The Grande Marche Opens In Quebec City

An exciting event occurred just down the street from my house; exciting mostly because it’s “just down the street from my house.”  The Grande Marché just opened in Quebec City.

This is a huge farmer’s market that also includes cheese, pasta, sausage, etc., etc. shops.  We’ve always had such a place but it was smaller, not nearly as fancy, and it was a significant drive from our house.  This one is a two-minute walk.  I go there nearly every day, if only to get my walking exercise started for the day.

What does this have to do with sketching?  Well, it’s also a great place to sit and quick-draw people.  I’m still experimenting with places to sit within the complex but there are several that are great.

Our growing season started really late this year but we’re starting to get farmers showing up with more and more produce so drawing their kiosks will be on the agenda soon.

Just so I don’t leave you empty-handed, here’s a drawing/painting I did of the exterior of the building.  While the interior has changed completely, the basic structure is mostly as it was when this was the building that housed the horses and cows when we had a state fair.  Only the entrances have been upgraded.  It smells better too (grin)

Fabriano Artistico, Daniel Smith watercolors, some pen work at the end.

A Day At The Garden

I attended another event organized by Denise Bujold’s Artistes dans les parcs.  This one was held at a large garden on the other side of the city from where I live and I’ve drawn there a lot.  On this day it was supposed to be sunny and hot.  The sun never showed up and it didn’t get very hot.  We lacked shadows, but the temps were just right for sketching.

I’m not sure I fit into this group very well, though everyone is very nice.  But the members set up easels, tables, and paints.  I sit down on a tripod stool with my sketchbook.  A bigger problem, for me, is that my French is not good at all so carrying on a conversation is mostly out of the question.  Nevertheless, it’s nice to be out with a bunch of people doing art.

I chose to draw a really tiny waterfall that connects two small ponds near the entrance to the garden.  I started by covering the paper with some blotches of color to match the subject and then wandered around the garden while that dried.  I really like the idea of doing paint first but I’m not sure I’ve got the patience to deal with the drying time.  Eventually it did dry and I started drawing with DeAtramentis Document ink.  More watercolor was added to finish the drawing.  It’s a fun way to work, except for the drying time, so I’ll probably do it again.

My Pepper Plant Sketch

In my last post I mentioned that I had to cancel a local sketching adventure because my knees weren’t cooperating and I suggested that I might sketch a pepper plant that I’d bought. That’s exactly what I did.

The weather was wonderful and I sat on our deck, got some sun, and communed with my pepper plant.  I find drawing plants to be a challenge as it’s easy to get lost in the overlapping contours of the leaves.  As I draw them they become abstracts; I’m no longer drawing a plant, but rather a whole bunch of curves relative to one another.  There’s considerable cross-checking between the curve I’m drawing and those I’ve already drawn, locating my position by comparing angles and distances constantly.

When I finish with the ink contour a decision must be made.  Do I add a bunch of cross-hatching or do I add watercolor.  Sometimes I consider the third option of leaving it just as it is – a contour drawing.  At this point I almost always choose one of the two ‘shading’ options but when I’m done I often wish I’d left the sketch as the contour.  This may be because I love pen lines so much.  Maybe it’s because I’m too impatient to do a good job with watercolor.  Here are both stages of my pepper plant sketch.  What do you think?  Which do you prefer?

DeAtramentis Document brn/blk, Fabriano Artistico CP

Some Fun Museum Sketching

I was at our civilisation museum the other day and my joints were bothering me.  It was hard to draw and, even more, it was hard to concentrate because of the pain.  But I sat, stared at, and drew an Inuit stone carving of an Inuit stalking a seal.  I loved how a complete scene was captured in the rock.

Artistes Des Parcs Visit Domain Cataraqui

Denise Bujold is doing an amazing job of organizing events for us to attend.  While most art groups are held together by the love of a particular medium or way of working, this one is held together with smiles.  It seems everyone is working in a different medium, some carry easels, others tripod stools.  But everyone shows up with smiles on their faces and that’s all we need.

This week we assembled at Domain Cataraqui, which at one time was a huge estate.  I guess it’s still a huge estate but now it serves several purposes, most central of which is a cooking school.  For a sketcher, there is a large cluster of unique architecture and gardens that are all surrounded by forest.  Oh…and it’s quiet, one of my favorite things.

Yvan and I arrived a bit early and we chose an area to start sketching.  I decided to do a larger sketch of a view of the building complex and because I’m slower than molasses as a sketcher, it took me until lunch to complete it.

Everyone else had set up and were painting on the other end of the estate so I headed up there to take part in the smiles, some chit-chat, and maybe some lunch.  It was a gorgeous day and sitting in front of a multi-million dollar mansion just felt right.