100 People – Day Three

#oneweek100people2018 – When Liz Steel and Marc Taro Holmes announced they were doing the 100 people in five days thing they did last year, I was all in.  It was a lot of fun last year and just the thing to rev the engines a bit, though drawing people is not my favorite thing.  But when Monday, March 5th, rolled around my arthritic hands were locked up tighter than a …err…well, they weren’t functioning very well.  The same was true on Tuesday so I told Marc I would have to pass on the event.

Yesterday, my hands were better, though they seem to have a mind of their own right now, and I headed to the mall to draw people.  I figured that if I was to catch up I would have to go into overdrive, maybe even cheating a bit to get the job done.  So, with a cup of coffee, I sat down in front of a McDonalds in the food court and started quickly sketching people who were waiting for their orders.  Nothing very artistic about the process, I was almost literally scribbling, but one hour later I ended up with 42 kinda-sorta people blobs in my Stillman & Birn Nova (5.5×8.5) sketchbook.  I then headed off to an appointment.

Once I got home, I applied colors somewhat randomly.  If I’d been true to the actual colors most of the coats would have been black.  Quebecers are not known for their bright colors.  I know I’ll not likely make 100 people given I gave all of you a two day head start but I feel good that I’ve put a dent in the goal.  We’ll see what today brings.

Tiny Sketches Of February

Stillman & Birn Beta softcover, mostly done with a Platinum 3776 and DeAtramentis Document ink

A guy I follow on Instagram (@lefthandeddrawer) posted a graphic showing tiny, daily sketches he did for the month of January.  That looked fun to me so I started doing it for the month of February.  Being the lazy sort I did pick the shortest month of the year and it worked out nicely.  Each square is 4cm.  I’ll say no more except that you can see a larger view of this by clicking on the graphic.

Location Sketching Before It Was Cool

 

“The watercolour technique, on the borderline between drawing and painting, acquired prestige in the nineteenth century, particularly in Britain, where the “Watercolor Society” was founded in 1804.” – from Delacroix: Voyage au Maroc

Long before Gabi Campanario invented urban sketching, artists like Delacroix were doing what we now call travel journaling, nature journaling, and simply drawing stuff when they found a solid rock to sit on.  I thought some might like to see into that world a bit and, I guess, so does the Louvre.

They’ve produced an hour long seminar on early location sketching, presenting a lot of sketches from the 19th century, including a bunch showing sketchers in the sketches themselves.  There is a discussion of Delacroix, including looks at his sketchbooks and another section on Eugene Blery, an amazing nature journalist and artist.  The seminar is in French so it might be hard for some;  I understood about half of what is said, but the sketches are self-explanatory and a joy to see.

Baseball Is Back – A Sketcher’s View

I am Canadian, but unlike every other person living in the frozen north, I don’t like hockey.  I suppose that reveals my American roots but the bottom line is that the only sport I watch is baseball and since coming to Canada, I’ve been a Toronto Blue Jays fan.

It’s that time of the year when spring training starts and a few spring training games (in Dunedin, FL) are broadcast for those of us willing to watch, for the most part, Blue Jays wanna-bes play the game.

The first one was last Friday and I decided to celebrate the event by sketching some baseball faces.  Baseball is a slow sport; how hard could it be?  I learned that a sketcher’s view of baseball is different from a fan’s view.  Indeed, for a fan, the game is slow with lots of time spent watching seven guys stand on a field while two other guys play catch and a tenth guy, from the other team, tries to spoil their fun.  From the view of a sketcher however, this same scene is a frustrating series of camera switches between players, between views, and there’s rarely more than a few seconds on any one player.

I suppose it wouldn’t have been so bad if I’d wanted to draw full-body players.  The pitcher stands in one place and is on camera more than anyone else.  The catcher is equally stationary, at least in the sense of returning to the same position regularly.  But I was interested in drawing faces shaded by ball caps and 1) they are rarely shown and 2) they are rarely in repeatable positions.

Sketchers are tough, however, and I managed to get a few, stitching together brief looks at the player and faking it when necessary.  Here’s my meager tribute to Blue Jays spring training opener.

Stillman & Birn Alpha (8.5×5.5) hardcover, Platinum 3776

My New Toy: The Pilot Cavalier

First it was arthritis.  Then it was atrial fibrillation.  Then my leg blew up to the size of a telephone pole (slight exaggeration for effect).  That turned out to be osteoarthritis in my knee and a long set of physio treatments.  Then it became a steady stream of doctor’s appointments.  This torture just would not end, but it has, sort of.

As long as I fill my gut with pills twice a day, my heart is under control, my arthritis is only problem on really “bad” days, and I’m getting used to not walking as far as I’d like and doing so with a limp.  Things are looking up.

It got better when my doctor informed me that I have type 2 diabetes.  I guess that was the dessert after my months of dining on medical treatments.  But you know what?  That’s good news.  For the past half a year I’ve been very fatigued, having less and less energy.  Initially I attributed it to all those doctor visits but eventually concluded that it was just cuz this was what “old” felt like.  It wasn’t an encouraging prognosis.  But, eliminating the cookies (my favorite thing) and adding a couple more pills to my diet and I’ve gotten my energy back.  I call that a win.

So enough about health, let’s talk about my new toy, the Pilot Cavalier fountain pen.  When I got mine I couldn’t find one in North America so I bought through a third-party vendor via Amazon.  But Jet Pens now stocks them in several colours.

I bought this pen because I enjoy quick-sketching with my Kaweco Lilliput but find the screwing and unscrewing its cap to be sort of annoying when I’m wanting to quickly sketch someone in the food court.  One thing I like a lot about the Lilliput, however, is that it’s got a pencil-size diameter and it’s very light.

The Cavalier has both of those attributes associated with a standard length pen.  The cap snaps in place nicely and seals well.  It also posts well, something I have to have in a sketching pen or I’d lose the cap.  Because it’s a Pilot pen, the steel nib provides a smooth feel.

This pen accepts Pilot cartridges but one problem is that the barrel of the pen is just narrow enough that you can’t use Pilot’s CON-50 converter so I have use a syringe to get waterproof ink into empty Pilot cartridges.  It’s said that you can use the CON-20 converter (the rubber bulb-style converter in it but I like syringe filling so I haven’t tried that.  This pen has found a place in my pen quiver, mostly for quick-sketching food court people.  Here’s a sketch I did while test-driving it.  This was also the beginning of a new Stillman & Birn Alpha softcover (5.5×8.5).  I haven’t used this format in quite some time and thought it might be a good idea.

In The Tunnel But There’s Light Ahead…

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… I just hope it’s not a train.

 

Hi guys, it’s me, Larry.  Really, I’m not dead.  I know it’s been forever since I’ve written a blog post but gosh a lot has happened since my last post.  I’ve been dealing with so many doctors I have a hard time remembering their names but the results have been really positive.

Except for all the snow and cold I’m, as they say in the military, good to go.  I can even walk up/down stairs again.  More importantly, except for really bad arthritis days, my drawing hand is cooperative, though it’s very out of practice which is frustrating.  I even think the steady drone of doctor visits is coming to an end (I had six of them in the last eight days).

I’m way behind in Liz Steel’s watercolour class but it’s fantastic.  I just have a LOT of homework to make up.

I wanted to post this update, though, to let you know that I’m still alive.  Here’s a quick sketch I did to see if I could “loosen up” as everyone seems to hold as the highest form of art.  I have a hard time looking at “loose” coming from my hand.

I’ll leave you with this sketch of an old window.  It shows my out of tune hand all too clearly but I’m getting back into the swing of things so maybe I can call myself a sketcher again.

Stillman & Birn Nova sketchbook, Pilot Cavalier pen

Sketching Ain’t Easy These Days

It’s now 2018 and I’m hoping there will be fewer doctor and physio appointments this year.  I’ve tried to doodle my way through the last few months of 2017, working on using my elbow and shoulder more and my wrists less.  I draw small, though and find that transition to be tough sledding, particularly for drawing small-size curves that my wrist just won’t do.

Nevertheless, if I made any resolution for 2018 it was to get back to drawing.  This morning I decided to draw a scene from a photo.  My wrist was feeling “pretty good” which is my shorthand term for “it’s not locked up and doesn’t hurt constantly” and so I grabbed a Platinum Carbon pen and a 5×7 piece of Fabriano Artistico CP and tried to capture a photo I had of Quebec’s Finance Building.  The pen isn’t flowing like it once did, probably because I’m being too careful about how I’m moving my hand, but I did produce a sketch and I share it with you here.

Hopefully things will improve as I get back into it.  I sure hope so because Liz Steel’s new watercolour course starts January 10th and I hope to do a lot of fuzzy stick practice ‘real soon.’

Sketchy Reflections Of 2017

When I thought about writing about my 2017 as a sketcher, all I could think of was how bad the last four months have been as health problems have kept me from doing much sketching at all.  This resulted in me filling only a paltry seven sketchbooks this year, though I did do more sketching on single sheets than every before.

But then I thought about the rest of the year and not only was it eventful, it was pretty darn special.  I got to meet a LOT of people and this is something I don’t normally have in my sketching world.

I have my ‘best buddy’ and mentor, Yvan Breton, who keeps me on track and patiently tries to teach me how to draw, and I am fortunate enough to have a small group of people that I get to sketch with regularly, but I’m not a traveler, so I don’t attend the growing number of sketcher events around the world.

But this year some of that world came to me and serendipity allowed me to become more involved with the Montreal sketchers.  In February I spent the day at the Red Path Museum in Montreal with Marc Taro Holmes.  I love sketching with Marc because not only is he one of the nicest guys you’d ever want to meet, you always learn stuff when you hang out with Marc.  I got to spend the day with him later in the year where he talked me into trying to paint statues directly rather than drawing them first.  If I can get my failing hands to cooperate, this is going to open a lot of possibilities for me.

Koosje Koene, of Sketchbook Skool fame, came to Montreal for a visit and couldn’t miss the opportunity to meet her as I love her “Draw Tip Tuesday” series.  I confess that I rarely do the things she shows but she has a way of making me smile with her imagination and presentation of these short videos.  Sadly the day she was in Montreal, it was raining so sketching was limited.  Instead, we went to a restaurant and spent the time talking about art, sketching, and I got to know her a bit better as well as some of the Montreal sketchers.  It was a good day in spite of the rain, maybe because of it.

It’s been hard for me to participate in Montreal urban sketchers events because it’s a long five hour round trip between Quebec City and there.  It’s possible to get up really early, drive to Montreal, sketch for a few hours, and then drive back but it doesn’t make for a comfortable day.  So, I was thrilled when my daughter finished up her degree at the University of Ottawa and decided that she was going to go to law school at McGill University, in Montreal.  I would have a floor to sleep on when I decided to attend Montreal sketching events.  She moved there in August, the same weekend that Liz Steel and Anne-Laure Jacquart came to visit so I got to spend several days sketching in Montreal that weekend.

I spent the first day with Marc, the highlight being the statue drawing I mentioned above.  The next day I spent the day with Marc, Liz, and Anne-Laure in a whirlwind sketchcrawl through the city.  It was the best sketching day of my life in spite of the fact that I was always woefully out-classed, frantic to keep up, and my results less than stellar.  What an experience.  I’m a slow sketcher by nature so juxtaposed next to these three, I was really slow.  Their ability to sketch complex street scenes in almost no time has to be seen to be believed.  I was in awe.  Lucky for me, they are also very nice people, who didn’t laugh at me.

The next day a bunch of the urban sketchers came out to sketch with Liz and Anne-Laure.  The day started with rain but eventually we got some sketching time.  To be honest, I was pretty worn out by then as the moving of my daughter and previous day’s sketching had taken a lot out of me.  It was also the first day that my leg started limiting my movements.  Definitely a day to remember.  2017 was a good year for me because of the people.

I also got to attend a couple USK Montreal events in 2017.  I was hoping for more but by September I was having a hard enough time getting around my house so going out sketching was out of the question.  I’m hopeful that too many doctors and I are getting some of this under control, at least enough that I’ll be able to hobble my way to a sketching location and, on good days, my hand will cooperate enough to let me draw.  Getting old is awful, but it still beats the alternative.  Onward to 2018.

 

 

Merry Christmas From Quebec City

Hi everyone.  Once again I have to apologize for not posting regularly.  Problems with my hands have prevented me from drawing much, which is my only excuse.  I did want to wish everyone a Merry Christmas, though, so I’m using a past sketch to justify this short acknowledgement of the holidays.  I hope all is well with you and yours and that it’s warmer where you are than it is here (grin).

A Sketch Of A Statue Of A Statue

Qin Shi Huangdi, who proclaimed himself the first emperor of China, built one of the wonders of the world when he ordered the creation of a veritable army of clay soldiers, horses, armaments, and a whole lot of other stuff.  And since these treasures were excavated from his tomb, statues of them have been created and sold to those of us fascinated by these relics.  I own one such statue, albeit it’s a small one.

It’s been a while since I’ve drawn in my slower-than-molasses style and I was feeling the need for it.  I didn’t really take as much time as I probably should have but it was nice to sit, comfortably, and draw with some Miles Davis in the background.  This sort of thing reminds me of the compromises we street sketchers make by sitting on tripod stools while juggling our materials in our laps (grin).

I start this sort of drawing with a mechanical pencil.  I started by locating key parts of the figure, thinking only of lengths, angles and locations.  Once I’m convinced that I’ve got the pieces and their locations on paper, I move on to fountain pen for the real drawing.

Some say “never use pencil..just go for it.”  That’s fine, and I often do that myself.  But it’s really liberating to know that the parts and their locations are defined because I can concentrate on drawing the arm without having to think about its relation to the head.

There’s another reason I like this approach.  The pencil step I outlined above requires cognitive functions as elements are compared, sized, and located.  Once done, however, I can let go, relying upon my visual cortex (that I work desperately to train) feed my motor cortex with info that guides my hand.  No thought is necessary; I just do.

Once I did the basic drawing I made a decision not to hatch the shading but rather to use watercolor for the darks and colored pencil for the highlights.  I was pretty happy with that decision.  The Stillman & Birn Nova paper handled both well.