First Outdoor Sketch Of The Year

We’re starting to get a few days that are warm enough to get out and some of them are coming without rain.  I finally got to sit on my tripod stool, in the corner of a parking lot, and draw this house.  I was working more quickly than normal but thoroughly enjoying the process. A couple people came by and we talked about spring finally arriving and I felt that finally, really, really, it had.  Hope you like this sketch.  I hope to be presenting a lot more of them in the coming months.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black

April Showers Keeps Urban Sketchers Indoors

Every spring, towards the end of March, we get a big snow storm.  People here call it the St. Patrick’s Day storm.  It comes just as we start to think that spring has sprung so it’s always a let-down.  What follows, without fail is a couple weeks of rain, which is good because it melts the snow, gets road salt dust out of the air, and generally does a spring cleaning of the city.

It’s sure hard to take, however, when you’re an urban sketcher who has been cooped up for the last five months.  In desperation I picked up some veggies while we were shopping, including an heirloom tomato that I thought could be a nice subject for a still life painting.  Ha… me trying to paint.  What a joke.  Anyways, this is what came of that idea.  I’m still pretty lost when it comes to paint and fuzzy sticks but I had fun doing this one.  Hope it stops raining soon.

Fabriano Artistico CP (7×11), Daniel Smith watercolors

Stopping By The Local Plant Nursery

Gosh, it’s been a while since I’ve posted.  I’ve been in a bit of a funk lately, maybe because winter just won’t leave us (it’s snowing right now) and I haven’t been sketching as much as I normally do.  A group of us did go out to one of the plant nurseries for a day of sketching, though, and I was attracted to a collection of plant boxes.  It’s not a fancy scene as the boxes were sitting on simple boards supported by concrete blocks, but I found the shapes interesting.  Here’s that sketch.  Hope you like it.  Hope we get some decent weather soon, too.

Stillman & Birn Beta (8×10), Pilot Falcon, DeAtramentis Document Black

Sketching A Boat With Holes

Several recent posts featured sketches I’ve done at the Quebec Federation of Hunters and Fishers museum.  Most of those sketches have been of birds, mammals and fish.  The museum is a wonderful place for drawing these subjects because the people are friendly, the lighting good, and the displays rival those of any natural history museum.

Because of all those animal subjects available, it’s been hard for me to draw any of the other objects they have on display, but I’ve eyed this “boat” every time I’ve visited.  It’s not really a boat at all.  It’s a homemade live well, used to hold fish.  Its bottom is made of screening so that water can enter.  It’s only about two feet long and truly a beautiful piece of folk art.  Hope you like it as much as I enjoyed drawing it.

Stillman & Birn Beta (8×10) softcover, Platinum 3776, Platinum Carbon Black

My On-The-Go Pen Pouch

Another name for this post could have been “How I prevent losing my pens.” Maybe that’s not a problem you need to solve, but that was what caused me to talk about my pen pouch.  It came up in a discussion on Facebook about a sketcher who lost a pen so I thought I’d show you my solution to my scatterbrain-itis.

When I’m sketching on location I use, principally, a fountain pen, or maybe a couple fountain pens.  But I might add to the mix pencil, white gel pen, a black brush pen, and occasionally a waterbrush.  You get the picture.  I have several pointy devices in use.  I used to lay these in my lap, on the ground, slid into a pocket, and I’ve been known to stick one in my hair.

The result was a couple things.  While I’ve never lost a valuable pen, I have lost a couple cheap ones.  I once had a Platinum 3776 take a walk and nearly fall through a sewer grate.  It’s also the case that I was endlessly hunting for the tool I need at the moment.

The solution was my pen pouch, an idea I stole from my buddy Yvan, though his is fancy and hand-sewn.  I’m too lazy for that so I hunted around until I found a cheap, easy solution and it came in the form of a sunglasses case.

These cases are typically colorful sacks with a couple pieces of spring steel that can be compressed to open the case.  They are also perfect for clipping pens into the sack.  All I did to “create” my pouch was buy some D-rings at the fabric store and hand sew them to the sides of the sack.  To try it out I temporarily used a piece of a shoelace as the strap.  That was 8 months ago.  As I said, I’m lazy.  The only other thing I did was fold up some cheap watercolor paper to act as a divider so that pens clipped to opposite sides of the pouch don’t rub against one another.  As you can see in the photos, the divider is getting pretty beat up after 8 months.  I should have changed it before showing you the pouch but, as I said, I’m lazy.

This is the pouch with little pressure on the sides. The pens clip on either side of the opening.

Aside from preventing pen loss, once I got in the habit of only having one (ok..sometimes two) pointy devices out of the pouch at any one time, I no longer have to do the whirling dervish act of looking for my pens as I draw.

If you squeeze the edges of the case, it opens up, making it easy to replace the pointy devices. Here you can see the paper divider. I started with a plastic divider but the pens complained and yet they’re happy with the paper, which compresses and extends as I open and close the case.

Another benefit, that wasn’t anticipated is that with all my pens in one pouch, it’s easy to switch from my big “serious” sketching sack to my small, carry it everywhere sack.  I just move the pen pouch.  This has meant that I no longer have to duplicate everything.  Hope this helps someone.