Sketching The Riviere Lairet… Sort Of

Once upon a time there was the Riviere Lairet.  It meandered through what became Limoilu as Quebec City spread north from its origins atop Cap Diamond.  Ultimate, Limoilu was swallowed by Quebec City during a large merger but everyone still calls it Limoilu.  We’re a stubborn lot.

From the photos I’ve seen one of the basic problems with the Riviere Lairet was that lots of water ran in it in the spring and almost none in the summer.  The result was a fairly deep canyon running through what was quickly becoming a very populated area.

Maybe more important, the canyon had a lot of very fast-flowing, dangerous water at one time of year and at other times it became a dumping ground for the less civic-minded members of Limoilu.  So it was decided, in the mid-20th Century, to build a huge pipe to convey the spring waters underground from north of Limoilu all the way to the St. Charles River – my river.

Parc_Cartier-Brébeuf_smThese days, the Riviere Lairet name can be found on maps as a long, open pond area in Cartier-Brebeuf Park, with the south end of the pond emptying into the St. Charles River.

But the water that fills this park area still has to get there through the pipe I mentioned.  They do everything in their power to hide the pipe’s opening into the park but I thought it would make for a fun sketch.  The weather further convinced me as while it was almost warm, it was also windy.  After climbing down the hill to this view, I was conveniently out of the wind with only a few ants to bother me.

I used a Uniball Signo UM-151 (.38mm) gel pen for this one.  The fine pens in the 101 series are mostly waterproof but anything thicker than .38mm and the gel ink starts to wash into the watercolors, at least on the Stillman & Birn Alpha (9×6) paper that I use.  Hope you like it.

Stillman & Birn Alpha (9x6), Uniball Signo 101 (.38mm)

Stillman & Birn Alpha (9×6), Uniball Signo 101 (.38mm)

Mo Music, S’il Vous Plait!

We’re back in the deep freeze here in Quebec.  Will it never end?  But we’re also in the middle of recital season, a time when the students at Conservatoire de Musique give recitals and what a joy they are to attend.  Today it was pianists…amazing pianists.  Marie Robitaille, Sophie Doyon, Brigitte Legendre, Bruce Gaulin-Boilard, Manuella Gagnon, Corolane Tremblay, and Ariane Filion-Thériault each graced us with their musical prowess.

Stillman & Birn Alpha (4x6); Pilot Prera, Noodler's Lexington Gray ink

Stillman & Birn Alpha (4×6); Pilot Prera, Noodler’s Lexington Gray ink

And while they did, Yvan and I sketched, though I have to admit that at times I just stopped, listened and watched magical hands on keys.  But here are a couple sketches I did during the nearly two hours of music.  Thanks to the Conservatoire, the students, and Suzanne Beaubien-Lowe (their teacher) for making a very cold day seem just a little bit warmer.

Stillman & Birn Alpha (4x6); Pilot Prera, Noodler's Lexington Gray ink

Stillman & Birn Alpha (4×6); Pilot Prera, Noodler’s Lexington Gray ink

 

Sketching To Music

CALVQIn Québec City there is a sketching group called Collectif des ateliers en arts visual de Québec.  Yes, the name is far too long and it forms an acronym that’s completely unpronouncable (CALAVQ).  Naming things is not the strong suit of Quebecers, but it is a great organization that organizes life drawing and portrait workshops among other art-related events.

Lucien Provost is the president of this group and he arranged for ten of us to spend the day sketching at the Conservatoire de musique de Québec, courtesy of its director, Louis Dallaire, and several of his very accomplished and accomodating students who played for us while we sketched them.  They were:

Julie C. Villeneuve, oboe and English horn
Étienne Chenard, violin
Alejandro Calzadilla, alto saxophone
Guillaume Turcotte, cello
 
and a trio:
Jean-Michel Dubé, piano
Romain Rocher, violon
Paola Curcio-Rizzato, cello
Julie Villeneuve - Hero 9018 bent-nib pen, J.Herbin 1670 ink.

Julie Villeneuve –
Hero 9018 bent-nib pen, J.Herbin 1670 ink.

Thanks to all of you who gave of your time and facilities to make a bunch of sketchers very happy.

The music was amazing.  The students were fun.  Julie’s dress was simply spectacular.  And the sketching was non-stop.  We started at few minutes after 10AM and finished at 3PM, with 15 minutes for lunch.  To say it was intense is to understate the situation.  I ended up with 17 pages of sketches, some better than others I should add.

I’ll share just a few of them with you.  I spent the day trying different pens and have indicated which were used in each case.  The sketchbook was a Strathmore “Toned Gray” 6×9 book.  Clicking on the images will enlarge them.

Detail of Julie's sleeve shrouds - Hero 9018, J.Herbin 1670

Detail of Julie’s sleeve shrouds – Hero 9018, J.Herbin 1670

One of the sketchers - Hero 9018/J.Herbin 1670 and Hero 578/Platinum Carbon Black

One of the sketchers – Hero 9018/J.Herbin 1670 and Hero 578/Platinum Carbon Black

 

 

 

 

 

 

 

 

 

Some details & Guillaume's face - Platinum Prera, Lexington Gray

Some details & Guillaume’s face – Platinum Prera, Lexington Gray

 

cello - Pilot Prera, Lex Gray, Hero 578, Platinum Carbon Black

cello – Pilot Prera, Lex Gray, Hero 578, Platinum Carbon Black

 

 

 

 

 

 

 

 

 

Romain Rocher, Pilot Prera, Lex Gray

Romain Rocher, Pilot Prera, Lex Gray

 

Paola Curcio-Rizzato, ballpoint pen

Paola Curcio-Rizzato, ballpoint pen

First Museum Sketching Session Of 2013

Winter is descending upon us quickly.  It actually snowed yesterday, though it’s still not cold enough to stick around.  That will happen soon enough.  There’s still the occasional day when I can brave the temperatures and sketch outdoors, as long as I don’t do it for very long.

So I’m in the middle of summer-to-winter sketching transition.  I’m warming up my watercolor pencils for visits to museums but, for the moment, the watercolors are close at hand for when its possible to use them.  I’m getting out my heavy coats, hats and gloves, for the walks to those museums and I’ve buffed up my winter boots.

It’s all sort of depressing when I think about it.  I try hard not to but the short day lengths are a constant reminder of what the next five months will bring.  We’re down to ten-hours of daylight and by the time we get to mid-December, we’ll be in the dark for all but eight hours of every day.  I guess it could be worse; I could live in Finland.  Those guys have really short days.

And that reminds me, I had to get new batteries for my museum light.  A light is a requirement for sketching in our museums as while the subjects are lit, the rooms have subdued lighting.  I use a Mighty Bright book light that clips to my sketchbook and it works great.

2013-10-26GillesCharron_72The light and the rest of my materials showed up at the Musee de la Civilisation last Saturday.  I was with them.  I was there to meet three other sketchers and to sketch in the warmth and comfort of a great museum.

When I arrived they were checking in.  Gilles wasn’t yet a member of the museum (a real bargain for a sketcher in a cold place – I went there over 50 times last winter) and he was filling out the form to become one.  I sat down and quickly sketched him.  We all chuckled over the result and headed to the exhibits.

The new big exhibit is Paris, 1889-1914.  At that time, Paris was a hotbed of technical achievement in addition to its famous art and cabaret communities.  Paris hosted the worlds fair in 1889 and in 1900, a time when things like telegraph and electricity generation and uses were still novelties.  This exhibit reflects this, with a mixture of art (eg – Rodin sculptures and a lot of paintings of Paris), lots of material from stage, screen and cinema, early bicycles, steam-powered cars, and a lot of different electrical gizmos and gadgets.  In short, there’s lots of stuff to sketch.

I’d met two of the sketchers at our recent sketchcrawl and as this was the first time to be sketching in a smaller group with them, we (well, I mean I) spent a lot more time talking than I did sketching.  We had a lot of fun talking about materials, what winter sketching in Quebec is like, and just a bunch of general chit-chat.

Stillman & Birn Zeta (6x9), Pilot Prera F, Platinum Carbon Black ink

Stillman & Birn Zeta (6×9), Pilot Prera F, Platinum Carbon Black ink

My plan was to sketch three things on two pages and knit them together into a ‘journal’ page as this is an area I want to experiment with more.  Sadly, I only managed to get two sketches finished so the page isn’t quite what I had planned, but here it is in any case.  Hope you like it.  I hope the four of us can get back to the museum real soon.

Happy Halloween, Everyone

I’m not a big holiday celebration kind of guy but when I was out walking I saw this small cluster of pumpkins, put on a doorstep in honor of Halloween.  So, here’s my attempt at being in the Halloween spirit.

2013-10-21Pumpkins_72

This sketch was fun to do in a Stillman & Birn Zeta (6×9) with a Pilot Prera and Platinum Carbon Black.