We’re starting to get a few days that are warm enough to get out and some of them are coming without rain. I finally got to sit on my tripod stool, in the corner of a parking lot, and draw this house. I was working more quickly than normal but thoroughly enjoying the process. A couple people came by and we talked about spring finally arriving and I felt that finally, really, really, it had. Hope you like this sketch. I hope to be presenting a lot more of them in the coming months.
Gosh, it’s been a while since I’ve posted. I’ve been in a bit of a funk lately, maybe because winter just won’t leave us (it’s snowing right now) and I haven’t been sketching as much as I normally do. A group of us did go out to one of the plant nurseries for a day of sketching, though, and I was attracted to a collection of plant boxes. It’s not a fancy scene as the boxes were sitting on simple boards supported by concrete blocks, but I found the shapes interesting. Here’s that sketch. Hope you like it. Hope we get some decent weather soon, too.
Our group often talks about sketching opportunities and options and almost as often the idea of sketching from graphic novels comes up.
If you’re only familiar with US comics, I’m not talking here about drawing superheros in spandex. The French comic industry is another thing entirely, targeting adult consumers. The books are generally hardcover and run the gamet from mysteries, science fiction, political commentary, humor, historical, and adventure genres.
What happened to cause us to actually act on the idea was that finding sketchcrawl venues during Quebec winters is difficult and Yvan learned that the library had a large collection of large-panel examples from French graphic novels. He scheduled our March sketchcrawl to take place in the art viewing room of our library. As you can see from the photo that Yvan took of me, it was a much more comfortable setting than sitting on street corners on a tripod stool. The eight of us who showed up had a ball.
The photo shows me drawing Jim Cutlass, a classic character by Jean-Michel Charlier, one of the best adventure writers and drawn by Christian Rossi. I hope I did Rossi’s work justice as I created my depiction of the character.
Upon completion I wandered around, enjoying the company of the other sketchers. A friend of mine, that I hadn’t seen in quite a while, came to the event so we spent a bunch of time talking. Then I spent a lot of time looking at all of the panels and books available for us to draw from. This, of course, created a whole bunch of “Oooo…I gotta draw that” feelings, but it didn’t get much actual drawing done. It sure was fun though.
I’m a building and city sketcher and after looking at a bunch of books with monsters and fantasy world landscapes, my brain was hankering for something weird. Ill-equipped for drawing such things, I remembered Cathy Johnson’s mantra “they’re only shapes” and I tackled this guy.
I wouldn’t want him chasing me and while this guy looks like one of the orb weavers I remember from Mexico, I couldn’t help but think of the big spiders that chased Ron and Harry in The Chamber of Secrets movie. As the day came to an end, I was pleased with this ‘out of the box’ endeavour and I think I may do more drawing from graphic novels.
With all the 100people2017 stuff going on, I forgot to post this sketch that I did last week at our museum. I’ve looked at this headdress several times and each time I convinced myself that I wasn’t up to depicted all those feathers with pen and ink. In a crazy moment I started drawing it. The biggest challenge was keeping my eyes from crossing as I tried to follow the feather contours. I was pleased with the outcome, though. Hope you like it.
So far I’ve been quick-sketching whole people, mostly those buying coffee at the mall. Marc Taro Holmes chided me a bit for drawing those people with their backs to me. This was sort of true. Because of the place I was sketching, everyone had their backs to me as they paid for, and received, their coffee. I did look back, however, and noticed that 14 of those 50 people (28%) did have their face visible. Marc’s a tough critic (grin).
So, when I went to the mall today I decided that I’d draw floating heads/faces. I sat in the food court, moving once in a while, and most of my targets were looking in my direction. Marc will undoubtedly tell me that I’ve left the bodies off and, again, he’d be correct. And yes, I’m kidding, Marc.
I quickly slapped some color on these before I scanned them and, I think, this flattening the sketches considerably. I guess I should have taken the time to try to get some shading into the color. It’s said you can get two of three attributes from any endeavour. These are cheap, quality, and quantity. I always get cheap so I choose between the other two and this “challenge” is about quantity. These 20 were done during a 30-35 minute session. It shows. Sigh…