Uniball Signo UM-151 For Sketching

I’m a fountain pen guy but I’m a sucker for a new pointy device regardless of type.  Pete Scully, a well-known urban sketcher swears by Uniball Signo UM-151 pens and uses them regularly.  I’ve never found any of the fine tip versions in the stores around here but I finally decided to order a couple from Jet Pens.

And I’m glad I did!!  I’m a fan of Pilot’s Hitec-C3 and C4 pens as they’ve got very fine points, don’t wear down like the nylon-tip pens, and they have replacable cartridges.  Unfortunately, they’re not waterproof so I can’t use them when I want to use watercolors with my pen/ink sketches.

SignoUM151

The Uniball Signo UM-151 pens, in .28 and .38 mm sizes solve that problem as their inks are pigment-based and thus are waterproof.  I bought mine in ‘brown-black’ as I wanted a dark brown pen and haven’t been able to find a brown/waterproof fountain pen ink that makes me happy.  I should say, up front, that I don’t understand Uniball’s tip dimensions except to say that the line width is less than the size of the tip, which is fine but it’s hard for me to report the actual line width for comparison to other pens.

Mitsubishi, manufacturers of Uniball pens says that their .7mm pens produce a .4mm line.  I couldn’t find a similar description of the .28 and .38mm pens.  What I can say is that the .28mm line is significantly finer than that from a Micron 005, which is claimed to be .20mm.  In any case, it’s fine…and when hatching a small sketch, it’s just dandy…or ‘peachy’ as my dad used to say.

I’ve only had the pens a couple days so I can’t say much about long-term performance except to say that the rollerball should hold up better than the fine nylon tip pens, which I find wear down annoying fast.  As replacement cartridges cost only $1.65 from Jet Pens, ink capacity isn’t much of a problem either.

2013-07-05SignoTestHere’s my first test drive of the pen.  I used the .28mm on this tiny Rhodia pad (3×4).  The pen doesn’t skip a beat.  Stippling works better than I expected from a ball-tip pen, though if you stipple a lot, you need to roll it occasionally on a piece of scrap if the ball goes dry.  Otherwise it’s a point-and-shoot device.

I was sitting on my porch, waiting to head out for a day of sketching in the country, and I used the Pilot Signo to draw this Impatiens flower in a Strathmore Series 400 “Drawing” sketchbook.  Notice that even with the pink, there’s not bleed from the brown-black ink.  Makes me very happy.

2013-07-06Flower

These pens come in a bunch of colors and after seeing a couple sketched by Pete where he used the dark green, I can’t wait to get my hands on one of those.  For myself, the .38mm is a better pen for sketching 5×8 or larger but the .28mm is a treat for details, hatching, and when you’re working small (eg – 3×5).

The best part of these pens is that they’re CHEAP!!!  From Jet Pens they’re only $2.50 and replacement cartridges only $1.65.  The bad news is that individual cartridges are only available in blue, black, red and, blue-black.  I’m hoping they make brown-black available ‘real soon.’

2013-07-07Apartment

Today I went out for an early morning walk along the river.  I sat down on a bench to watch a family of ducks and before you could say ‘fanatical sketcher’ I had my little Strathmore doodle book in hand and I was scribbling out this sketch with the Uniball UM-151-28 pen.  It’s about 3×5 in size and all I had was a small waterbrush to add color.  Given the small amount of time consumed on this quick sketch, I like the result and my new UM-151 pen.

Sketching Tiny Town

The Ursuline Convent in Quebec City was founded in 1639, which makes it the earliest learning institution for woman in North America.  It’s also seems that they owned half the old city at one point.  Ok…maybe that’s an exaggeration but they owned a lot of land and buildings and still do.  But most of the private residences and some of the other large buildings have been sold off.  The curent compound is home to the convent, a school, and it’s a popular tourist stop.

2013-07-02UrsulinesSite

One of the private residences still held by the Ursulines is this place.  I’m not sure how big it is but it’s got to have the smallest entrances of any on Quebec.  Its unique nature made it a great sketching subject, though gray on gray isn’t the ideal color scheme, I suppose.

The building on the left if the Ursuline library and museum.  If you get to Quebec City, be sure to visit, if only to talk to the very nice people who work there.  After we were done sketching, they let us browse through their library where we found several books used to teach drawing to students.  While I’ve yet to tour the museum, they told me that there is a section on how drawing was taught to students.  I’ve got to get back there to see that.

I did the sketch in a Stillman & Birn Alpha (10×7) sketchbook using a TWSBI Mini with Platinum Carbon Black ink.  I added some color… well, gray… with W&N artist watercolors.

2013-07-02Ursulines

 

Sketching Between Rain Days

We’re still getting more rain than we should and certainly more rain than I want.  But we got a weekend that only started under rain and high winds.  We ended up with slightly damp conditions and warm temperatures.  There was this scary yellow ball in the sky.  Not sure what that was but it seemed harmless enough.

Yvan and I took advantage and we went to Artillery Park, an area in old Quebec City that has a bunch of old military buildings and fortifications.  It’s also where a munitions factory operated until 1964.  Now the large buildings are museums surrounded with park areas, cannons and high walls – a great place to sketch.  And we did.

I sketched a building called Redoubte Dauphine.  It’s an impressive structure and I set up at the base of it, sitting on the edge of a parking lot.  I sort of botched the perspective by placing a couple lines incorrectly.  As I didn’t want to restate them in their correct locations, I made the best of it and finished it with the wonky angles.  Do me a favor and squint a lot when you look at the sketch.  Maybe you won’t notice (grin).  The sketch was done in a Stillman & Birn Alpha (10×7) sketchbook with a Pilot Prera and Lexington Gray.

2013-06-29RedoubteDauphine1sm

It was very hazy and cloudy so I decided to return to add color/details, when there was some sun to provide contrast.  I packed up and went looking for Yvan.  I located him, sitting high above me on a wall.  In fact, I noticed that you can see him as a tiny orange blotch on the right of the photo above.  He was sketching something and I thought it’d be fun to do a quick sketch of him.  I did it in my Stillman & Birn Alpha (4×6) with a Pilot Prera and Platinum Carbon Black.

2013-06-29Yvan2

I climbed the hill you see in the first sketch and entered a tiny park area associated with what was once an officer’s quarters.  I liked the shape of the end of that building and so quickly sketched it.  Same small sketchbook; same pen/ink.

2013-06-29redoubteLogis

2013-06-29OldBuildingSiteThe eastern edge of Artillery Park is bordered by an old rock fence.  On the other side of it there’s a grand old apartment building that’s no longer inhabited and, sadly, it’s crumbling from neglect.  It pokes its second story above the rock wall and I liked the view, of the back of the building and so I sketched it.  Same sketchbook, same pen, same fun experience.  Every sketching day is a great day.

2013-06-29OldBuilding

 

Rain and Wind – Will It Ever Stop?

Yvan and I were supposed to go sketching but it was very windy and rain was threatening.  Since the new Paris exhibit had opened at our Musee de la Civilisation, we headed there instead.  They have some great vehicles there that I want to sketch but geez they’re complicated.

This one is a 3-wheeled steam-powered vehicle produced by Dion-Bouton in 1885.  It just oozes ‘cool’ in my opinion, but I’m sort of biased towards anything that’s steam-powered.  Clearly a vehicle that would be comfortable putting around in a steampunk novel.

2013-06-26Tricycle

This was done in a Stillman & Birn Alpha (10×7) sketchbook using a Pilot Prera and Lexington Gray ink.  It provided a great hour and a half of fun.  Hope you like it.

Cheers — Larry

Paris In Quebec City…Sort of.

The Musee de la Civilisation launched its new Paris 1889-1920s exhibit by holding a special grand opening on a Tuesday evening.  As I’m a member I got an invitation and Yvan and I decided to go.  We saw it more as a reconnoitering session than anything else so our plan was to quickly run through the exhibit, noting what would be good to sketch.  This exhibit will be one of our principle sketching subjects this winter.

We decided, though, that we should go early enough that we could sketch in the old port for a couple hours before the event and that’s what we did.  We sat in Place Royale, a tourist hot-spot and boy, were there tourists.  Because of our lousy weather it didn’t seem like summer to us until we looked at the sea of people.  So, we looked up and I sketched this roof line over the heads of the tourists.  Stillman & Birn Alpha (10×7), Pilot Prera and Lex Gray ink.

2013-06-18PlaceRoyaleC

When we finished up we still had some time and we wandered into a place adjacent to Place Royale that has a cannon battery pointing out at the St. Lawrence, to protect Place Royale from the tourist and ferry boats.  This is the gate into the place but from the inside, looking out.  I felt a bit rushed so it got a bit wonky but I like the sketch nevertheless.   Same sketchbook and pen/ink combo for this one.

2013-06-18GateC