Quebec City, particularly the older parts of the city, has many street scenes that are worthy of a sketcher’s time. Often the streets are narrow and the buildings are connected to one another.
These form great urban scenes and the only thing that limits a sketcher is time and the place to sit while doing the sketch. Time, scene and place to sit came together and I sketched this autumn scene.
Stillman & Birn Zeta (6×9); Pilot Prera w/Platinum Carbon Black ink
Here in North America our society is becoming more and more coarse. The rhetoric of our politicians has become downright rude, we all walk around with headphones one, barely acknowledging one and other and, frankly, too many of us are too afraid of too many things. So it’s hard to continue to believe an axiom that makes life bearable – that people are good.
But then something happens and things snap back into perspective. That happened to me when I went to my mailbox and pulled this from the box.
It was addressed to me with a flair that one rarely sees. It came from Singapore. Singapore??? Who did I know in Singapore? I immediately thought of the Urban Sketchers of Singapore but I’ve never met any of them. Who could be sending me something?
And so I opened it in the hopes of gaining some insights. Indeed, the contents were sketcher-oriented. There was a nice toned-paper sketchbook, a leatherette cover for that sketchbook, two Uniball Signo UM-120 pens, and a couple refills for those pens. WOW! The motherlode. Being old I don’t think as quickly as I once did and I was still baffled about who might have sent these items. And then I found the little card, from Patrick Ng.
Patrick is a great guy, who went out of his way to obtain a couple Hero pens for me that I couldn’t have purchased without his help. And we ‘chat’ on Facebook, where we are ‘friends.’ He had been shopping for materials and remembered me, remembered discussions we’d had about the toned-paper sketchbooks made by a friend of his, and he bought me one, and a cover for it so I could fill the sketchbook, get another one and replace it, reusing the cover. He’d sent a couple of the pens he uses regularly because he knew that Uniball don’t import them to the US. People are still good, and Patrick is one of the best.
The first thing I did was to test bunch of pens on the paper, which must be 200lb tan-color paper. It’s not heavily sized but it does take watercolors quick nicely. You notice the lack of sizing when you try to do larger washes. But being able to use the paper as a mid-tone and working on both sides towards dark (pen) and lights (colored pencil) is lots of fun.
The first full sketch I did was this one, done in Parc Brebeuf, a park not far from my house. The ring-billed gulls like to sit on lamp posts and this one sat around while I drew him…or her.
I decided that since Patrick had been so nice to send me a sketchbook, the least I could do was walk a mile in his shoes, in a sketching sense. He does a lot of sketches inside restaurants and coffee shops. Sometimes he does them on toned-brown paper, sometimes not. They are always wonderful sketches.
So, I took one of my Hero 578 ‘asian calligraphy’ pens (tip is bent upward), my new sketchbook, and headed to a mall. It was morning and not very busy, which suited me fine.
I actually sketched this while standing up, just outside the restaurant, resting the sketchbook on the wall in the foreground of the sketch. Me, standing, looking in at the restraurant was likely to be disconcerting so after I’d done a bit of the sketch I walked to the three women featured in it and showed them what I was doing.
Normally I would not do such a thing as typically this causes people to start posing. But in this case, it was necessary. The sketch was lots of fun and very much in honor of Patrick Ng. Thanks, Patrick. You really made my day, week, month.
Fall officially came to Quebec a couple weeks ago. Many of the trees, and certainly Mr Weathermaker, didn’t get the memo. We’ve had very warm temperatures for a last couple weeks and the trees are very confused as daylength tells them to drop their leaves but the temps are saying “not yet.”
But, slowly and as surely as politicians will screw things up, winter is approaching. For me, a street sketcher, it’s a time of transition. It’s a time when I start figuring out what/where I’m going to sketch once it gets too cold outside to do what I love – sketch on the streets.
To that end I’m thinking about museums, have convinced myself that I should try, again, to sketch from photos, and that I should use Google Maps “pegman” to sketch in exotic places while snow blankets my world. We’ll see.
toned paper; Pilot Prera and Prismacolor white pencil
In the meantime I’ve been doing some sketching. I received a handmade tan-paper sketchbook from my buddy Pat Ng in Singapore and did this sketch to sort of break it in. The gulls love to sit on the lamp posts around here so I had plenty of source material for this sketch.
This sketch was done in celebration of the show the trees put on for us every year. Fairly simple, I combined a Uniball UM-120 black pen (.5) with a Uniball UM-151 brown-black (.38) pen and did it in a Stillman & Birn Alpha (4×6) sketchbook. The fence lets me call it an ‘urban sketch’ 🙂
I spent Monday night looking at a bunch of sketches done by Liz Steel, a very talented architect/sketcher. She talks about how she works very quickly and why. The next day I was walking down a street and saw this little house. I decided to try out Liz’s philosophy/approach and while I didn’t produce anything near the quality of her sketches, once I buried the ‘ooooo…that’s not right’ and ‘oops…left that out’ I found the results interesting and I’ll probably do some more like this. Took less than 10 minutes, including the time to get out my watercolor kit and waterbrush. It was done in my ‘el cheapo’ 3×5 notebook and my Uniball UM-120 (.5) pen.
Sketching, no matter how it’s done, is fun and after two years of doing it, I can’t imagine a day without it in my life.
I left you, in part one of this saga, with me very relaxed in a small park, having just sketched a lamp post. It was a very nice day and only 10AM, so I got in the car and drove to the other end of St. Jean, which is a really small town so it only took a couple minutes. I returned to the place where I’d sketched this during a previous visit to the island (Ile d’Orleans).
This time of year our maple trees put on a show for the tourists and we become overrun by cruise ships that come in from the Atlantic just to see this spectacle, so I decided to do another sketch of this area that featured the blazing colors of our forests. While this sketch was done from the pier, I moved much closer for the new one, concentrating on just a couple of the homes so that the trees could dominate. I did this new sketch in my Stillman & Birn Zeta (5×8) using a Pilot Prera filled with Platinum Carbon Black ink.
Click to enlarge
I’m a slow sketcher and something this size takes me a while – a while sitting on a little tripod stool on rocks, in the sun. You get the picture. I was pretty tired when I finished so I started driving down the southern coast of the island, looking for a nice place to eat a lunch and just relax.
Along the way I was doing what sketchers do; I was taking ‘inventory’ of potential things and places to sketch along the way. I’ve got to spend more time on the island as there’s a lot to sketch there. As I was driving I noticed a sign that said “Parc Maritime” and way down below the road I could see what looked like a couple boats and a parking lot. It seemed as good a place as any to eat lunch so I turned around, found the entrance, and drove down to Parc Maritime.
A half hour tour later I had learned that the town of St. Laurent revolved around this facility in the early 20th Century and that it had been a major hub for the construction, repair, and storage of the cargo vessels that ran around the St. Lawrence, mostly moving wood products. It had been an enormous facility employing everyone in St. Laurent and a lot of people who came from surrounding towns during the summers. This is a great place to visit, an amazing place to sketch. I was told that I could return to sketch anything I wanted as long as I paid the entry fee (grin).
I was pretty tired and hungry, though, so I wandered the forest, looking at remnants of the lisses, which were row after row of large railroad track-like thingies they used to slide large ships out of the water and then move them laterally along the shore for storage. This is a really nice place, hidden from view for the most part by the fact that it’s now tree covered and well below the main road.
When I finished lunch it was getting late but I decided I had to sketch something so I chose a small chaloupe, a heavy-duty rowboat. There is a shop on the premises where they built them and I’ve got to get back to sketch all the cool benches, tools, and a water-powered bandsaw contained within. But today I limited myself to one of the boats. This one was done in my small Moleskine watercolor (3×5). Hope you like it.
It will soon be too cold to visit the island. These days, on the weekends, there are just too many people as it’s apple-picking time and people who want to do this form kilometer-long lines of cars, all waiting to drive over the bridge and onto the island. This is not for me but maybe, during the week…. We’ll see.
I finally got out sketching and it was a fantastic day. Unseasonably warm and not much wind so I headed back to Ile d’Orleans where I sketched and froze the last time I was on the island. This steeple is attached to a church that’s on the eastern end of the island, in the town of St. Jean. Its bright orange roof must serve as a visible beacon for the cargo ships that come from the Atlantic and are making their way towards Quebec City.
The church is across the street from a place that sells great brioche and coffee. Last time I was there they’d lost electricity because of high winds so there was no coffee but it’s a regular stop for me when I get out to the island.
Moleskine watercolor (3×5), Pilot G-TEC-C3 pen
Once I sketched the steeple, I walked across the street to get my coffee and danish and this time it was closed because, it seems, it is closed on Mondays. Disappointment didn’t last too long, though. They have a lot of chairs in a very pleasant garden area so I took one and set it up so that I could sketch one of the unique lamp posts in St. Jean.
Moleskine watercolor (3×5), Pilot G-TEC-C3 pen
Have you noticed that some sketches are more ‘relaxed’ than others as you do them? That’s certainly the case for me. In this case, I’d just finished staring hard at all the detail in the steeple and mostly just wanted to sit. Because of the situation, I was sitting on a gorgeous ‘throne’ in the form of a sculpted, cast-iron chair, with grass beneath my feet. The temperature was perfect, the sun was shining, and I was sitting in the shade. If I’d gotten any more relaxed I would have fallen asleep. The worst day sketching is a good day but some are better than others.