The Saga Of A Sunday Sketchcrawl

Last Sunday was our monthly sketchcrawl.  We were to meet at a historic house, the Maison Alphonse-Dejardins, on the south shore of the St. Lawrence River in Levis.  I was excited to visit the place and thankful that Yvan had arranged for us to sketch there.

Early Sunday morning, I set out on a walk to the ferry that took me just a bit less than an hour.  The ferry took 10-15 minutes to cross and then I had to climb a cliff (a gazillion stair steps are provided) and then into the older part of Levis where the house resides.  I was there at 10AM.  The air was crisp, which is a fancy way of saying I was glad I was wearing gloves, but I knew that people would be showing up soon.

But they didn’t.  Nobody came.  In fact, the house itself was dark.  I began to wonder if I’d written the date wrong.  Cell phones are handy at such times and the website announcement made clear my error.  Because of the house’s Sunday schedule, it didn’t open until the afternoon so the sketchcrawl was scheduled for 1PM.  @#%$!!

And so I walked to the stairs, descended the cliff and walked to the ferry.  I crossed the St. Lawrence and walked home.  I didn’t do the math, though, and when I arrived at home I realized that to get back to Levis by 1PM, I’d have to leave in… about 10 minutes [sigh].

I gave some thought to not returning but being the devoted sketcher (or fool – you decide) I put my coat back on and headed out the door…to walk an hour, take the ferry, climb the cliff, and make my way to the house.  I made it but since I’d been on the move from 8:30 to 13:00, I was exhausted and wasn’t much in the mood to sketch.  I just wanted to sit down.

The house, though, is sketcher heaven if you like sketching items you’d find in a Victorian house.  It’s a place I’ll be going to several times this winter for just that reason.  But on this day I found myself in the kitchen and in one corner there was a wooden, hand-agitated washing machine.  It had been semi-restored as a display piece but the staves that made the body of the machine had been glued together and the metal bands that would normally hold everything together were placed, somewhat askew, just for show.

2016-11-13washer

I couldn’t look at it without seeing it as a cartoon and so, channeling Gary Larsen as best I could, I drew it as such.  It’s not my best work but I had fun doing it which is my criterion for success.  And I only had one more trip between the Maison Alphonse-Dejardins and my place.  I went to bed early that night.

Drawing Trees In The Morning

I mentioned that I’m trying to get myself drawing at home rather than on the street.  It sure is a struggle and I’ve definitely got to get a place set up to do it.  But I’m pretty good at the clear-the-deck arm sweep that will shove a bunch of stuff out of the way and provide me a place for some paper.

That’s what I did the morning I decided to draw a clump of foliage.  Notice that I’m not setting my sites too high.  I have to convince my brain that it should be drawing in the morning while I’m having my morning coffee and I don’t want to discourage it.  I did upgrade my paper, though.  This one was done on Fabriano Artistico CP, which may be a bit to rough for my fine fountain pens but we’ll see.

Platinum 3776 SF, Platinum Carbon Black

Platinum 3776 SF, Platinum Carbon Black

One thing is clear.  It’s a LOT easier to draw and paint in a studio with the paper resting on a flat surface.  Heck, it’s not even windy (grin).

Portable Palette Campaign On Indiegogo

portable-painter

Hey everybody, take a look at this.  It’s a nifty travel palette that packs up small, provides two nice water holders and it fits over your leg so you don’t have to hold it when you paint.  It’s part of an Indiegogo campaign so I pledged to get one.  It’s worth a look.  There are a bunch of photos, including a series of their prototype.

https://www.indiegogo.com/projects/portable-painter-painting-travel#/

Off To Sketcher Museum Land

While our Museum of Civilization doesn’t have much to offer a sketcher this winter, it is pretty much the only game in town so a group of us were there, trying to take stock of sketching subjects for winter.

I’ve decided that I will sketch a bunch of the Inuit soapstone carvings because 1) they are available and 2) they offer lots of compound curves and soft edges to challenge my drawing skill.  Hopefully I’ll get better at them but until then, here are a couple that I did on Thursday.  Stillman & Birn Alpha (5.5×8.5) softcover.

This is an Inuit hunter, hiding behind a hide-covered shield, trying to sneak up on a seal.

This is an Inuit hunter, hiding behind a hide-covered shield, trying to sneak up on a seal.

 

This one speaks volumes of the rigors of living in the extreme north. This woman, wearing parka and gloves is shown giving birth. That's tough work if ever I've seen it.

This one speaks volumes about the rigors of living in the extreme north. This woman, wearing a parka and gloves is shown giving birth. That’s tough work if ever I’ve seen it.

Book Review: Designing Creatures & Characters by Marc Taro Holmes

Designing Creatures & Characters by Marc Taro HolmesFrom the title of this post you might be wondering if I’ve gone mad.  You might be asking “What does Designing Creatures & Characters have to do with being a street sketcher in Quebec City?”  Truth is, I bought this book because of the words at the bottom of the cover, Marc Taro Holmes.  I’m a big fan.  I love his art and because he’s so giving of his time and expertise online, if he’d illustrate the Quebec phone book I’d buy one, and I never call anyone any more.

This book is about how to become a concept artist, working in an animation studio.  I know nothing of that world and I figured I’d get this book, flip through it, enjoy the pictures and put it on a shelf.  But I found myself reading it, cover-to-cover, gleaning little bits and bobs while learning how character development works in the minds of people with imagination.  Wish I had some (grin).

What I have to confess is that I’m not in a position to review this book.  It’s beautiful but beyond that, I’m out of my depth.  The book is divided into four sections: Ideation, Anatomy, Animation, and Illustration.  Each section presents information about its subject and then there are nine projects for the reader to accomplish.  It might be to develop a set of fishes inhabiting the sea in a video fishing game or development of a group of possibilities for a warlord character.  One project is the development of a crew of a pirate ship.

Each of the major sections builds on its predecessors and eventually you are at a point where you have fully-rendered characters, drawings showing detailed construction information, and drawings showing how the character moves and any special features of said character.  It’s all pretty cool.

ideation

To be honest, I got the most from the Ideation section.  This section is closest to what I do.  It’s sketching and in this case, it’s sketching in the form of brainstorming ideas, dumping as many as you can on the page so they can be visualized and evaluated.  This was where I surprised myself because I found myself scribbling copies of some of those sketches and I had a ball doing them.  I even started adding stuff to those sketches, or removing things.  To be sure, I would have been laughed out of any concept director’s office but it was fun nevertheless.

supplementalI’m not a fan of digital rendering as it all looks the same to me so when the book ventured further into a concept artist’s process, the book sort of lost me.  All I could do was look at the pictures because I have no idea how to digitally render a cube, let alone complex creatures.  I wish I could say more about this book but, quoting Clint Eastwood, “A man’s gotta know his limitations.”   What I can say is that IT’S A MARC TARO HOLMES BOOK and I love it.