Keeping It Loose??

I’ve always wondered why amateur artists are so enamoured with “loose.”  Everyone craves it, nobody can define it, and there are many great artists who would be wondering with me if they were here now.  I doubt whether DaVinci, Michaelangelo, Sargent or modern artists like Norman Rockwell or Robert Bateman would have told their students to “loosen up.”

But there I was the other day, trying to “loosen up” by drawing cups quickly.  I did half a dozen of them, some “loose” to the point that they ceased to look like a cup.  Here’s one example.

4×6 sketchbook, DeAtramentis ink

It’s what a lot of people call loose.  I call it sloppy but, well, different strokes I guess.  I thought I’d try a different approach, somewhere between this and my typical, very stiff, cartoon style.  I used a larger format, about 5×7 I guess.  And I slowed down some.

Rather than a coffee cup, I chose a tea cup.  Maybe that makes a difference too.  In any case, I like this result better than those “loose” cups.  It suffers a lack of precision I suppose but it looks more like a finished drawing to me.  Opinions welcome.  Just keep them loose.

Snow In April Ain’t So Bad

We had a snow storm for about 24 hours and got, they say, about 15cm of the stuff.  I didn’t think I’d be able to walk today because of it but it seems our ground is sufficiently thawed and most of it has melted already, leaving the sidewalks suitable for walking.  So, I did.

This time I took a clip with me to hold my sketchbook open while I sketched.  That helped some.  Very low expectations helped more.  I think that if I can expect nothing from 2-3 minute sketches (maybe 5 for this one), done while standing, I won’t be disappointed and I’ll have a little fun.  It was only 1C when I was out and windy but I got to stand next to a wind break while I tried to scribble a likeness of this little Fiat.  I think the proportions are right but the shapes most certainly are not.  Oh well…it’s a generic car sketch 🙂

Platinum Plaisir, 4×6 hardcover sketchbook of unknown origin

Self-Distancing On The Street

As I’ve mentioned, we’re isolating right now, along with the rest of Quebec.  It’s been that way since March 12th.  But the ice is now off the sidewalks and while it’s still cool outside (2C when I went out this morning) it’s really nice to go out and walk around a bit.  The streets are rather empty but there is an occasional fellow walker out and about.  I’ve noticed that even though we’re all trying to distance ourselves from everyone (in Canada we have to be 2-meters apart rather than 6-feet as in the US 🙂 but we’re a lot friendlier than normal, saying hi and maybe saying “stay safe” or some other gesture to anyone within shouting distance.

I don’t feel comfortable hanging out in one place but I did stop today and scribbled a quick sketch (about 2 min).  Though crude, it sure felt good to “urban sketch.”  I think I will be doing more of these for the sake of my sanity.  Then again, we’re supposed to get 15cm of snow tomorrow so maybe not (grin)

4×6 sketchbook

 

Do Sketchbooks Organize Your Art?

I’ve spent two years being “isolated” by an inability to run around because of a bad knee and rheumatoid arthritis.  You’d think I’d be used to it by now.  But the truth is, this new form of “isolation” is getting to me, probably because I can’t make pilgrimages to the local art and book stores (they’ve all been closed since Mid-March here in Quebec.

On the one hand, this isolation is nice as I have my family home so we’ve been baking/cooking more.  I made scones last night.  On the other hand, we’re watching and fretting over too much news, watching too many Harry Potter, Lord of the Rings, etc. movies and generally all discipline in out lives has gone to pot.  I hope you’re doing better on that score.

I may be learning something about my art production, or lack thereof.  On and off I’ve tossed around the idea of giving up sketchbooks in favor of working on single sheets of paper.  The later has always made more sense to me and for sure more convenient if you like to use different papers, different sizes of paper, and maybe different surfaces.  Sketchbooks have always remained big a part of my sketching, though, because I do (did) most of it on location.

With the isolation, however, I’ve been doing almost all my drawing on hunks of 6×9 paper, whether that be sketching paper, toned paper, or watercolor paper.  The darn things are everywhere and most of them end up in the trash.

I’m beginning to think that much of the reason for this is that I don’t value a single piece of paper like I do a sketchbook.  A sketchbook is a collection of sorts, a compendium of what I did over a time period.  These single sheets don’t do that.  Heck, I’m not even dating them.  I just draw something, set aside that piece of paper, and grab another sheet.

Another thing spins off of that for me.  If I’m not filling sketchbooks I don’t feel as much need to sketch and maybe more to the point, I have no direction.  Some of this may simply be the stressful situation these days.  I don’t know.  Anyways, I’m curious, do sketchbooks organize and/or provide discipline for your art?

I’ve been sketching a bunch of Schleich animal figures I have collected.  These are beautiful models.  While small, they don’t move.  Some of the sketches were done in pencil, some in pen.  Some have been done quickly, while others were done more carefully.  It’s been fun but more a matter of doodling than sketching.  Here’s a pig that I did with pen and gouache.  This one was done in a sketchbook I made from Strathmore Toned Tan (184lb) paper.

I wanted to post some of the others but realized that the garbage got taken out, along with all the rest of them.  Maybe I need to go back to using sketchbooks (grin).

Taking The Train Down The Gouache Road

I’ve mentioned that I’m starting to work with gouache and have posted a couple small results of those activities.  I’ve also filled a garbage can with paper covered in various sized spots of gouache as I’ve tried understand gouache-water ratios, how to lighten colors with white, and the rest.  I really hate doing that stuff.  I guess I’m just not cut out to be a color spot maker.

The other day I was drawing, in my typical pen and ink style, a small steam locomotive.  I was enjoying myself when my brain went off dreaming.  It started thinking about painting that locomotive in gouache.  They say that if you’re going to dream, dream big and this was a whopper.

But I did it anyway.  I’ve never painted anything complex without a proper drawing.  I have painted a couple simple buildings though so how hard could it be?  In short, I was delusional.

I decided to leave my pen and ink drawing alone and made a big beginner mistake.  I thought, “I’m just learning so I don’t need to use good materials.”  I got out a piece of cardstock, drew the main boxes and cylinders of the locomotive and, with a thin layer of Payne’s Gray gouache, drew in the shape of the locomotive… sort of.

Once I had an overall light gray locomotive, I corrected, to the degree that I could, the shape and proportions of the object.  Truthfully, this wasn’t very successful until I started using slightly thicker, darker paint as I brought more form to the boxes and cylinders.  This took me about an hour less than forever because I added and removed paint numerous times.  The paper didn’t help much as the cardstock buckled and seemed to instantly dry the paint.  Next time I’ll take my advise to others and use decent watercolor paper.  Anyways, here’s the result.  It’s a long way from good but I’m pretty happy with it.

gouache on card stock