Sketching in the First Nations Exhibit

One of the permanent exhibits at our Museé de la civilisation reflects the First Nations of Canada.  It’s a wonderful exhibit that leans heavy on videos and audio, but that also holds a large collection of First Nations artifacts that are good sketching subjects.

I was there on Thursday and decided to draw a “scene” that amounted to a large, floor drum and a manikin wearing ceremonial garb.  The manikin was hard to deal with as a sketcher because it was black foam and almost without a face.  The dark room, dark outfit and dark manikin did make drawing the figure difficult. Like all my moving of pens around on paper, it was fun and made the day a good one.

Stillman & Birn Beta, Platinum 3776, Platinum Carbon Black

Drawing For My Daughter

My daughter was home for Christmas and she asked if she could have one of my sketches to hang in her apartment.  Since I do my drawing in sketchbooks, granting her request was difficult, so I decided to do a drawing for her on Fabriano Artistico cold-press paper.  It’s really a pleasure to have unlimited time and to work at a table and without needing to juggle the tools as I sit on a tripod stool.  I drew one of my favorite scenes in Quebec City and here is the result.

This project is something of a landmark for me as well.  It’s the first time I’ve ever matted one of my drawings.  Heck, it’s the first time I’ve ever cut a mat.  It was fun.  It improved the look of the drawing. I might do it again.  She was happy with it.  I hope you do too.

 

Kicking The Year Off With A Croquistes De Quebec Sketchcrawl

We had a great sketchcrawl on Friday.  Yvan arranged for us to sketch at the Université Laval Collections and somewhere around a dozen sketchers showed up.  Some of us sketched stuffed birds, mammals and insects while others took advantage of the large collection of plaster heads.  Still others sketched items in the large display windows outside the facility.

It was made particularly special because some of the people who showed up were not using the typical pen & wash approach that so many of us use.  Johanne was using charcoal and a white pastel pencil to capture likenesses from the plaster heads, while others did beautiful renderings with pencil.  It was fun to talk with them about their approaches and to appreciate the results.

I did a lot of talking because, unfortunately, my arthritis flared up in my drawing hand.  It does this on occasion and is not only painful but it hampers my ability to draw.  I did do one sketch before it got the better of me though.  It is a tufted-ear squirrel.  I think it’s Sciurus vulgaris but I’m not certain of that as there was no label on the specimen.

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon ink

In spite of my hand, I had a ball because of all the great people in attendance.  It’s hard for us to have sketchcrawls in winter because it’s so cold outside, so it’s special when one is as successful as this one.  Thanks to Yvan for organizing it and to Madame Wagner for hosting us.

The Best New Product Of 2016 – Stillman & Birn Softcovers

I was reflecting on my sketching adventures of 2016 and it occurred to me that one 2016 product changed how I approach location sketching and how weird it was.  You see, since 2011 I’ve been using Stillman & Birn sketchbooks almost exclusively as my quality sketchbook of choice.  I’ve written about why.  I’ve talked about my preference for 10×7 spiral-bound Alpha books and how great they were.  But I don’t use them any more.  I still have an empty one sitting on a shelf and it’s been there for over a year, untouched.

I’ve moved on… a better product came along in the spring of 2016.  It’s the new softcover books from Stillman & Birn.  Same fantastic papers but they’re thinner, lighter, and they hold up to my abusive nature.  These books also added 3.5×5.5 portrait format to their line.  I’m convinced that all my whining about the lack of a small portrait book with good quality paper (the Moleskine sketchbook is horrible) is why they are now producing this book.  They wanted to shut me up (grin).  I love these little books.

S&B also added an 8×10 softcover format that I’ve fallen in love with.  It fits better in my bags than the more typical 8.5×11 or 9×12 formats but more important, with Beta paper, it weighs only 412gm while a hardcover version weights 870gm, though the hardcover does have a few more pages.  What this means to me is that I now carry 3.5×5.5 and 8×10 (portrait), and an 8.5×5.5 landscape books with me and all three weigh less than a single 8.5×11 hardcover.

These are the S&B softcovers I’ve used in 2016.  The numbers are simply volume numbers that I assign chronologically to my sketchbooks.  And because someone will ask, I use S&B exclusively for my non-casual sketching but I do use cheap sketchbooks when I doodle while watching TV and when quick-sketching people on the street.  Number 52 is actually a 9×12 wire-bound S&B Beta book, but the others (53, 54, 56, 58) are those cheaper books.  I cut 60lb spiral-bound 9×12 sketchbooks in half on my bandsaw, creating two 6×9 books.  These provide me with LOTS of cheap drawing surface.  These are full and on the shelf, products of 2016, but #61 is still ‘in progress’ and rests next to where I put my butt when I watch TV.

But it’s the Stillman & Birn softcovers that are the subject of this blog post and, as Tony the tiger used to say, They’rrrre GREAT!  They should get a product of the year award, or something.

Croquistes de Quebec: January 6th Sketchcrawl

Almost forgot to announce the upcoming sketchcrawl.  Yvan has arranged for us to visit the Université Laval Collections.   If you’ve never been there, this is the place where the entire collection from the long-defunct Natural History museum is houses so there are, by my estimate, around a gazillion stuffed animals waiting to be drawn.  In addition, there is a vast collection of plaster casts that were once used by the Laval art department, back when drawing was part of the fine arts curriculum (grin).

Anyway, there’s a LOT to draw there and the atmosphere is really nice as it’s a limited access facility so you don’t have to worry about people (except maybe me) looking over your shoulder.  Anyone who has been to one of the sketching events we’ve had there will tell you, it’s fantastic.

Sadly, we do have to break from our normal Sunday sketchcrawl habit because the Collections are only available Monday through Friday.  This event will be this Friday, starting at 9:30AM.  For more details, check Yvan’s posting of the event here.  I hope to see you there.  I’ve colored this post up a bit with a couple of the sketches I did during last year’s sketchcrawl.