A Weekend In Ottawa – Part 2

The day of my daughter’s graduation we did some more shopping and returned to Andrew Haydon Park.  It was still windy and still stormy but we like this park because there are a lots of geese and you can see the St. Lawrence River from there.

As a chipmunk foraged around us, I drew this sketch of a spit of land that sticks out on the other side of the marina associated with the park.  I forgot to include it in yesterday’s post.

Stillman & Birn Alpha (8×5), Platinum 3776, Platinum Carbon Black

A Weekend In Ottawa

For the last few years I’ve gotten to draw in the museums of Ottawa because my daughter was going to school there.  This past weekend was the end point of that part of her life as she graduated Magna Cum Laude from the University of Ottawa.  We went there to spend some time with her and to attend her graduation.

I didn’t make it to any of the museums because we spent the weekend doing more exciting things, like laundry, shopping and grocery shopping (grin).

It was a hectic weekend, made a bit more unsettled by the fact that high humidity and high temps combined to provide a near constant threat of thunderstorms.  There was even a tornado warning at one point.

As it turned out, we didn’t see a lot of rain but there was a lot of wind.  We did sit in Andrew Haydon Park, though, and I did some quick sketches.  It’s hard for me to spend much time on sketches when I am with other people who are not sketching.

Stillman & Birn Epsilon (3×5), Platinum 3776, Platinum Carbon Black

Stillman & Birn Alpha (8×5)

 

 

A Visit With Claude Simard, Sort Of

Just before I left for Ottawa our group went to an exhibit of Claude Simard’s work at the Centre d’interprétation historique de Sainte-Foy. This is a very large house on the grounds of a large church/cemetery.  The church is a stone building that was gutted by fire a while back and was renovated into a place for semi-outdoor (walls but no roof) theatre.  Anyways, the grounds of this building complex are very nice and very sketchable.

We spent some time sketching outdoors before going to the Simard exhibition and I drew this small building where they used to keep corpses in winter when the ground was too frozen for burials to take place.  I apologize for the “lines” in the color.  These were produced when I used a cheap gray marker to indicate locations of tone because I ran out of time and needed some guidance for later when I added color.

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon Black

I really enjoyed Claude Simard’s work.  His paintings, mostly done in acrylic are bright, very colorful and impressionistic.  While it’s clear from sketches on display that he is an excellent draftsman, this is not reflected in his paintings, which are almost caricatures of their subjects.  Nevertheless, it’s clear where he got the moniker as the Happy Painter.

What excited me the most, however, were the cabinets that displayed some of his sketches.  Some were in sketchbooks while others were done on watercolor paper.  All were simple sketches with loose watercolors added to them.  I loved them all.  In fact, I started drawing some of them with the idea of playing with watercolors in as close as I could get to his style.  This was a lot of fun and I did several of them.  Here’s one example.  The original was about 5×7, as is my copy of it.  I’m afraid I fell short of doing his watercolors justice.

“Bois du coulonge” Park

Eek…I’ve been way for a while and haven’t posted anything here in five days.  I just got home from Ottawa so I’m grabbing a couple smallish sketches I did while we were at the Bois du coulonge park.  Not much to say about them except that the little pond sketch was done twice.  The first time around I did it with washable ink without realizing it and when I started applying watercolors I generated a mess (grin).  Anyways, I’ll get the blog back on track ‘real soon.’

Sometimes Small Is Fun

With decent weather coming late this year, I’m in the mood to walk, and walk, and walk.  My pedometer has been smoking hot from all the activity.  At the same time, my arthritic hand has been giving me fits and so it’s been hard for me to be motivated to sketch.

But small formats fit into the walks and don’t pain the hand too much so I’ve used my trusty 3.5×5.5 Stillman & Birn Epsilon book to work some sketching into my walks.  Here’s a couple of those results.  I might have gotten carried away with the color but I’m trying to figure out the why and how other sketchers do this sort of thing.  I think I like the results.  Do you?

Giving A Lamy Another Try

Long ago I decided that the popular Lamy Safari was not the pen for me.  There are two reasons for this.  The first is that European XF nibs aren’t XF and to get a truly fine fountain pen nib requires purchase of an Asian pen.  The other reason, however, is my real problem with the Safari.  Its triangular grip may be fine for people writing with a fountain pen but I find it a real problem when I try to draw with it, mostly because I regularly move my hold point up and down the pen barrel and the triangular grip produces a lot of uncomfortable hold locations.

For some strange reason, though, I decided to try it again so I filled one with Platinum Carbon Black and went out walking.  We’re finally getting decent weather and I so thrilled with being out walking that sketching is taking a back seat.  The fact that my arthritis is causing my drawing hand to hurt may also have something to do with my reluctance to stop and sketch.

So when I was out I did a couple small sketches with the Lamy and my reassessment hasn’t changed my mind about it.  It’s not for me.  Here are the two small sketches I did.  The thick line and my clumsiness combined to create, at best, “ok” results.  It is nice to be able to be outdoors, though.

 

Haiku Meets Urban Sketching

Last Thursday I had a meeting at Mount Herman Cemetery to plan an interaction between our sketching group and a haiku writing group.  We’re planning a somewhat unique urban sketching event where we sketchers will meet at the cemetery and be teamed up with one or more haikuistes (is that a word?) and they will glean their inspiration from what, where or how we’re sketching.  I think it’s going to be a lot of fun and we’ll get to meet some creative people.

I got to the cemetery a bit early, though and I passed the time drawing a cemetery scene, though I had to cut it short because I ran out of time.  This was where I ended up.  I wonder if it could inspire a haiku poem (grin).

Only One Shade Of Gray

Nothing special in this post.  I was trying out some grey paper and did these two small sketches.  I sort of think that grey paper is not my cup of tea but I thought I’d show you these just cuz they’re different from my usual fare.

An Interesting View While Out Of The Wind

It got pretty windy when during our sketching session and because our temperatures are still cooler than normal, it got uncomfortable.  We all started looking for a place to draw while out of the wind and I chose the leeward end of Maison Dorion, a large house that is the headquarters for the St. Charles River Society.  I drew this scene.

Stillman & Birn Alpha (8.5×5.5), Platinum 3776, Platinum Carbon Black

Quick-Sketching A Landscape

I’m convinced that I’m the slowest sketcher on the planet.  I’m not proud of being number one, but a man has to know who he is.  Sketching isn’t a race but nevertheless, this is often a problem for me because I’d like to capture a scene without growing a beard at the same time.

I figure that the only way to crack this problem is to force the issue so this morning, I went to a park near “my river,” sat down and started drawing trees as quickly as I could.  I did the pen work for this scene in about 25 minutes and reached for my color tools.

Oops…I’d forgotten my watercolor stuff.  What I did have was a handful of watercolor pencils and the smallest waterbrush known to man.  The pencils were ok for the color source but that waterbrush… yuck.  It was woefully inadequate for the task.  Nevertheless, I worked quickly and in less than 40 minutes I had this sketch.

Stillman & Birn Beta (8×10), Platinum 3776, Platinum Carbon Black

This doesn’t compare well to Liz Steel doing a painting  in the blink of an eye and it’s not even close to how long it takes me to do a one-minute sketch a’la Marc Taro Holmes, but for a scene with this many trees, I feel it was pretty quick.

I’m hoping to do a bunch of one-minute sketches and another bunch of continuous line drawings this summer.  They won’t be as detailed as my normal drawings and certainly not as accurate.  But I’m hoping these exercises will speed up my hand.  Wish me luck.