it allowed me to stand up and move around, giving my old knees a stretch. Then I sat down and did a quick, small sketch of Claudette working on her sketch. Obviously, I added color to my sketches when I got home.

Claudette composed an interesting view of the bridge, sort of zooming in on just the entrance area. I decided to capture more of the entirety of the scene. I like hers better. I always do.

We wandered up Avenue Royale which is a very old street lined with older, though often completely renovated houses. These are majestic houses with lots of what my dad used to call ‘gingerbread’ trim, large front doors and porch areas.

We only found a few dozen things we wanted to sketch but it was time for lunch. Feeling recharged by good food and conversation, we returned to the falls area and I sketched this little snack kiosk, again in my 3×5 watercolor book. Then, we hopped on the bus and came home. Paraphrasing the Terminator…”we’ll be back.”

Small Sketch Series Continued

Posted on August 18, 2013 by Larry Marshall

I’m continuing to fill my small Moleskine watercolor book with sketches. Doing a bit of experimenting, having a lot of fun. I do enjoy this format, though I wish the Moleskine was in portrait format. As you’ll see, most of the sketches I’ve done are in portrait format. Personally, I’m still waiting for Stillman & Birn to do a 3×5, small sketchbook with their great papers, preferably their Beta or Zeta papers.

Until then, here’s a few more small sketches.

This young woman was stoking the fire of an outdoor oven associated with a historic Jesuit mill in the Quebec area. Most of the time she was chopping wood but I did this quick sketch of her tending the fire.

Part of the Charlesbourg library roof is grass covered and you can walk up there. From there you can see another wing of the building which sports this tower. I sat, on a very windy day trying to keep my sketchbook from blowing away as I made this sketch.

A somewhat different lamp that I found in Charlesbourg. Just a quick ink sketch that took only a few minutes.

Part of the Quebec skyline. This was an experiment in quick-sketching using J.Herbin 1670 ink, followed up with a waterbrush to spread the ink a bit. In spite of my typical penchant for straight lines and detail, I liked this one a lot.

For some reason, ferry passengers seem in constant motion during the 10 minute trip from one side of the St. Lawrence to the other. These two actually stood still for a couple minutes as I sketched them.

The people who get to sit on this terrace are lucky indeed as the house is high on a cliff overlooking the St. Lawrence.

I’m a big fan of the complex chimneys on many of the downtown buildings. I couldn’t resist trying to capture the detail of this one.

This is one of three navigational bouys that sit in the Canadian Coast Guard park associated with their Quebec City installation.

This is one of a brace of entry markers at the entrance to one of the local parks.

More Small Sketches… More Fun

Posted on July 29, 2013 by Larry Marshall

I’m continuing to have fun with small 3×5 (or smaller) sketches. Thought I’d share a few more with you.

This is a small, adorable building that is the home to a dress designer. It looks like something from a fairy tale and seemed like a great small sketch subject. As with my previous small sketches, this one (and the others here) were done in a Moleskine watercolor sketchbook. This particular one was done with a Pilot Prera and Platinum Carbon Black ink.

We took a day trip down (up?) the southern coast of the St. Lawrence River to Kamouraska. I’d hoped to sketch some of the great buildings there but instead I did this sketch of my daughter looking out at the ocean (the Atlantic is out there somewhere if you look far enough). I like this one a lot, probably because of the subject matter.

I was walking across the bridges that crosses the St. Charles River just as it flows into the St. Lawrence and decided, without much thought, to sketch this scene. I think the scene would have been better served by a larger format but the little sketchbook came out and the pen started jittering around the paper. I’m not a fan of sketching while standing and this is further evidence that I’m not very good at it. But they can’t all be great. It was still fun, which is why I do this.

Lastly, and certainly least, I was taking a break on Terrace Dufferin, a large boardwalk associated with the Chateau Frontenac. Across from me was this guy, looking out at the St. Lawrence. I took out my cheap sketchbook thinking I’d just do a one-minute sketch of him and, big mistake, I started the sketch in portrait format, thinking I was only going to draw him and couple boards to represent the bench. Then I sort of got carried away making squiggles to represent the railing and before I knew it I was having to draw him smaller than I planned, the bench became more integral to the sketch, and in the end I had a tiny, 2×2 vignette of a guy on a bench. It’s sort of scratch and way too small but again, quite fun and I thought I would share it as an example of improper planning… or maybe just the right amount 🙂 This one was done with a Uniball Signo UM151 (brown-black) pen. I really like these pens and I’m now armed with several of them.

Do You Sketch Small?

Posted on July 23, 2013 by Larry Marshall

I’ve always carried a small sketchbook with me for doing quick-sketches of things. But more and more I’ve been sketching in 5×8 or 10×7 sketchbooks. Working larger is fun and lets me ‘stretch’ my gaze a bit more. The result is that my small sketchbook became a cheap dollar store sketchbook that wouldn’t tolerate watercolors while my larger sketchbooks are all Stillman & Birn, first-class sketchbooks. The ‘gap’ between small and large had become greater in my sketching.

So I tried one of Stillman & Birn’s 4×6 sketchbooks. In fact, I’ve nearly filled two of them. The paper is fantastic, as always, but a 4×6, thick sketchbook is too ‘big’ to be called a ‘small’ sketchbook, at least for this street sketcher. I need something I can stuff in a pocket.

And so I bought a Moleskine watercolor book. I don’t much like its landscape layout but it’s tolerable in this small size. The larger one is almost painful to manage if you try to balance it on your knee while sitting on a stool, which is my typical approach. I do wish they’d produce a portrait format sketchbook with their watercolor paper. Heck, what I really wish is that Stillman & Birn would produce a thin (30pages?) 3×5 sketchbook with their Epsilon paper. Then I’d be a very happy sketcher.

This is a Celtic Cross in Artillery Park. 3x5 and done with a Pilot Prera.

This is a Celtic Cross in Artillery Park. Done with a Pilot Prera.

Anyways, I’ve started doing small pen & ink watercolors again and I’m really enjoying it. I thought I’d share some with you. All of these were done in the tiny Moleskine. I’ll mention the pen used in captions.